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Charles Rennie Mackintosh (World of Art)
 
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Charles Rennie Mackintosh (World of Art) (Paperback)

by Alan Crawford (Author)
5.0 out of 5 stars  See all reviews (1 customer review)

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Product details

  • Paperback: 216 pages
  • Publisher: Thames & Hudson (22 May 1995)
  • Language English
  • ISBN-10: 0500202834
  • ISBN-13: 978-0500202838
  • Product Dimensions: 20.8 x 15 x 1.5 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 163,194 in Books (See Bestsellers in Books)

    Popular in this category:

    #91 in  Books > Biography > Artists, Architects & Photographers > Architects

Product Description

Product Description

Charles Rennie Mackintosh's finest work dates from about a dozen intensely creative years around 1900. His buildings in Glasgow, and especially his craggy masterpiece the Glasgow School of Art, are more complex and playful than any other work in Britain at that time. His interiors, many of them designed in collaboration with his wife, Margaret Macdonald, are both spare and sensuous; a world of heightened aesthetic sensibility inside the Willow Tea Rooms or The Hill House. And his inventive imagination, which played constantly with the shape of curves and squares, produced designs for furniture which transformed ordinary chairs into pieces of abstract sculpture. Finally, in the 1920s he painted a series of watercolours which are as original as anything he had done before. Since his death, Mackintosh has been both lauded as a pioneer of the Modern Movement and as a master of Art Nouveau.

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11 of 11 people found the following review helpful:
5.0 out of 5 stars An excellent all-round introduction to Mackintosh, 31 Aug 2008
By Ms. S. C. Bidwell "bidders86" (Oxfordshire (mostly!)) - See all my reviews
(REAL NAME)   
This is a very useful scholarly introduction to Charles Rennie Mackintosh. It covers all bases, being semi-biographical as well as focusing specifically on each area of Mackintosh's repertoire. Crawford deals semi-chronologically and semi-thematically with Mackintosh's work, spending time analysing his architecture, interior and furniture design, poster art and painting, as well as his general contribution to the Arts and Crafts movement. More could be said on his larger architectural pieces, such as Hill House and the Glasgow School of Art, but if, like me, you are using this book for academic purposes, there are other books that deal with specific Mackintosh designs in more detail.

The beauty of this book is that although it is scholarly, it is not verbose or off-putting to the general interest reader, and because of this, you needn't have any prior knowledge of Mackintosh in order to enjoy this work.
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