Blood from a Stone (Hardcover)

A young African man, a "vu compra" (one of the illegal immigrants known as "venditore ambulante," who sell counterfeit designer luggage in the local squares) is shot dead by two men. It is so professionally done that when Brunetti arrives on the scene, there is little wonder that little or no evidence, save the dead body, remains. What does remain, however, is enough to trigger Brunetti's suspicion that this is no ordinary shooting and that darker, more sinister, even evil, forces lie simply beneath the surface.

Thus, armed with his usual loyal team members (Signorina Ellatra and Sgt. Vianello,among others), Brunetti once again sets out to solve this case and once again he meets head on the opposition from his own superiors. By now, of course, Brunetti knows that there is a much bigger picture here and to tread lightly is an undestatement. Still, with his usual tenacity, teamed up with his own unique code of ethics ("for an Italian law officer"), he begins the investigation, which, as Leon usually does, leads us into waters where no angels (or sensible police chiefs) would dare to tread. "Blood from a Stone" looks into a red-hot international political picture, one very real and seems to know no boundaries, or even depths to which it extends. These socially significant issues generally transcend into Brunetti's personal life, his wife (an academician and healthy liberal in her own right at a Venezian university) and two children. It is perhaps this familial inclusion that makes Leon's Brunetti a more humane, compassionate individual, one whom any ready can
readily respect and admire.

Leon's prose seems to capture the tone and atmosphere of the "pearl of the Adriatic" perfectly. "Opposite them a small group was gathered around three buskers, two violinists and a cellist, who were playing a piece that sounded both baroque and out of tune." Venice, Leon's home of record now, has a special appeal to Leon and as an American ex-patriot she seems content not only to expound on its beauty and pluses, but to address
those areas, especially the corruption, that she feels need addressing. "The Paganelli(Brunetti observes) was a narrow hotel, slipped in, like an architectural dash separating
two capital letters, between the Danieli and the Savoia & Jolanda."

As in her other books, Leon makes no effort to hide her criticism of local (and national) graft and corruption, which seem to permeate all levels and all classes. Each of her books tends to concernate, but not exclusively, on a major issue, whether it be political, religious, social, economic, or human rights. Leon's prose reflects a depth of understanding of these issues that perhaps many of the other police procedural authors avoid (with the exception, perhaps of P.D. James, Ruth Rendell, and Martha Grimes, at times). Not that a novelist has any obligation to go after social injustices, for, after all, one characteristic of fiction is merely to entertain and there are many, many fine novels which do so.

But "Blood from a Stone" certainly is one of Leon's best, a great sign that her series is not weakening or running out of steam. Here's to future Brunetti episodes!

The story begins with the execution-style murder of an illegal African street vendor in a busy Venetian campo while he was attempting to sell his fake designer handbags to a group of American tourists. (An African street seller is called a vú cumprá, which is an Italian slang term for you wanna buy? -- the official and more PC Italian term is extracomunitario.) Commissario Brunetti, called to investigate the killing, realizes just how little he knows about these illegal street sellers -- where they're from, how they got to Italy, where they live, how they survive. With the help of his loyal sidekick Vianello, and the stunning, computer savvy Signorina Elettra, he gets a foothold on the case when he locates where the victim lived. He finds some critical evidence in the vú cumprá's apartment, but doesn't report it because he doesn't trust it in the hands of the police hierarchy. Just when he is making progress on the case, Vice Questore Patta, Brunetti's annoying, slow-witted boss, orders him to stop the investigation which has been taken over by not one but two Italian ministries in Rome. Naturally, Brunetti, determined to find out what is behind all this intrigue, disobeys and has to tap into his connected and powerful father-in-law, Count Falier, in his search for answers.

The book is set at Christmas time in Venice. Leon describes the seasonal festivities in marvelous detail. As always, Brunetti's wife Paola and kids Chiara and Raffi get a fair amount of stage time. We join them for gourmet lunches and dinners, go Christmas shopping with them, and witness major disagreements between mother and daughter. Leon is sympathetic to the plight of the vú cumprá and to the misfortunes of Africa. As usual, American tourists and the corrupt Italian bureaucracy come under here critical gaze.

In Blood from a Stone, we are introduced to some interesting characters -- Claudio Stein, who was close to Brunetti's father during and after World War II; Don Alvise, a socially active ex-priest who left the church because of disagreements on giving assistance to African immigrants; Renato Sandrini, a resentful criminal defense attorney who owes Brunetti some favors and is married to the daughter of a local mafia don; and, Azir Mahani, an Iranian immigrant teenager who is Chiara's new friend.

This book is a must read. Donna Leon is such a marvelous writer.

A young African man, a "vu compra" (one of the illegal immigrants known as "venditore ambulante," who sell counterfeit designer luggage in the local squares) is shot dead by two
men. It is so professionally done that when Brunetti arrives on the scene, there is little wonder that little or no evidence, save the dead body, remains. What does remain, however, is enough to trigger Brunetti's suspicion that this is no ordinary shooting and that darker, more sinister, even evil, forces lie simply beneath the surface.

Thus, armed with his usual loyal team members (Signorina Ellatra and Sgt. Vianello,among others), Brunetti once again sets out to solve this case and once again he meets head on the opposition from his own superiors. By now, of course, Brunetti knows that
there is a much bigger picture here and to tread lightly is an undestatement. Still, with his usual tenacity, teamed up with his own unique code of ethics ("for an Italian law officer"),
he begins the investigation, which, as Leon usually does, leads us into waters where no angels (or sensible police chiefs) would dare to tread. "Blood from a Stone" looks into a red-hot international political picture, one very real and seems to know no boundaries, or even depths to which it extends. These socially significant issues generally transcend into Brunetti's personal life, his wife (an academician and healthy liberal in her own right at a Venezian university) and two children. It is perhaps this familial inclusion that makes Leon's Brunetti a more humane, compassionate individual, one whom any ready can
readily respect and admire.

Leon's prose seems to capture the tone and atmosphere of the "pearl of the Adriatic" perfectly. "Opposite them a small group was gathered around three buskers, two violinists and a cellist, who were playing a piece that sounded both baroque and out of tune." Venice, Leon's home of record now, has a special appeal to Leon and as an American ex-patriot she seems content not only to expound on its beauty and pluses, but to address
those areas, especially the corruption, that she feels need addressing. "The Paganelli(Brunetti observes) was a narrow hotel, slipped in, like an architectural dash separating
two capital letters, between the Danieli and the Savoia & Jolanda."

As in her other books, Leon makes no effort to hide her criticism of local (and national) graft and corruption, which seem to permeate all levels and all classes. Each of her books tends to concernate, but not exclusively, on a major issue, whether it be political, religious, social, economic, or human rights. Leon's prose reflects a depth of understanding of these issues that perhaps many of the other police procedural authors avoid (with the exception, perhaps of P.D. James, Ruth Rendell, and Martha Grimes, at times). Not that a novelist has any obligation to go after social injustices, for, after all, one characteristic of fiction is merely to entertain and there are many, many fine novels which do so.

But "Blood from a Stone" certainly is one of Leon's best, a great sign that her series is not
weakening or running out of steam. Here's to future Brunetti episodes!