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The Lost World of Pompeii
 
 

The Lost World of Pompeii (Hardcover)

by Colin Amery (Author), Brian Curran (Author) "LOST, AND FOUND. Destroyed, and preserved. Pompeii encapsulates, more than any other site, a paradox of the survival of the past: catastrophic destruction is the..." (more)
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Product details

  • Hardcover: 192 pages
  • Publisher: Frances Lincoln; first ed reprint edition (14 Nov 2002)
  • Language English
  • ISBN-10: 0711219664
  • ISBN-13: 978-0711219663
  • Product Dimensions: 28.8 x 22.8 x 2.6 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 382,895 in Books (See Bestsellers in Books)

    Popular in these categories:

    #52 in  Books > History > Archaeology > By Period > Classical Greek & Roman
    #90 in  Books > Travel & Holiday > Countries & Regions > Europe > Italy > Cities & Regions > Rome

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Product Description

Country Landowner, December 2002

'If you can't visit Pompeii, the next best thing is probably to get hold of a copy of this beautifully illustrated book'


Product Description

When the volcano Vesuvius erupted in AD 79, the city of Pompeii was buried in ash and rock, then forgotten, left almost perfectly preserved for centuries. Archaeological excavation of the site began in 1748 and revealed extraordinary evidence about public and private life at the height of the Roman Empire. Colin Amery and Brian Curran Jr of the World Monuments Fund describe the history of Pompeii from its origins to its tragic destruction, and discuss the repercussions of the discoveries made there on art, archaeology and interior design. They also explain the ongoing conservation and renovation work that is taking place at the site today.

Inside This Book (Learn More)
First Sentence
LOST, AND FOUND. Destroyed, and preserved. Pompeii encapsulates, more than any other site, a paradox of the survival of the past: catastrophic destruction is the means by which the traces of the past survive to speak to us now. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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19 of 20 people found the following review helpful:
5.0 out of 5 stars Better Than a Trip to Pompeii, 19 Jun 2004
By Professor Donald Mitchell "Jesus Makes Me a P... (Boston) - See all my reviews
(TOP 10 REVIEWER)      
This review is from: Lost World of Pompeii (Hardcover)
A few years ago, our son, then an art student, decided that Pompeii would be the perfect place to do an architectural dig. He came back with all kinds of strange stories about a stray dog for every excavated room, poor protection for delicate fresco paintings, and incredible heat and dust. Having been fascinated by volcanoes since I was a youngster, that meant that I had to get to Pompeii and see what was up.

Three years ago, the opportunity arose to spend part of a day there during a quick trip to the Naples region while visiting in Rome. I was totally astonished by what I saw. Pompeii is much larger and richer than I would have ever imagined. As I went from fascinating room to fascinating room, I found myself wishing I had months to spend there . . . and someone to explain what I was seeing in much more detail. There is much to pique one's curiosity . . . including the many graphic references to bacchanalia. What was life there really like?

Until I found The Lost World of Pompeii, I had no answers to my questions. I deeply regret that this book was not available to me before visiting Pompeii. Whether you will ever get to Pompeii or not, this book is a must for those who are interested in the story of Pompeii, Roman life and art history.

The book is divided into 7 sections, each of which addresses a different aspect of Pompeii:

(1) The city's destruction through the volcanic eruption of Vesuvius on August 24, 79. The current thinking on the destruction is different from what I was told by more tour guide at the time of my visit.

(2) How Pompeii was rediscovered and excavated (with much work left to be done). This unveils the city and explains the slow development of archeology as applied to the city.

(3) Voices from a Lost World captures what life was like before the eruption. There are also helpful maps and a great top-down view of the site.

(4) The Pompeian House is an excellent explanation of architecture and how homes were used then.

(5) Life and Art looks at what the many paintings and sculptures suggest about the pleasure-seeking life of those who lived there.

(6) The Grand Tour investigates how visiting Pompeii influenced other Europeans during the last three centuries.

(7) The Legacy of Pompeian Style examines some ways that Pompeii became a template for more modern expressions of the architecture and decoration for those who admired the Pompeii look.

The essays in each case told me much more than I knew to ask and were very helpful.

But the greatest strength of the book is in its many wonderful photographs of the current site, art objects and paintings inspired by Pompeii. The book exceeded my expectations of what might be included, and the quality of the images is remarkable. You would have to travel for weeks just to see all of the images captured here.

As I finished reading the book, I found myself wondering how our decorations and entertainments from today could be misleading to people 2000 years from now. Is it possible that abstract art will be confused with religious worship? Will remnants of today's pervasive pornography lead people to think that we lead wild lives? Will soap operas be seen as reflections of daily life?

How, too, are we misreading the Romans? It's interesting to think about.

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