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Doctor Who: Paradise of Death. Starring Jon Pertwee (BBC Radio Collection)
 
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Doctor Who: Paradise of Death. Starring Jon Pertwee (BBC Radio Collection) [Audiobook] (Audio CD)

by Barry Letts (Author), Jon Pertwee (Performer), Elisabeth Sladen (Performer), Nicholas Courtney (Performer)
2.7 out of 5 stars See all reviews (3 customer reviews)

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Product details

  • Audio CD
  • Publisher: BBC Audiobooks Ltd (6 Mar 2000)
  • Language English
  • ISBN-10: 0563553235
  • ISBN-13: 978-0563553236
  • Product Dimensions: 14.2 x 12 x 1 cm
  • Average Customer Review: 2.7 out of 5 stars See all reviews (3 customer reviews)
  • Amazon.co.uk Sales Rank: 347,290 in Books (See Bestsellers in Books)

Product Description

Product Description
When a horrific and inexplicable death occurs at Space world, a new theme park on Hampstead Heath, Brigadier Lethbridge-Stewart and UNIT are called to investigate.

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Customer Reviews

3 Reviews
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4 star:    (0)
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 (2)
2 star:
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Average Customer Review
2.7 out of 5 stars (3 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
4 of 6 people found the following review helpful:
3.0 out of 5 stars Watch out... here comes the Radio Doctor !, 20 Feb 2002
Author Barry Letts had written several Dr Who stories for television in the 1970's, but always in collaboration with another writer, so this was his first solo Dr Who script.

Jon Pertwee had had many years experience as a radio actor, but had never before played Dr Who on the radio, and had not made a Dr Who story for nine years, when he recorded this 5 part BBC radio serial.

The sound effects are very good, and the story is not too badly affected by the fact that Jon Pertwee was at this point 18 years older than when he had retired from the television series in the 1970's; but you can tell from his voice that he was now much older.

The plot is not too well grounded in the tv series. The Brigadier for instance has acquired pink toes - only an illusion, fortunately, as virtual reality arrives in Doctor Who. In breach of established continuity, of course. Barry Letts has in fact chosen to base a significant part of the story on virtual reality, a very 1990's concept, in total disregard for the fact that the story is supposed to be set in the 1970's!

Sarah Jane Smith meanwhile has acquired a side-kick, an irritating young journalist, who has no basis at all for being in the story. In the tv series, Sarah had no assistant. It was she who was the assistant!

The plot puts the Tardis on an alien planet, and the Doctor is soon hip-deep in monsters, so not much wrong there! But nevertheless, the story has very much a 90's feel to it, not a 70's feel at all, and this rather grates. As does the needless use of violence. Somehow, the Daleks managed to take over half the universe in the 1960's and 1970's - frequently! - without ever descending to the level of violence which is present in this story.

So, in many ways, the plot is not authentic; and there is no feeling of being back in the Pertwee years on tv. However, it's good to have Jon Pertwee, Nicholas Courtney and Elizabeth Sladen back together in their tv roles, and somehow this goes a long way towards making up for the plot's shortcomings. After 18 years, this production was worth it, just for the magic of bringing them all together again.

Don't expect classic tv Doctor Who; this is a souped-up nineties version. But the cast sound like they're enjoying themselves, the plot moves along at a fine old speed, and there's always death and disaster just around the corner. I even felt sad (half way through episode 5) when I realised that there were, in fact, only 5 episodes. Now where did I put that recording of 'The Ghosts of N-Space'...

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2 of 3 people found the following review helpful:
3.0 out of 5 stars A good try, 22 Feb 2004
By A Customer
To celebrate Doctor Who's 30th Birthday, they reeled out some old doctor who actor's , an ex producer turned writer, and made ' The Paradise of Death '.
It's is an attempt for a slice of 70's nostalgia.
The Brigadier is called about the suspicious goings on at a new Theme Psrk ' Spaceworld'
While there , Sarah get's kidnapped on a spaceship, and is taken to Parakon ' The Paradise of Death '.
Jon Pertwee saves this performance and makes it listenable, being a highly expirenced radio actor ( I only need to mention the Navy Lark , need I go on ).
Nick Courtney does well.
But my heart goes out to Liz Sladen who had to put up with most cliched of conversations and the most appalling lines in ther whole story.
And for some reason they've thrown some screaming woman of an up and coming reporter , Jeremy , who tags on to Sarah , and has no real use or purpose in the story.
We have two veteran Doctor Who acotrs , Peter Miles ( Genesis of the daleks ) , and the great Maurice Denahm ( Twin Dilema )
Jon P sounds old and some how it just doesn't work.
The first episode is promosing but it just goes downhill ,
a good attempt , and it is worth listening to, just to hear the best doctor's performzance , one of his last, as the doctor.
But it's a damn sight better thatn Ghosts of N-SPace.
See my review for that.
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4 of 7 people found the following review helpful:
2.0 out of 5 stars Pertwee Goes Pear-Shaped in Paradise, 17 Jan 2001
By A Customer
If you're a Doctor Who fan, even you'll be disappointed with this extremely weak version of the popular sci-fi tv show.

Jon Pertwee makes one of his last appearances as the Doctor in a specially made for Radio 4 production. Whilst his return (and that of many old voices) is a plus, the production is let down by the one thing that always made Doctor Who great - the storyline.

The writer seems to have muddled through a range of cliches from Who and beyond to produce a weak, plodding and heavily padded affair. The director (I'm assuming there was one), seems to have given his directions through the phone, chinese-whispers style. Only this could explain the mess that is the Paradise of Death.

Typically in bad Doctor Who stories, it is the Doctor who saves the day, quite literally. Pertwee lifts the production to make it tolerable, and there is a real sense we're back in the good old days of Who. Completists will enjoy, newcomers will be confused. It's worth a listen, but borrow it from your mate before you split with your cash.

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