The Painted Tomb-Chapel of Nebamun: Masterpieces of Ancient Egyptian Art in the British Museum by Richard Parkinson |
The Treasures of Luxor and the Valley of the Kings (Art Guides) by Kent R. Weeks |
Reading Egyptian Art: A Hieroglyphic Guide to Ancient Egyptian Painting and Sculpture by Richard H. Wilkinson |
by Barry Kemp
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by Erik Hornung
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Product Description
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Over 3000 years ago, Nefertari, the favourite queen of Ramesses II, was buried in a tomb in Egypt's Valley of the Queens. The discovery of the tomb by Ernesto Schiaparelli in 1904 began a process of drastic deterioration which remained unchecked until 1988 when emergancy consolidation and restoration began. This guide takes the reader through each chamber, describing the hieroglyphic messages depicted in the wall paintings, and discussing the images within the context of religious beliefs. An insight is offered into the life of Nefertari and the Valley of the Queens, and on the development and symbolism of royal tombs generally and their construction and decoration. The author discusses the discovery and degradation of the tomb, and the crucial role of the getty Conservation Institute in restoring and stabilizing the wall paintings. The dangers and risks to such tombs in the future are also addressed.
Over 3000 years ago, Nefertari, the favourite queen of Ramesses II, was buried in a tomb in Egypt's Valley of the Queens. The discovery of the tomb by Ernesto Schiaparelli in 1904 began a process of drastic deterioration which remained unchecked until 1988 when emergancy consolidation and restoration began. This guide takes the reader through each chamber, describing the hieroglyphic messages depicted in the wall paintings, and discussing the images within the context of religious beliefs. An insight is offered into the life of Nefertari and the Valley of the Queens, and on the development and symbolism of royal tombs generally and their construction and decoration. The author discusses the discovery and degradation of the tomb, and the crucial role of the getty Conservation Institute in restoring and stabilizing the wall paintings. The dangers and risks to such tombs in the future are also addressed.
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