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Complete Poems (Paperback)

by Elizabeth Bishop (Author)

3.7 out of 5 stars See all reviews (3 customer reviews)

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Product details

Paperback: 304 pages
Publisher: Chatto & Windus (16 Sep 2004)
Language English
ISBN-10: 0701178027
ISBN-13: 978-0701178024
Product Dimensions: 21 x 13.4 x 2.6 cm

Average Customer Review: 3.7 out of 5 stars See all reviews (3 customer reviews)

Amazon.co.uk Sales Rank: 88,728 in Books (See Bestsellers in Books)

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Product Description

Amazon.co.uk Review

Elizabeth Bishop was vehement about her art--a perfectionist who didn't want to be seen as a "woman poet". In 1977, two years before her death she wrote, "art is art and to separate writings, paintings, musical compositions, etc., into two sexes is to emphasize values in them that are not art." She also deeply distrusted the dominant mode of modern poetry, one practiced with such detached passion by her friend Robert Lowell, the confessional.

Bishop was unforgiving of fashion and limited ways of seeing and feeling, but cast an even more trenchant eye on her own work. One wishes this volume were thicker, though the perfections within mark the rightness of her approach. The poems are sublimely controlled, fraught with word play, fierce moral vision (see her caustic ballad on Ezra Pound, "Visits to St Elizabeths") and reticence. From the surreal sorrow of the early "Man-Moth" (leaping off from a typo she had come across for "mammoth"), about a lonely monster who rarely emerges from "the pale subways of cement he calls his home", to the beauty of her villanelle "One Art" (with its repeated "the art of losing isn't hard to master"), the poet wittily explores distance and desolation, separation and sorrow. --This text refers to an out of print or unavailable edition of this title.

Product Description

This is the definitive edition of one of America's greatest poets, increasingly recognised as one of the greatest English-language poets of the 20th century, loved by readers and poets alike. This collection includes her four published volumes, fifty uncollected works, and translation of Octavio Paz, Max Jacob and others. Bishop's poems combine humour and sadness, pain and acceptance, and observe nature and lives in perfect miniaturist close-up. The themes central to her poetry are geography and landscape (from New England, where she grew up, to Brazil and Florida where she later lived), human connection with the natural world, questions of knowledge and perception, and the ability or inability of form to control chaos. Her father died when she was one, her mother was committed to a mental hospital when Elizabeth was five, and her life was often psychologically or physically difficult. She was witty and shunned self-pity, but some poems thinly conceal her estrangements as a woman, a lesbian, an orphan, a geographically rootless traveler, a frequently hospitalized asthmatic, and a sufferer of depression and alcoholism. "I'm not interested in big-scale work as such," she once told Lowell. "Something needn't be large to be good." 'When we read her, we enter the classical serenity of a new country,' Robert Lowell. If ever there was a poet whose every scrap of writing should be in print, that poet must be Elizabeth Bishop' Christopher Reid.

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Customer Reviews

3 Reviews

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3.7 out of 5 stars (3 customer reviews)

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11 of 11 people found the following review helpful:

4.0 out of 5 stars Sensitive, mysterious and powerful poetry., 27 Jan 2002

By A Customer

This review is from: Complete Poems (Paperback)

Elizabeth Bishop's accute observations provide a fascinating insight into the mysteries that surround her. The poet's confusion over identity and belonging are artfully moulded in a series of fine poems, some semi-autobiographical, which explore the nature of travel and self.

The first poem in the collection, 'The Map', explores the importance of place, whilst 'Questions of Travel' marks a shift in her ideology. Bishop questions: "Is it right to be watching strangers in a play/ in this strangest of theatres?" and wonders whether we should "have stayed at home,/ wherever that may be?"

Bishop's detailed observations are perhaps most extraordinary in her contemplation of animals. Her animal poems, including 'The Moose', 'The Fish' and 'Roosters' are curious and insightful in their exploration of the animal kingdom and the effects animals have on humans.

In addition the wonders of childhood are developed in many of her poems, with 'Sestina' and 'First Death in Nova Scotia' being especially poignant in their pathos.

Bishop's accessible style makes the reading of her 'Complete Poems' a treat. You cannot help but become enthralled by the mysterious poet.

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10 of 10 people found the following review helpful:

5.0 out of 5 stars astonishing poetry, 15 Nov 2006

By	A reader (brighton, UK) - See all my reviews

For many, Bishop is the quintessential American poet of the twentieth century. Subtle, crafted and frequently surreal, her poems tend to centre on loss, travel and the way we understand ourselves through the physical world around us. Her exquisite acts of describing islands, animals, ports and quietly untidy human habitations on the fringes show a thinking, exhiliratingly alert mind in action. This is oblique and layered poetry which reveals more on each re-reading. Her sestinas and villanelle 'One Art' are also the best in the business. This edition contains all her best known poems including 'The Bight', 'Crusoe in England', 'The Armadillo', 'Sandpiper', 'The Map' and 'The Fish'. Give it a try: these beautiful poems will stay with you long afterwards.

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0 of 1 people found the following review helpful:

2.0 out of 5 stars Puzzled - lack of Perception?, 19 Oct 2009

By	N. Wilson "gogleddwr" (Yorkshire, UK of GB and NI) - See all my reviews (REAL NAME)

This review is from: Complete Poems (Paperback)

Is it me or is it Elizabeth Bishop? - following recommendations I do find her work a disappointment. There is, I suppose, an over florid verbosity which I usually associate with American "creative writing" ... too many lovingly inserted adjectives which somehow entangle rather than elucidate, and here, strangely, choices of wording which somehow mis-directed me towards interpretations different from those intended. My fault, or hers? - I find the analysis difficult, but the truth is that I was left cold and untouched.

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