Most Helpful Customer Reviews
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4 of 4 people found the following review helpful:
Makes the music come alive, 12 Jun 2007
This brief but engaging biography of the country legend is highly enjoyable. Having been a fan all his life, Hemphill writes with great empathy and understanding, making the American south and the country culture of the 1940s really come alive. So one learns a lot about the history of the southern states, the development of the music and the musicians of the era. He analyses the lyrics and makes them more comprehensible in the light of Williams' personal life and background.
It's interesting to learn about the towns, the venues, truckstops and radio stations, and the history of the Grand Ole Opry, the record companies and the major figures of early country music. In those days, live performances were more lucrative than record sales so Hank Williams worked extraordinarily hard on constant gruelling tours. That was before the days of luxury tour buses. Hemphill succeeds in capturing the essence of Williams' poetic genius in his discussions of the famous songs, enthusing the reader to go back to the music and listen with a new appreciation.
As a music lover, I found the author's discussion of the different popular music genres of the late 1940s of particular interest, and how Hank Williams' songs were covered by artists as varied as Tony Bennett, Louis Armstrong, Perry Como and Dinah Washington. Fifty years after his death, his music had been interpreted by an impressive array of artists from almost every possible genre, like James Brown, The Bee Gees, Nat King Cole, Isaac Hayes, Elvis and even The Residents. In the introduction to her version of Pale Blue Eyes, Patti Smith pays tribute to Hank in a brief narration about his death in the back of a car on the way to a gig.
The writing style is a pleasure, down to earth, often witty even when he narrates episodes from the dark side with lots of empathy. Lovesick Blues is one of the most enjoyable biographies of a musician that I have read. But the book would have benefited from a discography and stuff like Billboard country and pop chart positions, as well as an index. Five stars for reading pleasure, but one deducted for the absence of the aforementioned.
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1 of 1 people found the following review helpful:
Engaging read, 3 Jun 2007
I thoroughly enjoyed this short but absorbing biography of the country legend. Having been a fan all his life, Hemphill writes with great empathy and understanding, making the south and the country culture of the 1940s really come alive. So one learns a lot about the history of the southern states, the development of the music and the singers of the time. He analyses the lyrics and makes them more comprehensible in the light of Williams' personal life and background.
It's interesting to learn about the towns, the venues, truckstops and radio stations, and the history of the Grand Ole Opry, the record companies and the major figures of early country music. In those days, live performances were more lucrative than record sales so Hank Williams worked extraordinarily hard on constant gruelling tours. That was before the days of luxury tour buses. Hemphill succeeds in capturing the essence of Williams' poetic genius in his discussions of the famous songs, enthusing the reader to go back to the music and listen with a new ear.
As a music lover, I found the author's discussion of the different popular music genres of the late 1940s of particular interest, and how Hank Williams' songs were covered by artists as varied as Tony Bennett, Louis Armstrong, Perry Como and Dinah Washington. Fifty years after his death, his music had been interpreted by an impressive array of artists from almost every possible genre, like James Brown, The Bee Gees, Nat King Cole, Isaac Hayes and Elvis. In the introduction to her version of Pale Blue Eyes, Patti Smith pays tribute to Hank in a brief narration about his death in the back of a car on the way to a gig.
The writing style is a pleasure, down to earth, often witty even when he narrates episodes from the dark side with lots of empathy. Lovesick Blues is one of the most enjoyable biographies of a musician that I have read. But the book would have benefited from a discography and stuff like Billboard country and pop chart positions, as well as an index. Five stars for reading pleasure, but one deducted for the absence of the aforementioned.
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