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Red-color News Soldier (Paperback)

by Li Zhensheng (Author)
4.0 out of 5 stars  See all reviews (2 customer reviews)
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Product details

  • Paperback: 316 pages
  • Publisher: Phaidon Press Ltd (Sep 2003)
  • Language English
  • ISBN-10: 0714843083
  • ISBN-13: 978-0714843087
  • Product Dimensions: 25.4 x 20 x 2.8 cm
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon.co.uk Sales Rank: 386,006 in Books (See Bestsellers in Books)
  • See Complete Table of Contents

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Product Description

Product Description

Following World War II, China found itself struggling with a conversion to communism that had wreaked havoc on the nation's economy, causing a devastating famine and extreme economic depression. In 1966 China's leader, Mao Zedong, gave his support to radicals within the communist party who envisioned a revolutionary social upheaval that would destroy all traces of the reactionary past. This was the beginning of a ten-year period of violence and chaos known as the Cultural Revolution. Many top officials lost their positions and numerous provincial governments came under the control of the radicals. The radical movement was primarily led by students who formed organizations known as "Red Guards," which used violent methods to punish people they saw as "anti-Maoists" or counter-revolutionaries. At the height of the Cultural Revolution (1966-70) China's universities were closed and much of its populace was sent to rural "re-education centres" where they were indoctrinated with Maoist policies. It is during this period that Li Zhensheng worked as a photojournalist for the "Heilongjiang Daily", shooting film both for the paper and, as we know now, for himself. While Li worked for a newspaper supporting the Maoist movement and admits he did not think Mao's policies to be incorrect at the beginning of his tenure at the newspaper, his hiding of film was a highly subversive action. As a photographer, Li wanted to document the Cultural Revolution for himself and for others in the future. He put himself at risk by hiding film stills that the government would have destroyed, capturing events of which little or no other visual record exists. Looking at the photos in this book, one sees the difference between the photos published in the "Daily" and those Li hid for himself, allowing for a rare understanding of how the Chinese government controlled media during the Cultural Revolution. The Heilongjiang province where Li worked was crucial because of its proximity to the then Soviet Union. Its main city, Harbin, had been occupied by the Soviets following World War II and was later set up as a communication hub between the Soviet Union and China. It was the communist centre which bred the revolutionary movement, leading to China's unification under communist control in 1949. This Russian influence can be seen in the details of Li's photographs, right down to the city's typically Russian-style architecture. Many of Li's techniques as a photographer borrow from his training as a filmmaker, including his creation of "handheld panoramic" photos by shooting overlapping frames of large panoramas and pasting the stills together to create the illusion of one continuous shot. His inventive techniques and powerful images make Li one of the premier Chinese photographers alive today. This book, which takes its name from the literal translation of Li's accreditation as a photographer approved by the Communist Party headquarters in Beijing, is part of the key to understanding one of the most turbulent and still notorious eras of modern history. The book includes a preface, introduction, text by the photographer, chronology, maps, and extensive photo captions for over 400 photos (almost all of which have never been seen before).


About the Author

Li Zhensheng was born in Dalian, China in 1940. After studying film, he joined The Heilongjiang Daily as a photojournalist in 1963 and documented the Chinese Cultural Revolution. In 1987, a collection of twenty of his photos from the Cultural Revolution titled "Let History Tell the Future" was released and won the grand prize at China's National Press Association Photo Competition. Since October 1996 he has been a visiting scholar, lecturing on the Cultural Revolution at Harvard and Princeton universities. His work has appeared in Time, The New York Times Magazine, Der Spiegel (Germany), and Le Nouvel Observateur (France). Li, a Chinese citizen, is currently engaged in academic research, writing, and lecturing. Jonathan D. Spence is Sterling Professor of History at Yale University. He is the author of a distinguished body of work on the history of modern China, including the seminal book, The Search for Modern China (1990). The Gate of Heavenly Peace: The Chinese and Their Revolution 1895-1980 (1981) was awarded the Los Angeles Times Book Prize for History. Spence was named a MacArthur Fellow in 1988 and is established as a one of the foremost experts on modern China.

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Average Customer Review
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7 of 7 people found the following review helpful:
4.0 out of 5 stars The Cultural Revolution brought to life, 10 Nov 2003
An amazing and important photographic journey through China's Cultural Revolution, recording the impact of Mao's policies on daily life in China's north east. Un-censored photographs from this time are hard to come by. The photographs in this book are the work of Li Zhensheng, an official photographer who kept much of his work hidden from the censors. The photographs in this book detail the true horror of this political experiment. The photos show beatings, executions and scores of public meetings at which people were denounced for such 'crimes' as 'hoarding riches' (a separate photographs shows an example of such 'riches' - an artificial leather handbag, three watches and two brooches). Most poignant for me was the series of pictures showing the execution of Wu Bingyuan who, on hearing the death sentence, proclaimed 'This world is too dark' and closed his eyes never to reopen them. The photos show Wu's final journey to the execution ground, head held high and eyes clenched shut. Later photos show his lifeless body. If you have any interest in China, history, politics or photographic history - this book is invaluable.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars A shocking look at a remarkable period, 22 Dec 2003
By Paul Donovan (London, UK) - See all my reviews
(REAL NAME)   
Although the photographs are the main focus of this book, the accompanying text is also illuminating as an individual's account of his experiences of the Cultural Revolution. The text has, of course, been written with the benefit of hindsight - and one gets a sense of retrospective self-justification coming in. The passion that the period inspired amongst the younger generation is also evident, however.

The photographs are, of course, contemporary accounts of the living through that period, and consequently have the power to shock significantly. The "struggle session" photographs of senior party leaders undergoing "self-criticism" are particularly horrific. The concluding photographs of a "victor" of the Cultural Revolution on her way to her execution after the restoration of a more normal society also have a big impact - though curiously there is a sense of the pathetic about the woman that Li captures.

The photography merits a 5 star rating, the text probably a three. The images are a valuable insight into the strength of emotion in that remarkable period.

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