But it is three very different roles that made Crawford's name and for which he will be best remembered: the classic comedy of idiotic Frank Spencer, black beret set jauntily at an angle as he finds himself caught up in yet another hair-raising adventure (it comes as no surprise that Crawford, a true professional, did all his own stunts), the unicycling showman of Barnum (another gruelling physical schedule), and the masked misfit who just wants to be loved in the phenomenally successful stage version of The Phantom of the Opera, which revealed Crawford's tireless energy as a performer and showcased his powerful singing voice. Parcel Arrived Safely is an unselfconscious, generous memoir, full of hilarious anecdotes and starstruck encounters. It provides an excellent overview of growing up in post-war suburbia and of British comedy in the 1960s and 70s, and above all Crawford shows that his stability and focus come from the support of his late mother and grandmother, his ex-wife and their two daughters. "My mother used to tell me I had St Vitus's dance" he writes, "the truth is I was hyperactive, always running, always busy, taking things apart, putting them together; always imagining and inventing; endlessly competing, challenging, and questioning." What better way to describe Michael Crawford. --Catherine Taylor

Synopsis
In his autobiography, Crawford recalls his childhood, his early years in showbusiness and the friendships it led to. Stage shows like "The Phantom of the Opera" and films such as "Hello Dolly!" are all remembered, and he offers plenty of professional and personal behind-the-scenes anecdotes.