Most Helpful Customer Reviews
|
|
10 of 10 people found the following review helpful:
5.0 out of 5 stars
Plus ca change, 15 Jul 2007
Please, please read this book. It describes Donne's long journey from a catholic childhood to Dean of St Pauls.It shows the fragility of human life at the time but more importantly it demonstates the true value of history.
For Muslims in the early twenty first century read Roman Catholics in the early seventeenth. The extremes of both religions saw loyalty to their country as subordinate to their faith. Donne warns against the extremist Catholics who were prepared to sacrifice young mens' lives to advance thier faith -- his brother Henry died in prions having been caught up in a plot -- and counsels that nuances in religion were not worth the loss of a single life. He urges the Catholics to reconsider the more fossilised elements of their religion in the light of the changed and changing times. Who said history cannot teach us anything?
The only downside of the book is that it was written by a thirty year old!! As someone in their mid sixties, I wonder what I have done with my life!!
|
|
|
10 of 10 people found the following review helpful:
5.0 out of 5 stars
Donne, 12 Jul 2007
John Stubbs's book on Donne, is a superb picture of a world which seems so distant from our own, and yet isn't that different. For the torture and killing by religious fanatics, seems to be so contemporary. In the 16 and 17 century it was Catholics, who were being slaughtered for their religious beliefs. Today it is Christians and Muslims.
John Stubbs brings all of his historical skills to bear when he describes how Donne as a Roman Catholic, was forced to reconcile himself to the new Protestant religion in order to advance at court. He is particularly good on Donne's clandestine marriage, and how this affected his life.
Secondly he also makes much of the seedy underbelly of 16 century London, the vice and the squalor. How many people for example would have known that just outside the Inns of Court lay London's red light zone?
It's this attention to detail that makes this books such a fascinating read. If you only ever read one book on Donne, read this
|
|
|
19 of 20 people found the following review helpful:
4.0 out of 5 stars
A flawed picture worth buying, 29 Jun 2007
John Donne is, after Shakespeare, perhaps our most familiar poet of the English Renaissance. Yet his best known insight - "that no man is an island" - comes not from his poems, nor even from his sermons, but from his private meditations.
This is perhaps how Donne would have wished it. Despite the urging of his admirers, he felt that his early poems were "Satrique thornes ... growne/ where seeds of better Arts, were early sown". These were the poems of a young man observing the world as he tried to find his place in it, and whose career, first as a government administrator, and later as a clergyman, might be damaged by their erotic and satiric tone. Yet, as this new biography suggests, this private thought was the "great thought at the heart of Donne's life," and one by which we can understand the man and his poems.
For young man and elderly clergyman alike finding a place in the world was difficult. Born in 1572 to a Catholic family of saintly pedigree (the corporeal relics of his ancestor, Thomas More, were macabre heirlooms), he was part of a growing middle-class which sought to distinguish its sons from unruly apprentices with a university education. Despite diligence at Oxford, the Oath of Allegiance to the Reformed Church prevented Donne from graduating. After a spell at Lincoln's Inn, where he was both studious and a frequenter of plays, writing those "Satirique thornes" in the bargain, he fought with the glamourous but ill-fated Earl of Essex against the Spanish. Surviving these wars, he seemed to find a place as secretary to Elizabeth's favourite lawyer.
Yet Donne was not immune to exacerbating his ambiguous social position. The scandal of his marriage to Ann More without her father's consent cost him his job and, briefly, his liberty. For fifteen years his talents were wasted as stigma mired him and his family in shabby penury. With the "Pseudo-Martyr," ironically a treatise on Catholics who make their lives in England more difficult that it need be, he wrote himself into the clergy and rapidly ascended to the most prominent pulpit in the land as Dean of St Paul's where he navigated the religious controversies the past Reformation and the coming Civil War.
Stubbs strategy of ordering the precarious complexity of his subject by treating him not as an island but as part of the historical mainland allows him tell "the story," taking us from our familiar London and bringing to life the concerns of Donne's. Thus, as much as he evokes the solace Donne found in letter writing and letters, which "more than kisses ... mingle souls," the adventures with Essex and the machinations of the court read with the pace of a good thriller, while comedy is to be found in Donne's apoplectic father-in-law.
The portrait that emerges from this detailed research is one from which our multitasking, Ritalin-deficient age has much to learn, and Donne is presented much as we might wish to see ourselves: tolerant, socially responsible, progressive even, hardworking, while also possessed of the meditative resources to see beyond momentary personal circumstance.
But however apt Stubbs' approach may be to telling a life's story, it leaves him at a disadvantage when placing the poetry in that story. As much as his reading of "Love's Exchanges" as a subtle protest against the torture practiced by the government Donne served fits with his general portrait, a lot depends on the suggestion that "it was possibly written during his [Donne's] time as apparatchik". While Stubbs acknowledges the difficulties of dating Donne's poetry, with no argument to tie specific poems to specific times, significant aspects of his portrait, however attractive, are confined to possibility.
The question is do you buy the picture knowing that it may not be entirely accurate. For me the answer is yes. After rejecting the "Satirique thornes" of his earlier days, Donne urges that we "seek ourselves in ourselves". Significantly this urging takes place in a verse-letter, and above all Stubbs' biography is a profound commitment to writing as a process of knowing one's self and knowing that we are not so many islands.
|
|
|
Most Recent Customer Reviews
|
by John Carey
by J Donne
by Joe Nutt
