Amazon.co.uk Review
Surrealism: Desire Unbound is not only a wonderfully produced catalogue to accompany the Tate Modern's excellent surrealism exhibition but also a compelling addition to surrealist studies in its own right. As lavishly illustrated as you could hope for (no less than 300 colour illustrations) the strength of the book really lies in the quality of the essays that make up the catalogue's text, which come from some of the best art historians around. Professor Dawn Ades, the consultant editor, contributes "Surrealism, male-female" which builds on themes of sexuality, and the notion of the fluidity of the category of gender so important to the surrealists, that she (and others, see particularly
Surrealism and Women and
The Surrealist Look) previously addressed elsewhere (her book on
Marcel Duchamp, a constant reference point for so much modern art, is particularly good); Hal Foster (well known for his argument that the 1990s saw the return to bodies and spaces in art in his thought-provoking
The Return of the Real) adds a superb essay on the objectification and fetishisation of women within surrealist photography; David Lomas walks us through the influence of Freud (arguably the first theorist of desire) on surrealism; and Annie Le Brun rounds off the book with a look at the invention of desire by surrealism and its adoption by modernity. Desire, as a category and as an impetus, compelled much of the art and thinking of the surrealists and this excellent volume does much to explore and problematise the issues surrounding sex, gender and identity (the sub-heading of the essential
Women in Dada which should certainly be consulted when broaching these issues) that obsessed these important artists and their often iconic art. For a beautifully documented study of previous exhibitions it's well worth checking out
Displaying the Marvelous.
Surrealism: Desire Unbound is a big, beautiful and bold book that does the surrealists proud. --
Mark Thwaite
--This text refers to an out of print or unavailable edition of this title.
Review
The lavishly illustrated catalogue ... provides additional lenses through which to view the often hypnotic artworks and the affiliated groups of artists that produced them. Eleven essayists dissect desire in all its romantic, sexual, psychoanalytic, literary, and political manifestations. -- Robert Askins ArtNews [A] gripping album of Surrealist works in all media, from the movement's origins in interwar Europe to its legacy in contemporary art, with special attention to erotic content. Thematic essays offer as much historical sweep and critical penetration as any single book on the subject. -- Kenneth Baker San Francisco Chronicle This well-crafted book comprises a rich lode of 300 illustrations, many not published previously, and 12 essays (by as many contributors) devoted to the many aspects of surrealist desire. Since the notion of desire is central to surrealism, this volume is overdue and most welcome... A variety of presentations and explanations of events, artists works, and particular manifestations of surrealism provide useful background and detail, thus usefully complementing the annotated essays. Choice The theme of the exhibition is considerably enhanced and refined by its well orchestrated catalogue. -- Roger Cardinal Times Literary Supplement With qualifications, everything in the show possesses surreality--or convulsive beauty--providing we understand how to unlock it. The most helpful thing to understand is that aesthetics was never a central Surrealist preoccupation, so looking for an aesthetic experience here will not get you to first base. -- Arthur C. Danto The Nation
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