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True and False: Heresy and Common Sense for the Actor
 
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True and False: Heresy and Common Sense for the Actor (Paperback)

by David Mamet (Author)
4.5 out of 5 stars  See all reviews (11 customer reviews)
RRP: £9.99
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Product details

  • Paperback: 128 pages
  • Publisher: Faber and Faber; New edition edition (18 May 1998)
  • Language English
  • ISBN-10: 0571192610
  • ISBN-13: 978-0571192618
  • Product Dimensions: 21 x 13.4 x 1.4 cm
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (11 customer reviews)
  • Amazon.co.uk Sales Rank: 14,287 in Books (See Bestsellers in Books)
  • See Complete Table of Contents

Product Description

Product Description

A guide to the acting profession by a leading American playwright. He advises aspiring actors on topics such as judging a role, approaching the part, working with the playwright, undertaking auditions, and the relationship with agents and the business in general.

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Customer Reviews

11 Reviews
5 star:
 (9)
4 star:    (0)
3 star:
 (1)
2 star:    (0)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.5 out of 5 stars (11 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
5 of 5 people found the following review helpful:
5.0 out of 5 stars Punchy, contentious, enormously refreshing, 6 Mar 1999
By A Customer
Mamet's spare, angry demolition of the nonsense spoken about "great" acting is like pure oxygen to those of us who have harboured - but dared not express - nagging doubts about The Method, Stanislavsky, and a million other shibboleths masquerading as theatrical "wisdom".

His book is brief, practical, important, brave. It's a book to be wrestled with, argued over, acted on.

Actors - read it. Directors, agents, casting directors, staple it to your eyeballs.

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14 of 16 people found the following review helpful:
3.0 out of 5 stars some things to think about., 24 Nov 2004
"True and False: Heresy and Common Sense for the Actor" is exactly that. In this slim volume Mamet exposes many of the troubles that plague the theatre and the art of acting in general.

There is much contained here that IS heresy to many actors, he cuts many of Stanislavskis theories to shreds. Whether you personally agree with them or not many of his arguments are sound (although, admittedly the jazz musician analogy is awful).

Aditionally, he cuts drama schools to pieces... and he is right. The only thing a drama school is good for is getting contacts, formal acting training does not teach a person to act it teaches a person to become EMPLOYABLE. (Go and see ANY showcase production from ANY drama school and it soon becomes apparent that the performers (talented or otherwise) have been taught to simply go through the motions and follow direction exactly without any element of spontaneity (often even being told EXACTLY how to say each line))

However, interesting and well written his book may be, Mamet does not say anything that hasn't been said at least a thousand times before. The naturalistic theatre of stanislavski died a hundred years ago and has been buried deeper and deeper ever since... and thank GOD! His teachings are still relevant (a fact which Mamet does not deny) but few people take them as gospel. There are also a large number of industry professionals in serious disagreement with the way drama schools teach.

Where the book is most interesting is when Mamet writes about the hard life of the actor, writer and director (among others), I found myself nodding when he describes the prejudice an artist can endure fr their choice of career from people who just don't understand (friends from school or family members being a prime example) or those who have tried and given up to become administrators (casting agents and the like).

"True and False: Heresy and Common Sense to the Actor" is a concise, well written and fascinating look at the world of the professional actor. Buy it, read it, take the arguments into account and make up your own mind. Just don't believe everything you read.

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9 of 10 people found the following review helpful:
5.0 out of 5 stars An inspiring no-bullshit triumph., 5 Aug 1999
By A Customer
In this slim volume, Mamet lays waste to the oppressive quasi-religious method nonsence that confuses and ruins so many actors. He describes the Business as it is - a chaotic free-for-all where not only the lucky but also the brave succeed. READ IT - sack your agent, sell your house and put on a play....
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Most Recent Customer Reviews

5.0 out of 5 stars Essential reading for any aspiring actor, director or writer
This is really not what you would expect, essentially it brings down all the ideas that most people have about acting. Read more
Published 5 months ago by M. Maclaine

5.0 out of 5 stars Perfect
The condition and delivery were impeccable and the book itself is one I recommend to ALL actors and also all non-actors, it's a book about life, truth and realising yourself.
Published 5 months ago by Naomi Worth

5.0 out of 5 stars The Best Book Ever Written About Acting Avoiding The Usual Pretentions
A must read for all actors serious about their job. In it to act NOT prance about being a lovey! I agree with the other reviews it is positively a religious experience and... Read more
Published 16 months ago by Frieda Bongo

5.0 out of 5 stars I found religion
after reading only a few chapters at random and several brief passages i was a convert. And i dont mean that in a flip way, i genuinely think Mamet should be deified. Read more
Published 22 months ago by Mr. Joel A. Taylor

5.0 out of 5 stars Brilliant
"You readers are of a generation that would like to stay in school...You will encounter in your travels folks of your own age who chose the institutional path, who became the arts... Read more
Published on 17 Sep 2005 by Earl Hazell

1.0 out of 5 stars A Fatal Mistake; One of Many...
Mamet makes a fatal mistake when writing this book. It's his analogies. Let's just give one example. Read more
Published on 7 Nov 2003 by Andy J

5.0 out of 5 stars Don't put your daughter on the stage...
If I had read this book before going to a useless drama school it woud have saved me thousands of pounds and I would, perhaps, have been a more successful actor because of... Read more
Published on 10 Feb 2003 by R. Morrell

5.0 out of 5 stars The book on acting I've been waiting for.
I am a voice coach and communication skills trainer, although most times I feel like I am working with disrupted lives. Read more
Published on 29 May 2001

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