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Schenker: The Masterwork in Music: Volume 3, 1930: A Yearbook: 1930 v. 3 (Cambridge Studies in Music Theory and Analysis)
 
 
Schenker: The Masterwork in Music: Volume 3, 1930: A Yearbook: 1930 v. 3 (Cambridge Studies in Music Theory and Analysis) (Hardcover)
by Heinrich Schenker (Author), William Drabkin (Editor), Ian Bent (Translator), Alfred Clayton (Translator), Derrick Puffett (Translator) "The histories of music all draw attention to Rameau's Treatise on Harmony of 1722, extolling it as a major contribution to the field of music..." (more)
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Product Description
The Masterwork in Music comprises the main writings from the mid-1920s to 1930 of the eminent Austrian theorist and music-philosopher, Heinrich Schenker (18681935); these range from detailed analyses of individual works to discussions of music theory in a historical/cultural context to general thoughts about music, art and culture. The third and final volume of Masterwork embraces all three types of essay, but is in reality dominated by the most detailed and, for many, the most celebrated of all of Schenkers studies of single works: the analysis of Beethovens Eroica Symphony. All four movements are discussed and graphed in detail; the surrounding commentary on the history of theory, and of contemporary culture, is related in a general way to the central analytical study.

Book Description
This is the third and final volume of Heinrich SchenkersThe Masterwork in Music. His writings range from detailed analysis of individual works to discussions of music theory in a historical/cultural context to general thoughts about music, art and culture. This volume is dominated by Schenkers celebrated analysis of Beethovens Eroica Symphony.

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The histories of music all draw attention to Rameau's Treatise on Harmony of 1722, extolling it as a major contribution to the field of music theory. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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