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24 of 30 people found the following review helpful:
5.0 out of 5 stars
Bauval's Bombshell, 29 Jun 2004
Review sent yeaterday with minor corrections.review of Talisman by Graham Hancock and Robert Bauval, Penguin/Michael Joseph Talisman, by Graham Hancock and Robert Bauval Penguin/Michael Joseph, £20 Review by Colin Wilson Three years ago I attended a conference in Cagliari, in Sardinia, where writers like Erich von Daniken and Alan Alford explained their latest researches into the origins of civilisation. But the most remarkable event of that weekend was a talk by Robert Bauval about the discoveries that were the basis of his work-in-progress, Talisman. Bauval is a speaker of amazing vitality and enthusiasm, and even though he was the final speaker of a long day, and we were all thinking longingly about dinner and Sardinian wine, we forgot that as Bauval produced an amazing fireworks display of ideas. And when dusk began to fall in the courtyard the of the conference centre and the chairman suggested bringing the talk to a close, there was a groan from the audience. At which point, the conference organiser, Sylvano Salvatici, suggested that those who wanted to hear more should go to a hall upstairs, while those who wished to leave could do so. Virtually whole whole audience of three hundred or so trooped upstairs, where Bauval spent another ninety minutes completing his exposition. Ever since then I have been waiting to read the book. And when it arrived a month ago, a vast tome of 562 pages, I settled down to it immediately. It is certainly one of the most remarkable works published in the 21st century, and throws a totally new light on the history of the past 2,000 years. What Bauval told us that day in Cagliari was this. When a French mob overthrew the Bastille and inaugurated the French Revolution on July 14, 1789, someone suggested the extraordinary idea that the stones of the ruined fortress should be used to build a pyramid dedicated to the Egypian goddess Isis. This was never carried out, but a statue of Isis was placed there instead. Why Isis? The answer is that the goddess is closely associated with Freemasonry, and Freemasonry has played a central role down the ages, to such an extent that it has influenced the design of cities like Florence, Paris and Washington. The most impressive part of Bauval's lecture described how, standing at the Arc de Triomphe, gazing down the Champs Elyseé , he realised that the design of the avenues of Paris is basically the same as that of Luxor and Karnak in Egypt, with the Louvre in the place of the great temple of Karnak. And to underline that point, the French premier Mitterand commissioned the glass pyramid in the courtyard of the Louvre. George Washington was also a Freemason, as was Roosevelt. The Masonic symbol of the eye in the pyramid is incorporated in the seal of the United States, as well as on the dollar bill. But what has Isis got to do with the idea of liberty, equality and fraternity? This is what Bauval and his fellow-author Graham Hancock set out to tell us, in an amazing quest that takes us down some fascinating byways of history. The story begins with the legendary founder of magic, Hermes Trismegistos, whose most famous saying, inscribed on an emerald tablet, is 'As above, so below'. This is usually taken to mean that man, the 'microcosm', is created in the image of the Universe, the macrocosm. But, as Bauval showed in his bestselling first book The Orion Mystery, it has another meaning. The Egyptians believed that the kingdom of the sky, the realm of the god Osiris, is literally reflected on earth, where the Nile is the image of the band of the Milky Way. The pyramids, Bauval argues, were built to reflect on earth the stars of Orion's Belt, Orion being Osiris. That mysterious shaft that runs from the Kings Chamber of the Great Pyramid was built as a kind of telescope focused on the dog star Sirius, the star of Isis, and when the pharaoh's body was placed in the King's Chamber, the shaft also served as a kind of gun to fire his soul at Sirius, his true home. The works of Hermes were the basis of a philosophy called Gnosticism. Gnosticism and the mystical religion of Isis continued to exist alongside Christianity, and when Cosimo de Medici had the sacred books of Hermes translated in Florence, it appeared once more, now as a secret rival to the Christianity of the Catholic Church (which here, as in Dan Brown's bestselling novel The Da Vinci Code, emerges as the villain of the piece). Talisman devotes some of its grimmest pages to the Church's suppression of Gnostic heretical sects like the Bogomils and Cathars. The Knight Templars also play a central part in the story, and emerge as the founders of what we know as Freemasonry. Oddly, Hancock and Bauval have decided to omit the story of the mystery of Rennes le Chateau and the Priory of Sion, no doubt because it has now been told so many times. Thus the Templars have to take on that central role of connecting ancient Egypt and Solomon's Temple to Freemasonry. In Washington, the Pentagon and Washington monument are the proofs of the connection between Ancient Egypt and modern Freemasonry. And this, the authors suggest, explains Al Quaeda's attack of September 1lth, 2001. It can be seen that this is a highly controversial book. It also shares with Hancock's Fingerprints of the Gods and Bauval's Orion Mystery their breathtaking sweep and bird's eye view of history. Talisman is the third step of the argument beyond these two books.
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