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7 of 7 people found the following review helpful:
Quality of stories far exceeds quality of annotations, 30 Nov 2002
While there are some rare nuggets of interesting information in the annotations, I find aspects of this collection to be disorganized, haphazard, and perplexing. The stories, 10 in all, represent a hodgepodge of Lovecraft's greater and lesser writings, arranged chronologically from 1920's "The Picture in the House" to 1935's "The Haunter of the Dark." The editors apparently want to show the evolution of Lovecraft's writing over the years and choose not to build a collection based on any particular theme. This makes for some interesting story selections: "Herbert West--Reanimator" is included, which somewhat surprised me since Lovecraft largely disavowed this work (the idea and format being prescribed by someone other than himself). "The Horror At Red Hook," a strangely unsuccessful story to my way of thinking, as well as the rather formulaic "The Shunned House" can also be found here. On the plus side, some real classics are given the annotated treatment. "The Picture in the House" is particularly welcome here, as it is perhaps Lovecraft's most horrifying short piece of fiction, and a copy of the referenced infamous picture is included for the reader to view. "The Hound" is an effective if rather traditional horror tale, the annotations for which provide some important information on the French Decadents and other outre movements referenced in the story. "Cool Air" is one of the author's most recognized stories, and the notes stress the fact that the story was written before air conditioning made its way into housing units. "Pickman's Model" is still a disturbing read, even though the ending lacks the punch today it probably had in Lovecraft's time. The three real jewels of this collection are the seminal works "The Call of Cthulhu," "The Thing on the Doorstep," and "The Haunter of the Dark" (one of Lovecraft's final stories and one often given less attention than I feel it deserves). The annotations are very useful in a complex work such as "The Call of Cthulhu," but in many cases they seem forced, contrived, and tiresome. Much of the time, the notes simply define terms such as cyclopean or eldritch, point out obvious concepts and alternate spellings, and endlessly reference other notes in this and the first collection of annoted Lovecraft stories. Worst of all, this book has no table of contents, and one can only see for sure what stories are included by leafing through the pages of the text. The comments on antiquarian concepts and literary references makes this book worthwhile, but I found it to be less enlightening than I expected. Most of the annotations are unfortunately useless or repetitive. Even the pictures included in these pages, largely of old churches and cemeteries, do not correspond exactly with Lovecraft's settings The many quotes from Lovecraft's letters are interesting, but the letters can and should be read in their entirety in order to avoid mistaken impressions due to missing context. The book is also afflicted with a number of typos, which is something I am sure Lovecraft himself would have railed against. What matters are Lovecraft's stories, when it comes right down to it, and this collection does include some (but certainly not all) of his best fiction. The annotations are welcome additions to the texts, but their usefulness varies widely from page to page.
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