Most Helpful Customer Reviews
|
|
19 of 19 people found the following review helpful:
4.0 out of 5 stars
If you missed the old Elton . . ., 16 Nov 2002
Drugs are the scourge of society. But rather than committing already stretched police resources to solving the problem, why not legalise all drugs? Not just cannabis but heroin, cocaine and E. This is the central premise at the heart of Ben Elton’s new book, a typically vituperative attack on this country’s draconian drug laws.Writing with a passion and fervour that he hasn’t evidenced in a long time, Elton patiently sets out his argument, using a multitude of characters, and a wonderfully flowing style, without traditional chapters. The main story deals with a government back-bencher’s attempts to get his private member’s bill introduced - a bill to legalise drugs. It gives Elton a marvellous backdrop onto which to paint his story, a story in which everyone takes drugs, the media are nothing but a pack of ravenous jackals and the general public is only interested in sound bytes and celebrities. A story which deals with prostitution, corrupt police and gangsters. There’s a danger that a story this complex could run away from an author, but Elton is to suave for that, letting many of the stories unfold in the character’s own words. It’s a wonderfully fluent piece of work, with characters that, although obvious characatures, still elicit strong emotion from the reader. If it seems bleak, it’s because this is a bleak subject, but Elton’s customary humour and satire are there to lighten the load. There are caveats, of course. The prose does lapse into preachiness at times (a side-effect of the author’s fervour) and, of course, not everyone will agree with the points that he raises. But even taking that into consideration, this is a wonderfully well thought out and realised book, which feels so “now” you’ll swear it was written last week. It’s a fine return to form for an author who, after such powerful books as “Gridlock” and “This Other Eden” was beginning to look as if he’d gone a little soft. It’s a book that should be compulsory reading for every politician and newspaper editor, not to mention every parent and teacher. Read this first, then read the equally superb “Out of It” by Stuart Walton, a book that more scientifically puts forth the reasons for legalisation.
|
|
|
13 of 13 people found the following review helpful:
5.0 out of 5 stars
Elton does it again, 21 Nov 2002
By A Customer
With High Society, Ben Elton has done it again. Having been a major fan of his previous work, I was all over this in a second. All of Eltons trademarks are here. Achingly brilliant observations about the world we live in, dry wit and absolutly spot on humour.High Society focusses on the fact that in this day of age, there are no truly lawful people. Either we, or someone we know go about there life breaking all mannor of laws. Not nescecarily big things like drug offenses, it could be as small as not cleaning your dogs poop off the street, or copying a friends CD. The main issue here though is topical (like all of Eltons books) Previously he satarised Big Brother with Dead Famous, and Quentin Tarantino with Popcorn. Now he turns to the current issue of the legalisation of drugs (and one minister who is a great believer in this) Without giving too much away, needless to say that once again Elton leaves the reader with a lot to think about. How you do your thinking ultimately will skew your opinion of the book.
|
|
|
25 of 26 people found the following review helpful:
4.0 out of 5 stars
Getting High, 14 Nov 2002
By A Customer
There can't be too many social issues left which Ben Elton hasn't sought to address in a novel, but his take on the UK's drug culture has to be one of the most ambitious to date. A large cast of characters enable Elton to approach the issue from several angles. The main protagonists include a backbench Labour MP, Peter Paget, who is seeking to introduce a bold Private Members' Bill for the legalisation of all drugs; a teenage runaway, Jessie, forced into heroin addiction and prostitution; and a kind of post-Robbie Williams beloved bad boy of pop music type character (and winner of a TV show called, amusingly, "Pop Hero"), Tommy Hanson. The characters are cleverly drawn and don't at any time descend into stereotype - Jessie in particular is an appealingly memorable character and Ben Elton resists the temptation, despite her undeniably tragic situation, to portray her simply as a victim.The stage is therefore set for a well constructed comedy/drama the outcomes of which are never predictable and which finishes, rather oddly, in a very unlikely love story. There are many pleasingly sharp observations on the political climate and the media in particular which clearly demonstrate that Elton, though no longer the stand-up comic in the sparkly suit, has not lost his talent for witty social observation. Ben Elton's vision is bleak in many respects and some scenarios do leave a bitter aftertaste. If his aim was to advocate, like Peter Paget, for the legalisation of drugs, I didn't come away entirely convinced in spite of some persuasive arguments. However the book is undeniably a good read and does provide food for thought. Elton's writing style and plotting has certainly improved since the publication of his first novel, and in "High Society" he has created an intelligent, unflinching and probably overdue comment on a critically important issue.
|
|
|
Most Recent Customer Reviews
|