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The Darling (Paperback)

by Russell Banks (Author)
4.3 out of 5 stars  See all reviews (3 customer reviews)

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Product details

  • Paperback: 400 pages
  • Publisher: Bloomsbury Publishing PLC; Airport and Export ed edition (4 Oct 2004)
  • Language English
  • ISBN-10: 0739451502
  • ISBN-13: 978-0739451502
  • ASIN: 0747575584
  • Product Dimensions: 23 x 15.2 x 3.4 cm
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (3 customer reviews)

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Product Description

Amazon.co.uk Review

Just what kind of novel is Russell Banks’ The Darling? The author is, after all, one of the most impressive writers in America today, and his work (in such books as Affliction has been marked by its refusal to deal with the parochial: Banks’ subject is always ambitious in every sense of the word, and this new book may be his most large scale yet. The Darling is a massive, multi-stranded novel about Africa today.

Banks’ heroine, Hannah Musgrave, is not a woman at ease with herself. Others might be happy with supportive parents and enthusiastic lovers, but Hannah finds that their blandishments do not plug the gap in her life. She abandons her comfortable middle-class existence and plunges into the dark terrorist world of the ruthless group known as the Weather Underground. Soon she is on the run from the FBI and takes refuge in Liberia in West Africa. It seems that her life will now change forever, as she marries a youthful politician and adopts the role of wife (and even mother). In the past, Hannah's life had been at threat from her own, internal forces, but now she finds that it is her environment which is the powder keg. The ruthless and corrupt military state which is Liberia (long shored up by America) is about to be plunged into massive bloodshed, and Hannah finds that all she has come to hold dear is at risk.

This is powerful and far-reaching writing, on a scale that few novelists (on either side of the Atlantic) are prepared to tackle today. The nearest modern equivalent to this epic novel of character, set against a seething backdrop is probably the work of Robert Stone, but the shade of Graham Greene is often evoked, and not to Banks' discredit. The conflicted heroine is a wonderful creation, and the turbulent dangerous world of war-torn Liberia is brilliantly evoked. -- Barry Forshaw --This text refers to an out of print or unavailable edition of this title.

Review

'Magnificent I believed every word of it, forgot I was reading fiction. Russell Banks has created a story that is both shattering and reassuring, and a narrator, Bone, who will stay with me for the rest of my life.' Roddy Doyle on RULE OF THE BONE Everything about Affliction is impressive-- [It] will not let go of you, I swear, until you turn the last page." Elmore Leonard on AFFLICTION 'Russell Banks's work presents without falsehood and with tough affection the uncompromising moral voice of our time. You find the craziness of false dreams, the political inequalities, and somehow the sliver of redemption. I trust his portraits of America more than any other -- the burden of it, the need for it, the hell of it.' Michael Ondaatje on CLOUDSPLITTER
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Customer Reviews

3 Reviews
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Average Customer Review
4.3 out of 5 stars (3 customer reviews)
 
 
 
 
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4 of 4 people found the following review helpful:
4.0 out of 5 stars Bank's Fan, 23 Jun 2005
By Ondre (Chicago) - See all my reviews
This review is from: The Darling (Hardcover)
I'm a big Russell Banks fan. I very much looked forward to this novel and in most regards it didn't let me down. I'll never really fault an author for writing serious, insightful fiction, especially this sort of work which brings to mind Norman Rush, Robert Stone or even, in some ways, Graham Greene. I'm absolutely glad to have read this novel and do recommend it.

But that recommendation comes with the caveat that there are probably aspects of this book that most readers won't like. There's gonna be something that rubs you the wrong way. I'm sure that's no secret to Mr. Banks himself. For example, Hannah is sort of hard to sympathize with. She's not a very nice person. She's willing to abandon many people in her life - including her parents and her children, and in a larger sense she abandons (or tries to) her country. She's conflicted about this stuff, but she still does it. It's hard to know also how she really feels about Africans. On one hand she marries and has children with a Liberian, but on the other hand she hardly seems in love with him. It's almost like events and circumstance propel her though life. If she expresses unconditional love it's for her monkeys, her "dreamers" - rather than actual people. It leaves me unsure how to read it all. Which might be what literature is all about. No easy answers to any of the issues raised here. No winners or loosers. Just people stumbling through life with many tragic consequences.

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1 of 1 people found the following review helpful:
4.0 out of 5 stars Superb, if Harrowing, 26 July 2006
This review is from: The Darling (Paperback)
An incredible book, hard work at times but only because of the themes it covers and the shocking events the narrator witnesses. Tremendous descriptions of a Westerner trying to find a place in Africa and a vivid attempt to portray the innermost workings of a woman who has never truly understood herself.

This book is so evocative that I was greedy for more when I finished, I may have to go to Liberia! Or failing that, order another Russell Banks book.
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5.0 out of 5 stars "There are certain things about me..., 3 Sep 2008
By Friederike Knabe (Ottawa, Ontario Canada) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
This review is from: The Darling (Paperback)
... that I won't reveal to you until you understand...", Hannah Musgrave tells her readers. She is the central axis of this rich and engaging tale of one woman's journey from a privileged childhood to quiet life on a farm in the Adirondack Mountains in upstate New York. The interim period, however, is dramatic and unconventional. She drops out of her middle class life as a young student, frustrated with the comfort of that life and the people around her. Joining the Weathermen Underground in the early nineteen seventies, she participates at the fringe of the movement. Eventually she escapes to West Africa and settles for an extensive period in Liberia, witnessing the overthrow of the corrupt pro-US president Tolbert by the brutal regime of Samuel Doe, a lowly military officer, and the complete collapse of the Liberian society, ending with the no less violent regime of Charles Taylor.

Now in her late fifties, she is recounting her story, divulging her varied life experiences in different episodes and on a need-to-know basis. Russell Banks captures her voice convincingly, getting into her mind, as well as, he explained elsewhere, "being her very close trusted male friend" who listens empathetically to her story. Will the reader do the same?

Hannah's account is of herself against the backdrop of dramatic circumstances. As the revelations progress, the readers are able to see beyond her words and messages and paint a more comprehensive picture of Hannah's strengths and weaknesses than she can herself. Bank is brilliant in providing the tools for such a process. Factual descriptions of her surroundings unwittingly divulge more of her persona than she intends, adding depth and incisiveness to her version of events. In Liberia, for example, Hannah has more than enough opportunities to engage with the political and serious societal issues at hand, yet, she stays again on the sidelines. Having married a middle ranking Liberian government official, she lives a life of privilege with her three sons. While analyzing, with hindsight, her status as the American "darling" among the political elite of the country and reflecting on her complex emotions for her parents, her lovers, her husband and children, the only deep love and affection she admits to feeling is for a group of suffering chimpanzees. Why? What made her this reserved and distant observer of life?

Banks tackles challenging issues with his novel: race, for example is a recurring thread throughout Hanna's story. In her youth, Hannah displayed her solidarity with African-Americans, yet in Liberia, she is not able to comfortably relate to her African in-laws and their traditions. The author accurately depicts the tumultuous conditions in Liberia during Hannah's life there and gives her account authenticity. The special relationship between Liberia, established in 1847 by African-American returnees, mainly freed slaves, and the US is still evident. The role of the CIA and the American diplomats are made explicit as Hannah constantly feels both their friendship and scrutiny. The Americo-Liberians have maintained their privileged position in comparison to the indigenous African population. Woodrow Sundiata, Hannah's husband, while vividly drawn, comes across more as a composite of many facets of what could be a "typical" African bureaucrat: insensitive and ambitious, yet malleable to the powers to be, and expecting privileges through gaining a white American "trophy" wife. With her as a wife, Hannah reflects in retrospect, "Woodrow was exotic, a little sexy, and possibly dangerous, as if his newly consecrated American connection gave him access to power and information that were unavailable to other Liberians, even among the elite."

Another thread in the novel that gives the reader food for thought, revolves around deep emotions or the lack thereof, or establishing where "home" is and what it means for somebody on the run or underground for a large part of her life. Hannah always felt that departures are quick and painless, long tearful good-byes uncalled for. Yet, sitting at her farm now, she wonders about her Liberian home, the destiny of her children. Could she reconcile her life with that of her parents? It is up to the reader to explore those questions with Hannah and draw their own conclusions. Banks novel is very worth the effort. [Friederike Knabe]
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