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by Carolyn Abbate
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Metaphysical Song: An Essay on Opera (Princeton Studies in Opera) by Gary Tomlinson |
Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music by Anahid Kassabian |
by Richard Taruskin
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~ Donald Gramm
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Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that "sings" is thus reanimated in a new context, and Abbate proposes interpretive strategies that "de-center" music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis.
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74% buy the item featured on this page: Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (Princeton Studies in Opera)£23.70 |
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17% buy Metaphysical Song: An Essay on Opera (Princeton Studies in Opera)£20.85 |
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9% buy In Search of Opera (Princeton Studies in Opera)£16.96 |
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