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Stalinism and Soviet Cinema (Library Binding)
by Richard Taylor (Editor), Derek Spring (Editor) "In the Soviet Union from 1985, and particularly from January 1987, the character and legacy of the Stalinist period began to be debated with developing..." (more)
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Product Description
Book Description
Stalinism and Soviet Cinema marks the first attempt to confront systematically the role and influence of Stalin and Stalinism in the history and development of Soviet cinema. The collection provides comprehensive coverage of the antecedents, role and consequences of Stalinism and Soviet cinema, how Stalinism emerged, what the relationship was between the political leadership, the cinema administrators, the film-makers and their films and audiences, and how Soviet cinema is coming to terms with the disintegration of established structures and mythologies. Contributors from Britain, America and the Soviet Union address themselves to the importance of the Stalinist legacy, not only to the history of Soviet cinema but to Soviet history as a whole.

Synopsis
Stalinism and Soviet Cinema marks the first attempt to confront systematically the role and influence of Stalin and Stalinism in the history and development of Soviet cinema. It provides comprehensive coverage of the antecendents, role and consequences of Stalinism and Soviet cinema, by exploring questions such as how Stalinism emerged, what the relationship was between the political leadership, the cinema adminsitrators, the film-makers and their films and audiences, and how Soviet cinema is coming to terms with the disintegration of both structures and mythology.
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First Sentence
In the Soviet Union from 1985, and particularly from January 1987, the character and legacy of the Stalinist period began to be debated with developing intensity in conditions of increased openness of information and discussion. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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