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Tuff
 
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Tuff (Paperback)

by Paul Beatty (Author)
3.7 out of 5 stars See all reviews (3 customer reviews)

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Product details

  • Paperback: 259 pages
  • Publisher: Secker & Warburg (6 Jul 2000)
  • Language English
  • ISBN-10: 0436410672
  • ISBN-13: 978-0436410673
  • Average Customer Review: 3.7 out of 5 stars See all reviews (3 customer reviews)
  • Amazon.co.uk Sales Rank: 924,285 in Books (See Bestsellers in Books)

Product Description

Review
The protagonist of this gritty urban tale, Winston Tuffy Foshay, is a grossly overweight burrito-gin guzzling foul-mouth delinquent of Spanish Harlem, New York. Surviving in New York's mean streets by hustling, selling dope and conning tourists, Winston is also a husband and a father. The son of a Black Power poet, he is determined to avoid his father's mistakes but doesn't know how. After killing a ferocious dog owned by his childhood Hispanic rivals turned policemen, Tuffy is so shaken that he resolves to find some higher purpose in life. He is persuaded to run for public office by his surrogate mother, Inez, a Japanese American and ex-communist, who offers him $15,000. He is helped by his best friend Fariq, a cripple whose foul language surpasses Tuffy's, and a middle-class African-American Jew, who, after Tuffy's father, is by far the most interesting character. Driven by an improbable plot, Tuff takes many Lenny Bruce-like potshots at New York city's ethnic groups and sexual tendencies. But the novel is saved by Beatty's prose, which combines a streetwise tone with surprisingly frequent allusions to Greek myths, classical literature and Hollywood movies. (Kirkus UK)

Beatty follows up the scorched-earth Afro-American satire of The White Boy Shuffle (1996) with an equally antic look at a brother from East Harlem who runs for City Council. A tree grows in Brooklyn, but its no place for Winston (Tuffy) Foshay, first glimpsed coming around from a fainting fit that providentially took him out of the line of fire that terminated both his employment and his employers in a drug den in The Other Borough. What Winston needs, he soon decides, is some comforts a little closer to home: the loving arms of his wife Yolanda, joined to him in holy matrimony via a dial-a-preacher conference call to his prison ward; the inarticulate embraces of his son Bryce Extraordinaire (Jordy) Foshay; the bemused guidance of his fledgling Big Brother, Rabbi Spencer Throckmorton; the usual round of good-natured tussling with the men and women of East 109th Street; and maybe a political fling. The mad idea is Winstons; the mad money behind it ($15,000, which he thinks of as three months of summer work at $5,000 a month) comes from aging Japanese activist Inez Nomura; but the waggish campaign slogans and strategies seem to sprout from every street corner in the hood. Billing himself as ambivalent on drugs, guns, and alcohol in the community, against cats in the supermercados, and anti-cop, anti-cop, anti-cop, Winston, who knows everyone in the district, doesnt seem to ignite much more fervor than Steve Forbes, his equally surreal real-life opposite. Even Beatty himself seems no better able than his short-attention-span hero to focus on the election, which keeps getting elbowed aside by rollicking riffs on three-card monte, tales of inner-city white ethnics and black transvestites, and a gorgeous black/Jewish insult match. The flabby plot is encrusted with jewels on every page. And if the race for city council can barely hold the candidates attention, thats the punch line of Beattys richest joke. (First printing of 40,000) (Kirkus Reviews)

Product Description
Nineteen year old Winston 'Tuffy' Foshay, 22 stone, new father to a baby boy and player-king in a motley crew in Spanish Harlem, is looking for a purpose in life. A new comedy for America's hippest young talent.

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Customer Reviews

3 Reviews
5 star:
 (2)
4 star:    (0)
3 star:    (0)
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1 star:
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Average Customer Review
3.7 out of 5 stars (3 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
0 of 1 people found the following review helpful:
1.0 out of 5 stars Tuff Luck, 17 May 2005
By Mr. J. Weston "thebeachboy" (Twin Peaks) - See all my reviews
(REAL NAME)   
The story of Winston 'Tuffy' Foshay, a disadvantaged young man immersed in New York's underworld, who mends his ways and embarks on an outlandish political campaign, appealed to my sense of social justice. Furthermore, the setting promised to delve into the most thriving and dynamic musical culture we have heard from in recent decades; hip hop, a chronically under used context in literature. Reviews heightened expectations with endorsements of Beatty's characterisation and use of dialogue.

I could not have been more disappointed. Had those reviewers spent their lives reading telephone books or DIY instruction manuals? Surely, only that kind of material could make someone welcome this work with anything but derision.

The plot is plagued by gaping chasms. The heist that opens the proceedings could not be further removed from reality if it had been penned by Terry Pratchett. What follows is based on the events that transpired there. Sadly, the meandering narrative does nothing but ascend to higher realms of implausibility.

The much vaunted dialogue is so manufactured I'd swear Beatty produced it in a factory. Littered with meaningless profanity, we quickly become desensitised to any deviation in mood or atmosphere. A deadly argument can and is easily misconstrued for a jocular exchange.

The characters enlisted in this contrived episode are, without exception, mind numbing. Even Tuffy lacks any humanising features. He seems to merely be a vehicle for Beatty to espouse his knowledge of world cinema, a trait of Tuffy's that every other character shares our disinterest in.

Beatty uses flashback heavily to introduce new actors, yet after ploughing through paragraph after paragraph of pedestrian drivel, we are brought to a complete irrelevance where we had no desire to go in the first place.

I had hoped Tuffy's foray into the world of electioneering would highlight the hypocrisy that besets modern politics. Maybe even hint at the similarities between Tuffy's criminal past and his political present. By the time the novel (eventually) reaches this point, I have lost all hope of such nuanced insight. Nevertheless, I had expected something better, and far more responsible than what followed. Tuffy's "hysterical" campaign consists of an agenda so childish and ill-considered it makes Veritas look like a reasonable ballot choice.

This book had the potential to achieve a great deal, and do so in an entertaining way. Instead, it can only be considered a hindrance to the worthy causes it disastrously collides with.

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5.0 out of 5 stars Stunning while being thought provoking..., 29 Jun 2001
By C. H. Swales (Chesterfield, England) - See all my reviews
(REAL NAME)   
This review is from: Tuff (Hardcover)
This book plays incredibly on the mind and you cant help but keep on reading. It's stunning in it's wordplay, as can be expected of Paul Beatty. And while not being as poetic as "White Boy Shuffle" it's almost as moving, just as thought provoking and equally as hip in it's urban images. The issues it deals with are much more than words on the page, they are real life issues to many of the people mirrored by Tuff, and Tuff puts them in a totally different situation and can no doubt influence and encourage a ghetto community to make good of it's talents - even if that is a Sumo wrestling competition in a New York park in an election campaign!
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0 of 1 people found the following review helpful:
5.0 out of 5 stars BUY IT, 29 Aug 2000
By A Customer
No messing, this book is quality. Very funny and at times disturbingly violent. Best book I've read in a long time and then some. In summary if you like hip hop and it's surrounding culture, BUY IT!
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