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5 of 5 people found the following review helpful:
4.0 out of 5 stars
Classic fantastical horror, but maybe not for everyone, 8 Mar 2005
William Hope Hodgson was one of the most influential writers of the weird horror fantasy alongside Algernon Blackwood and Lord Dunsany, which HP Lovecraft was to later make famous during the 20s and 30s. Being a massive fan of Lovecraft's work I wanted to naturally see where he claimed inspiration from. Where Dunsany was eloquent and dreamlike, where Blackwood was a master of hinted suggestions of horror, WH Hodgson was very much a supreme visionist of the horrific and magnificent.Each of the four stories in this book are really excellent examples of the type I call 'cosmic horror', essentially highly literate prose describing awesome visions of otherwordly creatures beseiging small groups of scared humans often through means as diverse as dreams, physical manifestations and psychological horror. Time and again our protagonists are attacked both mentally, physically and even spiritually by malevolent powers beyond their comprehension, and its often not such a sure thing that they'll escape alive. It is here in my opinion that Hodgson is unparalleled in conjuring in the reader feelings of dread and tingling horror. The House on the Borderland and the Night Land have some of the greatest scenes of monstrous horror and looming threats, while the Boats of the Glen Carrig and the Ghost Pirates maintain an exceedingly high level of tension and fear throughout. As much as I'd love to recommend these stories to everyone I feel I must warn people that Hodgson's style is an acquired taste and might not be to everyone's liking. I'd say it's most similar to Lovecraft's work, so if you like that as I do, then you'll have little problems. Incidentally I found the font size for this particular print of the book to be a little hard to read due to its small size.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars
The House on the Border Land and Other Novels, 19 Jan 2003
Hodgson has taken a lot of stick for his writing style, but in my opinion most of the criticism is unjustified. I am a writer myself and also I do quite a bit of editing, but I don't think my blue pencil would have been very busy with this book. The Night Land is written in an admittedly highly artificial style, but the point is that it suits the book, and I didn't find myself at all put off by it. The first half is the better: the romance passages in the second half did get a bit tedious, but against that Hodgson calls the book a love story, so really one cannot complain. As to the power and grandeur of his imagination, one is staggered, while his creations and scenes are so thoroughly described that one can almost see them: the author obviously had a strong visual sense. The House on the Borderland has the same cosmic sweep, and again the images are both awe-inspiring and yet almost credible. The Ghost Pirates I like least: it is very doom-laden, but the phantom ship under the water is something that will stay in my mind's eye. The Boats of Glen Carrig is the nearest of the four to a straightforward adventure story, though even here, when Hodgson was attempting to make his writing more popular, he comes up with some weitd creations, while their efforts to escape are truly gripping. I have rarely read works so powerful and so totally fascinating: ar the price they are a fantastic bargain, and if you don't know the author's work this book represents a cheap way to try it. If you aren't then hooked, I shan't trust your taste.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars
Cosmic brilliance, 14 Oct 2005
Of the four novels in this volume 'The Night Land' stands apart as an example of sheer imaginative power thrown into a story of a dying civilisation. The scope and majesty throws it a bit into the Dune league of sci-fi but remember this was written in the earlier 20th centuey. I find this sci-fi written from a viewpoint technologically inferior to ours can have a very powerful effect upon the reader that impresses greatly. This novel seems to be a blend of steampunk and religious overtones (though note religion as we know it) leaves the reader of Hodgson at times overawed by the visions he is presenting. I often found myself putting the book down to digest what he was giving the me.The other three novels are of a more traditional standpoint, especially the maritime based 'Boats of Glen Carrig' and 'The Ghost Pirates'. These are fairly predictable but nonetheless well crafted and intriguing stories. The third novel in this book is 'The House on The Borderland' and is more Lovecraftian in its scope. The crumbling house and a narrator who can only half be trusted give a deep sense of unease in the earlier part of this story. The hog faced humanoids who attack the narrators house provide a frightening, otherwordly opponent but towards the end of the book a huge section of text deals with the narrator as he is in his study and time around him accelerates to an unbelievable rate. As he watches the sun flame across the sky day and night cease to be and only a beshadowed daylight exists. We read as the end of the suns life, and universe is reached. Although this section of the book becomes quite muddled the description of time speading through eternity is an awesome piece of prose that is staggering in its scale and power of vision. I am a huge Lovecraft and Poe fan and reccommend this book to anyone who has even a passing interest in these two authors.
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