Amazon.co.uk Review
In 1985, 39-year-old Stephen King announced in public that his pseudonymous alter ego, Richard Bachman, was dead. (Never mind that he revived him years later to write
The Regulators.) At the beginning of
The Dark Half, 39-year-old writer Thad Beaumont announces in public that his own pseudonym, George Stark, is dead.
Now, King didn't want to jettison the Bachman novel, titled Machine Dreams, that was he working on. So he incorporated it in The Dark Half as the crime oeuvre of George Stark, whose recurring hero/alter ego is an evil character named Alexis Machine.
Thad Beaumont's pseudonym is not so docile as Stephen King's, though, and George Stark bursts forth into reality. At that point, two stories kick into gear: a mystery-detective story about the crime spree of George Stark (or is it Alexis Machine?) and a horror story about Beaumont's struggle to catch up with his doppelganger and kill him dead.
This is not the first time that Stephen King has written a dark allegory about the fiction writer's situation. As the New York Times writes, Misery (1987) is a parable in chiller form of the popular writer's relation to his audience, which holds him prisoner and dictates what he writes, on pain of death. The Dark Half is a parable in chiller form of the popular writer's relation to his creative genius, the vampire within him, the part of him that only awakes to raise Cain when he writes, the fratricidal twin who occupies "the womblike dungeon" of his imagination." --Fiona Webster
--This text refers to an out of print or unavailable edition of this title.
Review
'A writer of excellence...King is one of the most fertile storytellers of the modern novel' -- The Sunday Times 'King is unbeatable' -- Mirror 'Not since Dickens has a writer had so many readers by the throat!King's imagination is vast...one of the great storytellers of our time' -- Guardian
Book #1 (of four) of King's celebrated megabucks publishing contract - and it's King at his effusive near-best, with a long, ultra-violent, suspenseful story of a best-selling writer whose pseudonym comes to life and goes on a murderous rampage. As in Misery, King again fantasizes from his own writerly experience, creating as his hero Maine author Thad Beaumont - who, in addition to literary novels under his own name, has written four grisly best-sellers under the pen name of George Stark. Unlike King's own Richard Bachman pseudonym, though - to whom King claims "indebtedness" here, and who was laid to rest after exposure by a resourceful reporter - Stark takes on malignant flesh after Thad (staving off threatened exposure) kills him off by going public in People magazine. Rising from his mock grave pictured in the People spread, Stark beats to death a local Maine man - and draws the ire of subsidiary hero Sheriff Alan Pang-born. When Stark's fingerprints turn out to match Thad's, the writer becomes the law-man's prime suspect - until Stark's graphically detailed blood-