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Fortress Besieged
 
 

Fortress Besieged (Hardcover)

by Qian Zhongshu (Author), Jonathan D. Spence (Introduction) "The Red Sea had long since been crossed, and the ship was now on its way over the Indian Ocean; but as always the sun..." (more)
5.0 out of 5 stars  See all reviews (1 customer review)

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Product details

  • Hardcover: 448 pages
  • Publisher: Penguin Classics (28 April 2005)
  • Language English
  • ISBN-10: 0713998350
  • ISBN-13: 978-0713998351
  • Product Dimensions: 23.4 x 16.4 x 4.6 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 749,998 in Books (See Bestsellers in Books)

Product Description

Product Description

Fortress Besieged is a classic of world literature, a masterpiece of parodic fiction that plays with Western literary traditions, philosophy and middle class Chinese society in the Republican era. The title is taken from an old French proverb, "Marriage is like a fortress besieged: those who are outside want to get in, and those who are inside want to get out". Set on the eve of the ferocious Sino-Japanese War, Fortress Besieged recounts the exuberant misadventures of the hapless hero Fang Hung-chien. This masterwork of world literature plays with Western traditions, picaresque humour, tragic-comedy, satire, Eastern philosophy and the mores of middle-class Chinese society to create its own unique feast of delights.


About the Author

Qian Zhongshu (1910-1998) was a novelist, poet, man of letters and one of China's most outstanding scholars and was seen by many in his country as the last link in an unbroken chain of geniuses stretching back to Confucius.

Inside This Book (Learn More)
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First Sentence
The Red Sea had long since been crossed, and the ship was now on its way over the Indian Ocean; but as always the sun mercilessly rose early and set late, encroaching upon the better part of the night. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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8 of 8 people found the following review helpful:
5.0 out of 5 stars A Global Masterpiece, 25 Aug 2006
By A. Stroud "Alfie Stroud" (Swansea/Oxford, UK) - See all my reviews
(REAL NAME)   
This review is from: Fortress Besieged (Paperback)
'Fortress Besieged' is often referred to as the greatest modern Chinese novel. Such a categorisation - true though it probably is - risks boxing-away from Western attention a novel that is bigger than that in both scope and influence.

The novel's comic (anti-)hero Fang Hung-Chien hails from a province near Shanghai during the pre-Japanese occupation Republic of China. At the book's opening, he is returning to his homeland after several years of abortive study in Europe, with only several books and a fraudulent degree certificate to show for it. Zhongshu traces his first several years back in China through a couple of unrequited romantic dalliances amongst the Shanghainese elite, a doomed teaching post at a mediocre inland university, and the eventual collapse of an ill-advised marriage. The Sino-Japanese war, the glamour of 1930s Shanghai and lush provinces of Southern China provide the book's rich and significant background.

'Fortress Besieged' is ultimately a darkly comic novel, but attempting to classify it absolutely would be to overlook the incredible range of Zhongshu's writing. Perhaps the book's most impressive fact is the seamless evolution of its tone and style as Hung-Chien's world changes. Zhongshu mixes elegant prose, penetrative psychology and fantastically funny characterisation to create a book that feels significantly bigger than its 400-odd pages. Not that that should put you off - providing you don't feel the need to follow up every one of the many footnotes, the text reads for the mostpart smoothely and gracefully. It is an American translation however, and so produces some occasionally curious turns of phrase that sound a little out-of-place in early 20th Century China. This does little to lessen the overall impact of the novel though.

Zhongshu's own formidable education in East and West shines through in his beautifully woven tapestry of reference - literary, artistic, social and historical - which spans Asia, Europe and America with ease. It is this quality of fusion, exemplified by the very genre of the novel - suspended between Bildungsroman and Chinese epic - that elevates this powerful and humerous book above just the Chinese national canon to make it a truly Global masterpiece.
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