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The Big Deal: Hollywood's Million-Dollar Spec Script Market
 
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The Big Deal: Hollywood's Million-Dollar Spec Script Market [Illustrated] (Paperback)

by Thom Taylor (Author)
4.7 out of 5 stars See all reviews (3 customer reviews)

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Product details

  • Paperback: 336 pages
  • Publisher: William Morrow; illustrated edition edition (Feb 1999)
  • Language English
  • ISBN-10: 0688161715
  • ISBN-13: 978-0688161712
  • Product Dimensions: 23.4 x 15.6 x 2.5 cm
  • Average Customer Review: 4.7 out of 5 stars See all reviews (3 customer reviews)
  • Amazon.co.uk Sales Rank: 589,015 in Books (See Bestsellers in Books)

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Product Description

Amazon.co.uk Review
So, you want to write a movie. You could do worse than read The Big Deal, a collection of funny, horrible, and/or inspiring stories of Hollywood break-ins by former Oliver Stone employee Thom Taylor.

What's most striking about the book is the madly random nature of films' gestations. Allison Anders got her break (and off welfare) via the Academy of Motion Picture Arts and Sciences' Nicholl Fellowship (one of several competitions Taylor recommends). Total Recall was optioned for 1,000 US dollars 16 years before it got made. The Elephant Man script got to its producer because the coauthor's girlfriend baby-sat for him. Alien only got made because Steven Spielberg liked it.

Andrew Kevin Walker, the Tower Records clerk who wrote Seven, wrote a letter to then barely known screenwriter David Koepp (Bad Influence), who improbably hooked him up with a deal that collapsed partly because the studio's co-owner was distracted by becoming the president of Italy. Various moguls rejected and almost destroyed the story; Brad Pitt saved it, and it grossed $340 million.

Dustin Hoffman cleverly added the hero's guilt over failing to save JFK to In the Line of Fire, then exited; Tom Cruise's people demanded this be deleted, because a 28-year-old hero wouldn't have been around for JFK. The dead-broke writer spurned about $100,000 from Cruise, and just when he would've settled for Bob Denver, wound up with Clint Eastwood and about $1 million.

"If Hollywood scoured the earth looking for the world's top furniture designers," Taylor writes, the studios "would bring them all to Los Angeles to design $6 plastic chairs to sell at the local Wal-Mart." But it's the only Hollywood we've got, and Taylor has got its number. --Tim Appelo, Amazon.com

Synopsis
Offers behind-the-scenes stories from writers, agents, directors, producers, and studio executives describing the realities of selling scripts in Hollywood.

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Customer Reviews

3 Reviews
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Average Customer Review
4.7 out of 5 stars (3 customer reviews)
 
 
 
 
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11 of 13 people found the following review helpful:
4.0 out of 5 stars A How-To For The Modern-Day Gold Rush, 11 Jan 2002
By Fastest Loser (Manchester, UK) - See all my reviews
An enjoyable read, set in the heady heights of $1 million payoffs of the spec script market. It tells tales of writers getting million dollar payouts on the day the gas board came to cut them off. For the struggling writer it reads like "Chicken Soup For The Soul", or in this case, wallet.

It is clear that Taylor is very familiar with the cast and territory and he includes many interviews with people who have been there and done that.

The book doesn't claim to tell you how to write the million-dollar spec script yet it is filled with fascinating advice on the topic. Viewing the business from the inside helps you to realise why all those terrible movies get made (namely because people are willing to pay to see them.) In that way it acts as a reality check to those 'artists' who deign to write movie scripts and are then horrified to find that someone with a business degree has the right to tell them to make the hero more sympathetic.

On the minus side, the writing style isn't very artful. It reads a little like Hollywood Reporter, although this style is the perfect vehicle for the stories Taylor want to tell. He's sacrificed style for efficiency, and I think he made the right decision.

The book also features five blow-by-blow accounts of how five spec scripts were made into movies. These are interesting, but I found Taylor's attitude towards production execs a little too reverential. These guys seem to think that having a hand in producing "While You Were Sleeping" is akin discovering a cure for polio. In order to win their approval Taylor has sacrificed any attempts at even-handedness, allowing them to go on and on about how wonderful they are. I suppose this is the price he had to pay to get those interviews.

This book opened my eyes to the business side and inspired me with a lot of level-headed advice. It's a good read and I can recommend it warmly to anyone with an interest in writing for Hollywood.

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7 of 9 people found the following review helpful:
5.0 out of 5 stars A must-read for any serious screenwriter., 6 April 1999
By A Customer
What a jewel this book is! As screenwriter, just starting to hit my stride, I find Thom Taylor's book work's as a "how-to" as well as a "how-not-to" book. It is fascinating to read about the evolution of such films as, "While You Were Sleeping," "In the Line of Fire," "Seven," and others. The detailed stories of heartache and passion make for more then just a good-read. He makes you appreciate the process.

As a founder of a non-profit organization, I found a strong connection with first-time writers trying to get someone to recognize their exceptional work. (Jeff Maguire's 9 year struggle with "In the Line of Fire" had more ups and downs, twists and turns, than the film!)

This book makes you want to rush to your video store and rent the movies mentioned, to look at them again from a technical aspect.

With my goal of writing a winning spec, and keeping a non-profit organization going, I don't find much time for sleep. I gladly give up an hour a two a night just to read another chapter, another story of hollywood dreams.

I almost walked past this book. I'm glad I didn't.

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5 of 8 people found the following review helpful:
5.0 out of 5 stars Inspires the aspiring to keep going., 19 April 1999
By A Customer
As a screenwriter with four projects in development hell and still not able to quit my day job, The Big Deal reassured me that all the work and sacrifice can pay off. I've just finished my best spec script - romance. comedy. adventure - VERY castable. Reading The Big Deal I have a much better understanding of "the rules of engagement" and I'm now prepared to confidently take the offensive with my soon-to-be-hot project. Thank you for this timely book. I great read for anyone interested in knowing more about the Hollywood process and especially those trying to break down those tightly-guarded Hollywood doors.
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