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Quarter Notes and Bank Notes: The Economics of Music Composition in the Eighteenth and Nineteenth Centuries (Princeton Economic History of the Western World)
 
 
Quarter Notes and Bank Notes: The Economics of Music Composition in the Eighteenth and Nineteenth Centuries (Princeton Economic History of the Western World) (Hardcover)
by F. M. Scherer (Author) "FEW would disagree with this admonition of Rocco the jailer to his new apprentice Fidelio ..." (more)
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Review
Scherer has broken new ground with his exciting interdisciplinary approach and use of massive quantitative and qualitative data--the scale of this achievement cannot be overstated.
(Siobhan McAndrew Business History )

This new book by F.M. Scherer explores aspects of the music business in Western Europe during the eighteenth and early nineteenth centuries, and asks the question of how classical composers there made the transition from feudal to capitalist society. . . . Scherer brings a much-needed sense of maturity and respectability to the study of music and commerce. . . . Scherer's work on the economics of music publishing is especially informative. . . . Anyone interested in the rise of market practices in Europe will enjoy [this book], especially if they like casual music.
(James P. Kraft Enterprise & Society )

Review
In a bold interdisciplinary foray, Dr. Scherer has used his highly regarded economist's skills to explore how leading European composers managed to support themselves during the 18th and 19th centuries. The result is an absorbing study of how creative artists adapted to the vast economic and social changes that occurred around them during the greatest era of musical composition.
(Derek Bok, Harvard University )

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FEW would disagree with this admonition of Rocco the jailer to his new apprentice Fidelio. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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