Review
Over half a century since their high-water mark in the public consciousness, Stan Laurel (b. 1890) and Oliver Hardy (b. 1892) seem so unthinkable in isolation from one another that it comes as something of a surprise to find that they weren't childhood playmates. In fact the pair didn't meet until their mid-30s - both had 20-year professional careers behind them - when a Hollywood casting director had the bright idea of putting them together on film. They came, too, from wildly differing backgrounds - Hardy the son of a plantation overseer in the American South, Cumbrian-born Laurel (real name Stanley Jefferson) the progeny of a successful north-of-England theatre owner-cum-impresario. As Simon Louvish's entertaining and thoroughly exhaustive biography shows, the coupling realised a 20th-century comedy archetype: big fat man and short thin man embarked on slapstick misadventure. Like most major-league double acts, though, Laurel and Hardy managed to rise above the traditional idea of funny man and stooge: sketched in with unusual subtlety, their screen relationship was always capable of breaking out in unexpected ways. Even at an early stage it had the inherent dynamism necessary to survive the advent of the 'talkies' - their act had begun in the twilight of the silent era - which ended the careers of so many of their competitors. Always working at a terrific rate - a legacy of their apprenticeship in Hollywood's early antheap days - they spent a couple of decades at the top of the pile before failing health and changing comic styles brought a gentle decline in the 1950s. By this time they had entered into legend, and Louvish notes the enthusiastic crowds that greeted their farewell tours to the UK and Eire. Slightly on the long side, and occasionally overdoing the plot summaries, Stan and Ollie is nonetheless a warm, perceptive and highly readable study. Review by D J Taylor (Kirkus UK)
Product Description
Stan Laurel and Oliver Hardy both passed away almost 40 years ago, yet their films still have the power to reduce audiences old and new to helpless laughter. There has been no comprehensive account of their lives and work, until now. The roots of their comic greatness lay in nineteenth-century variety theatre. Lancashire-born Stan Laurel was steeped in the traditions of the music hall, and found himself touring the USA in the 1910s as Charlie Chaplin's understudy. American Oliver Hardy had established himself as a 'fat funny man' by the time he and Laurel were first paired in 1927. Laurel inspired Hardy to forge their famous double act, in which Laurel played the eternal comic fool, Hardy his temperamental master. Both men were devoted to their professional partnership, which outlasted multiple marriages. Stan and Ollie completes Louvish's trilogy of definitive biographies of the great clowns of screen comedy, following his books on W. C. Fields and the Marx Brothers.
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