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The Stone Carvers (Paperback)

by Jane Urquhart (Author)
4.7 out of 5 stars  See all reviews (3 customer reviews)
Price: £7.99 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Product details

  • Paperback: 400 pages
  • Publisher: Bloomsbury Publishing PLC; New edition edition (20 May 2002)
  • Language English
  • ISBN-10: 0747557802
  • ISBN-13: 978-0747557807
  • Product Dimensions: 19.6 x 12.8 x 2.6 cm
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon.co.uk Sales Rank: 201,557 in Books (See Bestsellers in Books)

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Product Description

Amazon.co.uk Review

Jane Urquhart is one of Canada's best-known novelists. In her latest work, the sweeping and ambitious The Stone Carvers, she mines the depths of obsession as a source of creativity and of destruction, and the redemptive nature of art. Like Rose Tremain's Music and Silence, historical incident is the novel's leaping-off point. Written in the cadences and colour of legend, this richly imagined tale moves from the 19th into the 20th century and from Germany to Canada and to France to achieve an intriguing and satisfying whole.

In the mid-19th century young Father Pater Archangel Gstir is sent to Shoneval, a tiny, bleak settlement in the wilds of Ontario by mad King Ludwig of Bavaria. Gstir becomes obsessed with the building of an immense stone church for his motley flock, all of whom he draws into his ambitious plans. Among them is a wood carver, Joseph Becker, whom he commissions to carve a crucifix and Virgin and Child and whose memories of these harsh but fulfilling years are cherished by his granddaughter, Klara. At the outbreak of war in 1914, Klara carries on the family's traditions of carving and tailoring--as well as exploring the entrancements of new love. 20 years on, Klara lives still in Shoneval, now a spinster caught in the grip and illusion of memory, having lost Eamon O'Sullivan to the Great War. At Vimy in France, the Canadian architect Walter Allward, begins the construction of his vast monument to the thousands of soldiers who went missing in battle--and it is this that rekindles Klara's urgency to pay homage to the past and define her own future. --Ruth Petrie --This text refers to the Hardcover edition.



Observer

'Wartime romance, lowlife adventure and modern parable ... Urquhart's prose is as smooth and uncluttered as Margaret Atwood's .. triumphant'
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Average Customer Review
4.7 out of 5 stars (3 customer reviews)
 
 
 
 
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5 of 6 people found the following review helpful:
4.0 out of 5 stars Jane Urquart has excelled herself., 5 May 2002
This review is from: The Stone Carvers (Hardcover)
The characters in this book come to life. The story spans nearly eighty years from the beginnings of a community in Ontario to the beginning of the second world war. We meet first a dedicated priest who inspires a Canadian village into life. The young man who carves the alters, statues and crucifix for his church passes his skill to his grandchildren and this is the story of how they use them and the story of their loves and despairs.
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5 of 6 people found the following review helpful:
5.0 out of 5 stars A deeply moving, beautifully crafted novel, 2 Jan 2002
By A Customer
This review is from: The Stone Carvers (Hardcover)
I read the whole of this long book in a single evening, often being moved to tears.
Urquhart weaves a wonderful tale of the development of Canada together with the Great War, the threads brought together with a deep appreciation of art and its ability to represent the eternal truths of human nature.
A timely reminder of the futility and waste engendered by war, at the same time demonstrating her understanding of the power of love in all its forms.
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5.0 out of 5 stars Obsession and redemption, 20 Feb 2009
By Friederike Knabe (Ottawa, Ontario Canada) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
Klara Becker decided to live like a spinster. Although still young, she doesn't expect any more from life: tending the animals on her inherited farm, sewing clothes for the villagers to earn a little extra money, and burying the memories of love and loss, until... She is unquestionably Jane Urquhart's heroine in this wonderfully rich and absorbing novel about deep emotions, drive and determination. Set in the nineteen thirties, against the continuing aftermath of the most devastating historical event of the early twentieth century, World War I, the author by concentrating on intimate portraits of her protagonists brings to life the personal challenges ordinary people faced during these difficult times.

The novel is structured into three distinct sections, focusing in turn on Klara, her brother Tilman and the construction of the Canadian War Memorial in Vimy, northern France. Klara's character comes to life primarily through her own observations and inner reflections. The depth of her emotional being that stands in sharp contrast to her external "spinster" persona, is exquisitely evoked in Urquhart's lyrical language. The following quote gives a taste of it: "When one embraces a moment of rapture from the past, either by trying to reclaim it or by refusing to let it go, how can its brightness not tarnish, turn grey with longing and sorrow, until the wild spell of the remembered interlude is lost altogether and the memory of sadness claims its rightful place in the mind?..."

In this section, the narrative moves easily between the thirties and the late eighteen eighties when Klara's grandfather, master woodcarver Joseph Becker, immigrated from Bavaria to southwestern Ontario in search for a new life. He settled in the village of Shonegal where he found work with Father Gstir's ambitious church project for his small Catholic German congregation. Shoneval remained the centre of Klara's world; wood carving the craft to be passed on through the generations. Tilman, Klara's older brother, less interested in wood carving than in following the migrating birds, leaves home at a young age. Klara, on the other hand, quietly imitated her grandfather until she was ready to embark on her own carving project. Urquhart draws on the close interaction between her heroine and her work in progress - the statue of an abbess - to reveal the different emotional stages Klara experienced. Joseph could describe the changes he saw in the abbess's face, yet only guessing the source for his granddaughter's inner upheavals.

The third section of the novel draws the different threads of the story together and moves it to a different, yet intensely compelling level. The author provides an almost intimate account of the Canadian Vimy Memorial and the last stages of the work in progress, personalizing the direct involvement of its architect, Canadian Walter Allward and of the many skilled carvers implementing his dream. Her description of the enormous Monument, built on the actual battle field, and erected in memory of the many thousands of Canadian soldiers who perished in this decisive battle, leaves no doubt as to its impact on anybody seeing it. Urquhart's lyrical language evokes the eerie atmosphere that surrounds the carvers working high up on fragile platforms on either of the white limestone pylons that form the centre of the monument. The passages describing the intricate work of stone carvers whether swinging on ropes high up or working on engraving the thousands of names of the missing are some of the most memorable of the novel. The author imagines the stone carvers' daily existence: carving from dawn to dusk; living and breathing the atmosphere of the land, still saturated with the evidence of the war. For some, like for Klara and Tilman, the work is a release from the past, a new beginning that is grounded in forgiveness, closure and redemption. Not surprisingly, Urquhart, asked about what the novel was about, responded: "it is about the redemptive nature of art". Yes, indeed.

By bringing the different threads of the novel together around the Vimy memorial, Urquhart also achieves an admirable harmonization between the intimately imagined lives of her characters and the broader historical reality. Shonegal, for example, is based on the town of Formosa, the actual Father Gstir built the enormous church up on the hill as described in the novel. The imposing Vimy Monument continues to be well known to Canadians of all generations; Walter Allward, almost forgotten since as the architect of the Monument, has been given a well-deserved tribute in Urquhart's novel. [Friederike Knabe]
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