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46 of 48 people found the following review helpful:
2.0 out of 5 stars
I'll admit it's a good idea to read this book, but..., 17 Mar 1999
By A Customer
Screenplay is a fine book, in a sense, simply because it has achieved such popularity that it has affected what studios expect from spec screenplays. A lot of it still holds true: most screenplays seem to have a "three act structure", whether or not the writer was thinking in these terms; most screenplays are very formulaic and created with buzzwords and phrases like "less black per page" and "show don't tell" in mind... Basically, most people want an easy paint-by-numbers approach to screenwriting. And all too often the paint-by-numbers crowd gets something produced (thankfully, most of them fail).The problem with this book is that the "Syd Field paradigm" isn't such a hot thing anymore. Movies such as Pulp Fiction, LA Confidential, and Unforgiven, to name a few, have shown us and Hollwood that story is much more important than structure. The other major problem is that many suggestions within the book will get your work rejected at a glance. For instance, Syd Field basically suggests that we "direct on the page" when he advises occasional references to camera angles, reverses, POV, and close-ups in the slug line. Bad idea. I found this book interesting but creatively stifling and a bit misleading. The author has his heart in the right place but seems a bit too sure of his theories. Story and creativity are much more important than structure. The best way to tell if you're "on track" with your story is to ask yourself, "Do I like this?" Don't ask yourself, "How can I get Act One to end on page 27?"
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