Amazon.co.uk Review
Life stories come in all sizes, from the smallest notice in a dictionary of musical biography to largest multi-volume epic. Fitting form to subject, David Cairns's enormous retelling of Berlioz's--of which this is volume one (running from 1803-1832)--is on the grandest possible scale. It contains a tremendous amount of fascinating detail, and conveys a real sense of what it was like to grow up in France in the aftermath of the Napoleonic defeats. But above all it is a completely convincing portrait of the character of Berlioz himself, and of his sense of his own artistic mission. He lived passionately, sometimes gushingly. When he fell in love, for instance, he did so hyperbolically ("my heart expands and my imagination struggles to comprehend this intensity of happiness");he suffered amorous reversals with melodramatic intensity ("wandering the streets at night with a bitter grief that haunts me like a red-hot iron on my breast"), and he spoke with gusto of the effect great art had on him("I came out of
Hamlet shaken to the core by the experience; I vowed I should not expose myself a second time to the flame of Shakespeare's genius"). But one of the nice things in Cairns's account is the way the ordinary neatly undercuts Berlioz's self-dramatisation; for instance the letter to his mother that begins "thank you, dear Mama, for the handkerchiefs. What I am short of is stockings."
Volume One takes us up to the composition of Berlioz's early triumph, theFantastic Symphony, which Cairns describes in powerful prose. But most absorbing are the accounts of Berlioz's all-consuming love affairs: his boyhood infatuation with Estelle Dubeuf, his obsessive love for the English actress Harriet Smithson, for whom he learned to speak English, and his more realistic love for the pianist Camille Moke. You finish reading it eager to carry the story on in volume two, Servitude and Greatness.--Adam Roberts
Product Description
This first volume of David Cairns's biography of Berlioz, first published a decade ago (when it won the Royal Philharmonic Society's Music Awards, the Yorkshire Post Book of the Year and the British Academy's Derek Allen Prize) and now reissued in a revised and corrected second edition, transform our view of the composer of the "Fantastic Symphony" and has established itself as one of the outstanding biographies of any musician in English: "it is already clear", wrote one critic, "that Cairns is doing for Berlioz what Ernest Newman did for Wagner". In this book the author describes with unprecedented intimacy, affection and respect the early years of one of France's greatest artists. In researching the life, Cairns has had access to a wealth of family papers. He is able to portray all the people close to Berlioz in his boyhood and to evoke a detailed picture of their existence in an d around La Cote St Andre in the foothills of the French Alps. No artist's achievement connects more directly with early experience than that of Berlioz, whose passionate sensibility began to absorb the material of his art long before he had heard any musical ensemble other than the local town band, and few artists have had to fight their way through a more intense family drama in order to follow their vocation. To be given an authentic sense of the place and the people involved, and of Berlioz's response to them, is to be taken to the heart of the man. The same is true of Berlioz's student years in Paris, where he tried to please his father by attending medical school but soon found the pull of music irresistible. He immersed himself in the works of Gluck and Spontini; studied with Jean-Francois Le Sueur, at first privately, then at the Conservatoire; won the Prix de Rome at his fifth attempt; and spent the obligatory year in Italy. Those simple statements cover a turmoil of commitment, defiance, experiment, frustration and achievement, all of which Cairns brings to life. berlioz's development as a composer is fully described.so are his three great love affairs: his boyhood passion foe Estelle Dubeuf which was to run like a musical; theme through his life; his almost and obsession with the English actress Harriet Smithson; and his much less unreal love for the brilliant pianist Camille Moke. This volume ends when, after two years away from Paris, Berlioz has organized the concert which will launch him on his professional career.