Amazon.co.uk Review
Writing a biography is tough enough when the subject is dead and the biographer must rely on a paper trail and recollections of contemporaries to relate the essence of the subject's life. When they are still alive--and especially when he is as powerful as Steven Spielberg--a whole new set of problems emerge. For one thing, it's difficult to find anyone willing to criticize a man who pulls as many strings in the film industry as Spielberg; for another, how does one evaluate a career that is still in progress? If the
definitive Spielberg biography cannot yet be written, Joseph McBride's
Steven Spielberg: A Biography will suffice in the interim. Though certainly affected by the aforementioned constraints, McBride still creates an impressive portrait of the man behind
Schindler's List, E.T., Jurassic Park, and many, many more.
McBride is especially effective at drawing out the contours of Spielberg's childhood. Born in 1946 to Arnold and Leah Spielberg, the young Steven endured both frequent moves and his parents' unhappy domestic life. These factors, combined with the anti- Semitism he encountered as a teenager, drove the introverted Spielberg to seek approval through film-making. In addition to exploring Spielberg's private life, McBride offers some perceptive criticism of his work. Anyone interested in the film industry and Spielberg's place in it will find Joseph McBride's Steven Spielberg a valuable resource.
--This text refers to an out of print or unavailable edition of this title.
Review
A penetrating, incisive biography of the young but already legendary filmmaker. Perhaps nothing reveals the importance of Spielberg (Schindler's List, Close Encounters of the Third Kind, etc.) at this moment in film history more than that this is the second full-scale work on the artist in as many months (see John Baxter, p. 181). But there is no contest. McBride, the author of Frank Capra: The Catastrophe of Success (1992), a landmark in film biography, leaves Baxter in the dust. McBride combines extensive research into Spielberg's life with lucid, well-considered analyses of his films, discovering in them a depth and originality that will surprise even Spielberg's greatest fans. McBride devotes nearly half the book to a consideration of Spielberg's childhood and his early evolution as an artist. He patiently debunks many of the myths generated by Spielberg himself and examines the ways in which his troubled early years manifest themselves in his work. For example, McBride demonstrates that the filmmaker's relationship with his eccentric mother and frequently absent father are reflected in even such apparently impersonal work as the Indiana Jones movies. Then McBride details the making of each of Spielberg's films and critiques them with vivid insight. His impassioned defense of such problematic works as The Color Purple and Empire of the Sun make the reader want to see them again. If, in the book's second half, the public persona dominates the private life, that's an accurate reflection of a man who increasingly seems to exist most fully and comfortably in his work. McBride leaves Spielberg as he, David Geffen, and Jeffrey Katzenberg establish a new studio, DreamWorks. Film history at its best: rich in information, often dazzling in perception. (Kirkus Reviews)
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