Review
[An] ambitious book. . . . [Kern's] focus on murder keeps things pleasantly lurid, and his erudition and passion shine through on every page.
(
Publishers Weekly )
Thoughtful and carefully done, the fruit of considerable research.
(
Richard A. Posner Science )
Kern has mastered the novels, the critical literature, and the works by philosophers and sociologists bearing on his thesis. . . . [R]eaders familiar with the novels will see them in a new light.
(
athan Beard," Scientific American )
As a history of science and ideas, Kern's study succeeds brilliantly. Gathering the disparate knowledge systems of nearly two centuries into discrete categories, Kern produces a taxonomy of causality that is cogent and convincing. . . . From Enlightenment positivism to quantum discontinuity; from religion to existentialism, and phrenology to cybernetics; from Freud to Nietzsche to Foucault, and from Darwin to Durkheim to Derrida: Kern ranges comfortably (and profitably) among them all. Specialists and novice alike will find much hereto learn and admire.
(
Peter Okun American Historical Review )
Murder stories, Kern argues, are a sort of cultural repository of thoughts about causality, of how things fit together. From the pseudo-scientific deductions of Conan Doyle to the postmodern self-reflections of Don DeLillo, Philip Kerr and Robert Coover, detective stories demonstrate how we cope with the biggest contingency of all: conscious killing.
(
Mark Kingwell The Globe and Mail )
Causality, Stephen Kern concedes, is hard to define and even harder to prove. . . . [T]his book is highly recommended to everyone interested in smart and engaging interdisciplinary scholarship.
(
Peter Okun American Historical Review )
[An] impressive study of causality. . . . Kern offers some fascinating insights into the relationship between science and literature, as well as the history of our attempts to explain the why and wherefore.
(
PD Smith The Guardian )
Review
Kern gives us in this book a brilliant history of modern causality, which he traces in fiction from the linear unities of the realist novel through the indirection and uncertainty of modernism. He hits on the ingenious device of analyzing literary treatments of murder to illuminate the changing psychiatric, social, linguistic, and biological theories of cause mirrored in the history of contemporary philosophy and science. This is a text of incomparable richness, ingenuity, and careful reasoning.
(
Robert Nye, Thomas Hart and Mary Jones Horning Professor of the Humanities and Professor of History, Oregon State University )