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17 of 17 people found the following review helpful:
5.0 out of 5 stars
Fantastic, 3 Jun 2007
I'll begin by saying that I haven't read any other of Hesse's books. After reading Narcissus and Goldmund, I can hardly wait. However, I find it hard to imagine how anything he has written could possibly surpass the singing, joyously spiritual prose that lies on every page of this effort. A book that positively resounds with the twin elements of ecstasy and grief, of life and death, of light and dark, it is the ultimate tribute to life and all its incredible avenues. Sprawling yet succinct, philosophical yet free spirited, it is, in two words, life affirming.
It is unusual for such a modestly sized book to tackle such large, important themes so effectively, and so excitingly. In Goldmund, we can all see ourselves, or can all see what we might be, if we had the gumption. He is one the best illustrated characters, best illustrated concepts, to ever grace our pages. His artistic and amorous wanderings are delightfully redolent of the very joy of being. A primitive, soulful vagabond, blessed with an artist's mind, and cursed with an artist's depression, he wheels through life, from woman to woman, from valley to valley, from light to dark. Narcissus, his mentor and the thinker, bookends the book in a pleasingly structural manner, his brooding intellectualism, and peaceful scholarly outlook providing the perfectly balanced contrast, to impetuous, free-spirited Goldmund.
A veritable mine of inspiration awaits the sensitive reader, in what is surely Hesse's crowning achievement. To read the poetic, fable-like prose is to gain insight like no other, to be inspired time and time again, to be uplifted and to be guided. It is a book to which doubtless you will return.
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16 of 17 people found the following review helpful:
5.0 out of 5 stars
wonderful, 1 July 2003
By A Customer
This tale is essentially a diagnosis of human existence and the way individuals respond to it. Without death, says Hesse, life is either an impossibility or an absurdity. It is death that gives value to life and life that gives value to death and the shortness and brevity of life gives it both its absurd insignificance and its amazing importance. The genius of Hesse lies in his ability to capture both the horror and the beauty of life within the same novel: to conjure with the lyricism of a magician the hope out of hopelessness, the joy out of despair and the will to live out of the seeming absurdity of beings born to die and return to dust. Life is indeed meaningless but it is this very meaninglessness that gives life a meaning, as being aware of the finite and absurd nature of life we are, instead of being constrained by a pre-ordained “meaning”, forced to find value in our lives. Life is a series of (seeming) contrasts: sadness to happiness, life to death (the absence of life), masculine to feminine…etc, etc. This is the conception of existence that Narziss attempts to shun by withdrawing into the realm of the mind and Goldmund the world of non-rationalised passion. Both are attempts to escape the essential reality of existence. In this sense Narziss lives like an ascetic – fasting and learning to overcome and negate his sensual nature – and Goldmund the hedonist – sleeping with gipies, wandering roads and plagued towns – and allowing himself to be governed by his senses, seeking no overreaching logic for sheer, unmitigated pleasure and pain. The emotional (our feminine quality) and the intellect (our masculine quality) are the two driving forces behind all that we do, and unlike Narziss and Goldmund, who attempt to adhere to one of the two extremes, Hesse seems to think it is better for us to find a balance between the two: which, in my opinion, is shown by both characters failing in their respective attempts to take mastery over life. It is a complex novel, which would require more thought than I have had time to put into it to fully understand what is being said. Where the novel fails is from a literary (as opposed to philosophical) angle. The prose is flowery – albeit way below the poetic genius of Steppenwolf – but, as there are no descriptions of character or scene, it is impossible to read it as anything but a novel of types and ideas. This is understandable and insightful. It is understandable because Hermann Hesse was not Stephen King: this book is not intended to entertain but to encourage self-reflection, to get people to examine the way they are living, not to give them a few hours cheap entertainment. It is insightful because the book works on an intellectual rather than an emotional level, it appeals to the Narziss in us rather than the Goldmund. Another amazing work of art, which I have come to expect of Hesse.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
unexpected joy, 13 Mar 2008
As with the other comment on this book, this is also the first Hesse i've read, but surely not the last. Really impressed, if i had read a page at random in Whsmith's i think might have put it back down, as a times it reads like a fairytale and you do need to suspend everything you know about the modern age to fully get into the spirit of the book,
but then when you do that, you find a resonance in everything that happens to our trusted wayfarer, Goldmund, and you start to scratch beneath the surface of Hesse's story, and its sentiment keeps unfolding before you on the page. Then you're at the end, and you need to go back and check for what you missed.
And Graham Coxon's introduction is really sweet as well.
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