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Approximately Nowhere (Faber Poetry)
 
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Approximately Nowhere (Faber Poetry) (Paperback)
by Michael Hofmann (Author)
4.0 out of 5 stars  (1 customer review)

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23 used & new available from £0.42
Product details
  • Paperback: 77 pages
  • Publisher: Faber and Faber (19 April 1999)
  • Language English
  • ISBN-10: 0571195245
  • ISBN-13: 978-0571195244
  • Product Dimensions: 19.7 x 12.5 x 0.7 cm
  • Average Customer Review: 4.0 out of 5 stars  (1 customer review)
  • Amazon.co.uk Sales Rank: 348,309 in Books (See Bestsellers in Books)
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Product Description
Amazon.co.uk Review
Approximately Nowhere signals a turning point for Michael Hofmann, as the poet queries where the death of his father in 1993 has left him, both personally and poetically. Hofmann rose to prominence in 1986 with Acrimony, a scathing and often heartbreaking collection of poems to his father, the German novelist Gert Hofmann, who throughout the poet's youth reigned like an angry god over the family home. With extraordinary emotional and intellectual acuity, Hofmann's poems evoke his father's monolithic presence through the smallest gestured and still-life details: the elder Hofmann's ironic "tenderness for a butterfly", his demands for tea that he leaves cold, a permanent arrangement of dried flowers "withered to articulate straw / that my father half-inched, / like a spindly triffid on the steel table."

The new poems addressed to his father in Approximately Nowhere exhibit more pity than bitterness for "kleiner papa", as well as the self-assured ability to do the unthinkable--depart prematurely from his father's funeral. One poem aptly summarises the odd but effective range of emotions governing this new collection: "scattiness, contempt, emulousness, laughter, the hysterical use of the present tense." Hofmann's voice links the two generations: the weighty, learned, book-bound inheritance of his father versus the more anarchic voices of the young, who wish to "tear down the bookshelves and inherit the earth." While some poems are addressed to a coterie of poets, others are attuned to the more free-form voices of bar-room talk and suburban isolation. Throughout, Hofmann's primary poetic role--as a rapt audience to his own pain--remains clear and unchanging. --Gillian Forbes Pachter

Synopsis
A collection of Michael Hofmann's poems on the theme of his relationship with his father after his death. In these his tone has changed, without lessening the emotional charge, elegy has replaced recrimination, sympathetic understanding has succeeded haughtiness.

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2 of 3 people found the following review helpful:
4.0 out of 5 stars Writing of high quality., 31 Jan 2000
Very much enjoyed reading this book having been slightly put off by Robert Potts' remarks, something along the lines of 'an absence of motivation at the heart of these poems'. They are manifestly of a high technical standard, demonstrating controlled diction in particular. They have a delightful way of linking pairs of words in different languages to create the sense of being with a man spending a lot of his time translating. Overall the impression is of a life that redeems/renews itself by finding, in triumph, one special word a day. Outside the writer's isolated room a large, unfriendly city gets on with its affairs in complete indifference, making the artist's determination seem all the more admirable and strange.
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