by Constantin Stanislavski
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by Constantin Stanislavski
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by Constantin Stanislavski
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by Keith Johnstone
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by Terry Johnson
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Product Description
Product Description
No-one has had greater influence on acting as we know it than Stanislavski. His 'system' or interpretations of it - has become the central force determining almost every performance we see on stage or screen. His teaching is principally set out in three famous books: An Actor Prepares, Building a Character and Creating a Role. It is still the only comprehensive theory of acting we possess. In the first book, An Actor Prepares, Stanislavski dealt with the inner imaginative processes. In the second Building a Character, he concentrated on the body, the voice and other physical means of expression. In Creating a Role, the third book, he describes the elaborate preparation that precedes actual performance.Creating a Role "describes the elaborate marination that precedes the acutal performance. The analyses of Othello and The Inspector General, which make up Parts Two and Three, show a mind cutting through text like an inspired psneumatic-drill Altogether Creating a Role is a brilliant little treatise and a careful reading is worth several lessons in almost any English acting academy" (Charles Marowitz, The Observer)
No-one has had greater influence on acting as we know it than Stanislavski. His 'system' or interpretations of it - has become the central force determining almost every performance we see on stage or screen. His teaching is principally set out in three famous books: An Actor Prepares, Building a Character and Creating a Role. It is still the only comprehensive theory of acting we possess. In the first book, An Actor Prepares, Stanislavski dealt with the inner imaginative processes. In the second Building a Character, he concentrated on the body, the voice and other physical means of expression. In Creating a Role, the third book, he describes the elaborate preparation that precedes actual performance.Creating a Role "describes the elaborate marination that precedes the acutal performance. The analyses of Othello and The Inspector General, which make up Parts Two and Three, show a mind cutting through text like an inspired psneumatic-drill Altogether Creating a Role is a brilliant little treatise and a careful reading is worth several lessons in almost any English acting academy" (Charles Marowitz, The Observer)
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First Sentence
THE PREPARATORY WORK on a role can be divided into three great periods: studying it; establishing the life of the role; putting it into physical form. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
THE PREPARATORY WORK on a role can be divided into three great periods: studying it; establishing the life of the role; putting it into physical form. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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64% buy the item featured on this page: Creating a Role (Performance Books) |
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20% buy An Actor Prepares (Performance Books) £7.59 |
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9% buy Building a Character (Performance Books)£7.59 |
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5% buy The Complete Stanislavsky Toolkit £8.49 |
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