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Berlioz: The Making of an Artist v. 1
 
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Berlioz: The Making of an Artist v. 1 (Hardcover)

by David Cairns (Author)
5.0 out of 5 stars See all reviews (1 customer review)

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Product details

  • Hardcover: 672 pages
  • Publisher: Allen Lane; New edition edition (4 Nov 1999)
  • Language English
  • ISBN-10: 0713993855
  • ISBN-13: 978-0713993851
  • Product Dimensions: 24 x 16.7 x 5.7 cm
  • Average Customer Review: 5.0 out of 5 stars See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 1,398,023 in Books (See Bestsellers in Books)

Product Description

Amazon.co.uk Review
Life stories come in all sizes, from the smallest notice in a dictionary of musical biography to largest multi-volume epic. Fitting form to subject, David Cairns's enormous retelling of Berlioz's--of which this is volume one (running from 1803-1832)--is on the grandest possible scale. It contains a tremendous amount of fascinating detail, and conveys a real sense of what it was like to grow up in France in the aftermath of the Napoleonic defeats. But above all it is a completely convincing portrait of the character of Berlioz himself, and of his sense of his own artistic mission. He lived passionately, sometimes gushingly. When he fell in love, for instance, he did so hyperbolically ("my heart expands and my imagination struggles to comprehend this intensity of happiness");he suffered amorous reversals with melodramatic intensity ("wandering the streets at night with a bitter grief that haunts me like a red-hot iron on my breast"), and he spoke with gusto of the effect great art had on him("I came out of Hamlet shaken to the core by the experience; I vowed I should not expose myself a second time to the flame of Shakespeare's genius"). But one of the nice things in Cairns's account is the way the ordinary neatly undercuts Berlioz's self-dramatisation; for instance the letter to his mother that begins "thank you, dear Mama, for the handkerchiefs. What I am short of is stockings."

Volume One takes us up to the composition of Berlioz's early triumph, theFantastic Symphony, which Cairns describes in powerful prose. But most absorbing are the accounts of Berlioz's all-consuming love affairs: his boyhood infatuation with Estelle Dubeuf, his obsessive love for the English actress Harriet Smithson, for whom he learned to speak English, and his more realistic love for the pianist Camille Moke. You finish reading it eager to carry the story on in volume two, Servitude and Greatness.--Adam Roberts

Product Description
This first volume of David Cairns's biography of Berlioz, first published a decade ago (when it won the Royal Philharmonic Society's Music Awards, the Yorkshire Post Book of the Year and the British Academy's Derek Allen Prize) and now reissued in a revised and corrected second edition, transform our view of the composer of the "Fantastic Symphony" and has established itself as one of the outstanding biographies of any musician in English: "it is already clear", wrote one critic, "that Cairns is doing for Berlioz what Ernest Newman did for Wagner". In this book the author describes with unprecedented intimacy, affection and respect the early years of one of France's greatest artists. In researching the life, Cairns has had access to a wealth of family papers. He is able to portray all the people close to Berlioz in his boyhood and to evoke a detailed picture of their existence in an d around La Cote St Andre in the foothills of the French Alps. No artist's achievement connects more directly with early experience than that of Berlioz, whose passionate sensibility began to absorb the material of his art long before he had heard any musical ensemble other than the local town band, and few artists have had to fight their way through a more intense family drama in order to follow their vocation. To be given an authentic sense of the place and the people involved, and of Berlioz's response to them, is to be taken to the heart of the man. The same is true of Berlioz's student years in Paris, where he tried to please his father by attending medical school but soon found the pull of music irresistible. He immersed himself in the works of Gluck and Spontini; studied with Jean-Francois Le Sueur, at first privately, then at the Conservatoire; won the Prix de Rome at his fifth attempt; and spent the obligatory year in Italy. Those simple statements cover a turmoil of commitment, defiance, experiment, frustration and achievement, all of which Cairns brings to life. berlioz's development as a composer is fully described.so are his three great love affairs: his boyhood passion foe Estelle Dubeuf which was to run like a musical; theme through his life; his almost and obsession with the English actress Harriet Smithson; and his much less unreal love for the brilliant pianist Camille Moke. This volume ends when, after two years away from Paris, Berlioz has organized the concert which will launch him on his professional career.


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1 of 1 people found the following review helpful:
5.0 out of 5 stars Not just a definitive biography but a great read., 3 Dec 2006
By C. Bell (England) - See all my reviews
(REAL NAME)   
This massive two volume biography of the greatest French composer of the Nineteenth Century has been praised and showered with awards. Not only is it now the definitive book on the composer, written by the Berlioz authority of our times but it is a totally absurbing account, not only of the music (which is still underestimated by many) but of the cultural history of the period too (the two volumes cover the years 1832-1836). The boy Berlioz witnessed the heady days of Napoleon's return from Elba, the young man was writing his Prix de Rome composition when the 1830 Revolution broke out and he lived to witness the reactionary stultification of France after the 1848 revolution.

David Cairns analyses the music in enough detail to guide us through Berlioz' still strikingly modern style without losing any less musicologically minded readers. He also offers a profound and penetrating analysis of this wonderfully human man who suffered throughout his life for his two great loves: music and women. Perhaps no other composer of the period was so interesting, so intelligently engaged in his times and so given to emotional excess.

Cairns paints a vivid picture in a surprizingly informal style which reads more like a Romantic novel than a biography. You really do have to read the next chapter to find out what happens. There is no loss of quality however, Cairns keeps us heads down as he passes scrupulously through each year putting the music into context - no composer's life was more expressed in music - and putting the man into the context of the times.

If Berlioz comes over as almost larger than life, it only goes to remind us that life is maybe bigger than many of us dare make it.

Don't be put off by the length, a big man deserves a big book and it is so very readable that you will regret coming to the end.

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