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Blue Movie
  
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Blue Movie (Paperback)

by Terry Southern (Author)
4.0 out of 5 stars  See all reviews (2 customer reviews)

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Product details

  • Paperback: 287 pages
  • Publisher: Marion Boyars Publishers Ltd (May 1973)
  • Language English
  • ISBN-10: 0714509663
  • ISBN-13: 978-0714509662
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)

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Product Description

Synopsis

A humorous satire of Hollywood.

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Average Customer Review
4.0 out of 5 stars (2 customer reviews)
 
 
 
 
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3 of 3 people found the following review helpful:
4.0 out of 5 stars Savage satire of both Hollywood & the Catholic Church, 17 Oct 1999
By A Customer
This review is from: Blue Movie (Paperback)
It is almost impossible to review as it moves on so many levels. However! The idea of an exploitation movie as 'art' is new territory. The full ability of a top director who is using quality actors; lighting & hollywood standard equipment drives down on the topic. Just how do you get the ultimate climatic shot of sex: Southern tells you how. How to maintain an erection? No problem. Persuading quality actresses to do hard core?? The desire of small countries to finance movies & get in the loop. The denouement of the attack by immoral moralists of the Catholic Church was the only part that didn't ring remotely true (no I'm not RC). Sex and Fun. Say no more
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2 of 2 people found the following review helpful:
4.0 out of 5 stars Blue Movie - Nathaniel West-gone-porn?, 18 Dec 2006
By gary shooter (Surrey, B.C., Canad) - See all my reviews
This review is from: Blue Movie (Paperback)
Terry Southern's novel "Blue Movie" is often reviled or dismissed by critics as a mean-spirited rehash of "Candy." The latter is regarded as "innocent"(a curious word to use in this context) while the former is regarded as the dyspeptic afterthoughts of a soured roue. I think this is fundamentally wrong. To be sure, some might find the subject matter of "Blue Movie" to be, as it were, a bit much. However, I think the novel is best regarded as a comic-porn rethinking of Nathaniel West(informed by both the satirical vision of West and the often ignored absurdist aesthetic underlying this vision)populated by grotesques from Edgar Allan Poe's comic fiction(particularly "The Man That Was Used Up" - anybody familiar with this story will automatically see the connection/somebody get busy writing an academic paper!). Hostile critics ignore the icy grace of the prose(by far superior to the writing of "Candy," which sometimes shows its haste). This book is relentless in its determination to "go too far"(if I might borrow the title of an uneven but insightful book by Tony Hendra). Readers inclined to propriety will definitely not find it to their tastes. But readers inclined to find laughs at the nihilism implicit in the Sexual Revolution of the hippie era will find this something of a treasure drove. Indeed, there is an almost apocalyptic air to the book, again reminiscent of Nathaniel West's "Day of the Locust." Unlike "Candy"(prosecuted as porn but obviously a joke from beginning to end), "Blue Movie" is indeed at times genuinely erotic. That is what is disconcerting about it. Should I really be enjoying something like this? Southern's knowledge of Hollywood grotesques and lunkheads is unerring. The brother-sister incest in this novel comes again, I think, from Poe. And long-term Terry Southern fans will no doubt be blackly amused by the gracious little tribute to his collaborator on "Candy," the sometimes cantankerous and egocentric Mason Hoffenberg(ironic given the often ugly legal history between the two)- a fictitious adaptation of Hoffenberg's "Until She Screams"(why isn't this in print, incidentally?). One might regard this novel as a comic attempt to drive the reader until he/she screams. This book certainly can't be described, by and large, as subtle. What good is subtlety in the face of chaos and nihilism? Those who take the post-Sexual Revolution sexual terrain for granted will be darkly amused by the content of this novel. Those with tender sensibilities would be well advised to brace themselves. Like "Dr. Strangelove," this book announces - "This is the Void - you might as well laugh!" The novel is funnier and better written than some stodgy critics would have you believe. (And it's a damn sight funnier and sharper than Martin Amis's leering, morally ambivalent excursions into the world of porn!) Terry Southern's literary grace resides in his exquisite ability to blend the hieratic and the demotic in one literary text. His stylistic touch here in that regard is peerless. And, if indeed you want to go too far, you have a truly great guide here to conduct you. Stay away - or go all the way. It's your choice. The book is a tombstone for an era - and a gateway opening out onto ours. Greg Cameron.
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