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Nothing (Paperback)

by Paul Morley (Author)
4.5 out of 5 stars  See all reviews (10 customer reviews)

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Product details

  • Paperback: 426 pages
  • Publisher: Faber and Faber; 1st ed. edition (19 Jun 2000)
  • Language English
  • ISBN-10: 0571177999
  • ISBN-13: 978-0571177998
  • Product Dimensions: 21.4 x 13.4 x 2.8 cm
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon.co.uk Sales Rank: 155,628 in Books (See Bestsellers in Books)

    Popular in this category:

    #48 in  Books > Biography > Social & Health Issues > Depression & Mental Health

Product Description

Amazon.co.uk Review

Paul Morley had his 15 minutes of true glory with the sudden and short-lived flowering of talent at ZTT Records in the early 1980s, with the brilliance that was Frankie Goes To Hollywood and The Art of Noise. Now that he's an all-purpose journalist and media pundit, few would stop to credit him with an inner life. But with Nothing he corrects that picture. And how. Morley's life story provides the perfect recipe for long-term angst. Born on the Isle of Wight, son of a prison guard, raised in a stifling Stockport, apparently tortured throughout his adolescence and beyond by a complete absence of self-worth, he tracks most of his problems to the suicide--unexplained, perhaps unexplainable--of his father in the summer of 1977. Nothing is not always an easy read--the first dozen pages comprise Morley's meditation on a dead body, and that dense pondering fairly much sets the tone. For father was not alone-Morley explores his obsessed, obsessive reaction to the deaths of Joy Division's Ian Curtis, Marc Bolan, Elvis and it's clear that this tragedy has structured his entire life. On virtually every page there's a reference to Morley's previous attempts to write this book--with its myriad working titles (Sing A Song of Suicide, Death In The Family, you get the idea)--you soon realise that this is a life project. Of course there's a blacker-than-black comedy at work here too--from his father's orgasm in 1956 ("after the war and just before rock and roll") to the suicide-friendly discography he thoughtfully provides to help readers along. Self-indulgent? Yes. Fancy an evening down the pub with him? Not unless you come. But it is a sincere, intensely personal self-exploration that--oddly--speaks for a generation of angst-ridden, and borderline-suicidal, young men. --Alan Stewart


Product Description

Morley revisits the past he has long struggled to forget: his childhood in Stockport, his teenage years, and the unfathomable suicide of his depressive father. He also considers how the deaths of Ian Curtis, Elvis Presley and Marc Bolan might have had an impact on the story.

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Customer Reviews

10 Reviews
5 star:
 (8)
4 star:
 (1)
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Average Customer Review
4.5 out of 5 stars (10 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
7 of 7 people found the following review helpful:
5.0 out of 5 stars this is a magical and outstanding book, 29 Jun 2000
By A Customer
I have just finished reading Paul Morley's outstanding book which I found magical and unputdownable. It made me laugh out loud and I have to admit cry in a way no other book has done. It has many layers and digressions and on the surface it is about the author confronting the shattering suicide of his father. However it is also "about" pop culture, inspiration and the coming together of the family that survive .It manages to be both very very funny and very very tragic, you have to read it to understand why. This must be a classic of the 2000s on mortality, families, memory and music. For myself I've never read anything like it and the vividness and honesty of the writing will live with me for a very long time. And guess what, the first thing I did after reaching "the end" was to ring my father. A brilliant book.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars How a suicide can affect everything and nothing., 9 Jul 2000
By stoibee (London UK) - See all my reviews
In 1977 I first bought the New Musical Express as a twelve year who felt the need to boost my punk rock credentials. Over the next few years I was to become a great fan of the writings of Paul Morley, an NME regular. Morley took full advantage of the anarchy that punk provoked within the music industry to play around with music journalism etiquette and wrote about anybody who took his fancy rather than just the usual approved subjects.

In 1977, Paul Morley's father committed suicide, an event which has been ever present in his mind but in a kind of unacknowledged way. "Nothing" is an attempt to come to terms with such a major life/death event, which, until recently, Morley had blocked-out to the degree that he couldn't quite remember in which year the suicide took place.

With his Manchester base, Paul Morley championed Joy Division, whose singer Ian Curtis also committed suicide. The book begins with a lengthy description of Curtis' dead body as Tony Wilson, boss of Joy Division's label, Factory Records invited Morley to do this. The book also touches upon the deaths of other singers such as Marc Bolan and Elvis Presley, deaths which were better remembered and more effectively grieved for by the author than the death of his father.

The book gives an intimate insight into a real family, although Morley's mother and two sisters take bit parts until the latter stages of the book. A lengthy interview with these women fills in many of the factual gaps in the whys, whens an hows of Morley's father and his life and death.

Paul Morley still has the need to play around with words and narrative. The book is entertaining, sobering, funny and sad. It explores all the contradictions of the taboo of suicide and deals with a whole lot more besides.

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26 of 32 people found the following review helpful:
5.0 out of 5 stars Nothing Ever Lasts Forever, 3 May 2004
I ended a relationship last night. I’m grieving. Like the best relationships we had so much in common, we laughed at the same things, and when we thought about the hopelessness, and the sadness of so many people around us, we wept together.

Like the most powerful relationships we were meant to be together. Two people on this planet destined to be together, and, against all the odds, we discovered each other. We weren’t even together for very long. Just a couple of weeks. Sometimes I felt completely out of my depth. Sometimes I wondered what he saw in me. His mind was so open, too open, his mind sucked you in, consumed you, but it didn’t want to devour you. It wanted to show you so many things, in so many ways. It wanted to explain why it needed you; it wanted to explain so much. But it had to be sure you understood. So it couldn’t explain something once. If there were twenty-five different ways to see something it would have to describe to you all twenty-five ways. And possibly a twenty-sixth.

So I grieve. The relationship has finished. And I’ll never forget it. My relationship with ‘Nothing’ by Paul Morley has ended. The last page is turned. The book replaced on the shelf.

Never has a book affected me in such a glorious way. This is a beautiful book. Ostensibly about the suicide of Paul Morley’s father, it is also an autobiography. Key areas of Paul Morley’s life are examined, dissected and studied. Schooldays, trips to Casualty, the death of Ian Curtis, depression, trousers, Marc Bolan, Paddington Station, taxi drivers, and cleaning ovens. This is a work that despite its subject matter never, ever dissolves into sentimentalism. A book about loss that never loses its way. A book that says quite clearly ‘I love and miss my Dad’ without ever using phrases like that. A book that loves writing. Loves families. A book that you will love.

When Paul Morley wrote for the NME he used to infuriate me. Pretentious twaddle, I thought. Over verbose and under edited. And it was. And I was right. A review of Movement by New Order does not need to use a thousand words where three hundred will do. It’s an album review for heaven’s sake. But a book like this takes you on a journey. A long journey, but never drab. Morley’s literary deftness is an integral part of the journey. Paul Morley is the Eddie Izzard that doesn’t do stand-up. He comes into your home. He puts the kettle on and sits down. And he talks. And you don’t want him to stop. He may stretch your ability to comprehend what is being said, but you won’t care.

If you’re reading this review, then you are most probably toying with the idea of buying this book. Buy it, read it, and then spend the rest of your life remembering it. And smiling every time you remember it.

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Most Recent Customer Reviews

1.0 out of 5 stars Don't buy this book.
I'm really struggling. I read the first 6 pages today and already I think the thing I'd most like to do is garotte the author.

It's just his writing style. Read more
Published 16 months ago by The Black Douglas

5.0 out of 5 stars JOURNEY TO THE HEART OF ART...
The review which you are about to read may or may not be true. In fact the book in question may not even really exist. Read more
Published on 23 Aug 2005 by M Keenaghan

5.0 out of 5 stars Brilliant investigation into tragedy.
I take it that the title emanates from the everything & nothing of Samuel Beckett-though I harbour a fantasy it comes from the depeche mode song... Read more
Published on 7 April 2002 by Jason Parkes

4.0 out of 5 stars painful but essential
i bought this book because 1.i am a fan of paul morley's writing/tv programmes.2.i am suicidal.firstly,the cover. Read more
Published on 6 Feb 2001

5.0 out of 5 stars An outstanding insight into the minds of a father and son
I have just finished this wonderful book and have been motivated to put pen to paper myself, which doesn't happen very often. Read more
Published on 17 Aug 2000 by jenny.goldsmith@sq-mile.com

5.0 out of 5 stars Quite simply, the best book I have ever read,
This is the funniest, saddest, cleverest, most brilliantly honest book I have ever had the pleasure of reading... Read more
Published on 31 Jul 2000 by midflight

5.0 out of 5 stars 20 years of nothing
If you've never been able to read Samuel Beckett but would like to listen to someone who has swallowed and digested the Irish playwright hook, line and stinker, read 'Nothing. Read more
Published on 14 Jul 2000

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