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5 of 5 people found the following review helpful:
Good Stuff, But not the Best Jeeves & Wooster, 5 April 2002
The Jeeves and Wooster books generally follow the same template: the young, wealthy airhead Wooster or one of his upper-crust pals gets in some sticky social situation, and it is up to his genius butler Jeeves to devise an ingenious solution to the quandary. Often the stories involve some manner of deception, misunderstanding, or often, mistaken identity-and sometimes, Jeeves' scheme backfires, resulting in even greater hilarity (although as with every comic tale, all is set right by the end). The books can fairly be compared to contemporary TV sitcoms, as they to reply on recurring (often over the top) characters, a rarefied setting, a single type of humor, and recurring situations. Simply put, if you like one Wooster tale (and don't get sick of them), you're going to like them all. Much of this can be explained by Wodehouse's mastery of the language and constant deft turns of phrase, period slang, and comic timing. This entry in the canon (a direct sequel to Stiff Upper Lip, Jeeves) is a little disappointing in comparison to others, mainly because for once, Wodehouse overuses some of his gags. Throughout the story, Wooster fumbles for words and phrases, a device which quickly loses any of its scant charm. Similarly, Jeeves' erudition is overdisplayed, as quotes from Shakespeare, Burns, Worthsworth, and numerous Romans are crammed in-as are Biblical references and Wooster's reminiscing about winning a school prize for Old Testament knowledge. Still, the story of a local election, a purloined silver pot, the missing journal of the Junior Ganneymeade Club, Spode, and various ladies eager to marry Bertie, all set amidst Aunt Dahlia's mansion, is sure to please what Wodehouse refers to as "the old sweats." Those who deride the shallow subject matter and milieu of the Jeeves and Wooster series need to recall the context in which these stories appeared. Only a few years removed from the horrors of World War I-an event that is never alluded to in the series, despite the loss of an entire generation of British young men-the stories can be viewed as a bandage of sorts, an attempt to transport the reader to a world far removed from the traumatic recovery from the Great War. Not to mention Wodehouse's clear depiction of the upper classes as wastrels and idiots of the highest order when com |
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