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The Director and the Stage: From Naturalism to Grotowski (Performance Books)

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The Director and the Stage: From Naturalism to Grotowski (Performance Books) (Paperback)

by Edward Braun (Author)

5.0 out of 5 stars See all reviews (1 customer review)

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This item: The Director and the Stage: From Naturalism to Grotowski (Performance Books) by Edward Braun
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Towards a Poor Theatre (Eyre Methuen Drama Books) (Performance Books) by Jerzy Grotowski
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Product details

Paperback: 224 pages
Publisher: Methuen Drama (13 May 1982)
Language English
ISBN-10: 0413463001
ISBN-13: 978-0413463005
Product Dimensions: 21.4 x 13 x 2 cm

Average Customer Review: 5.0 out of 5 stars See all reviews (1 customer review)

Amazon.co.uk Sales Rank: 156,713 in Books (See Bestsellers in Books)

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Product Description

Beginning with the triple impulses of Naturalism, symbolism and the grotesque, the bulk of the book concentrates on the most famous directors of this century - Stanislavski, Reinhardt, Graig, Meyerhold, Piscator, Brecht, Artuaud and Grotowski. Braun's guide is more practical than theoretical, delineating how each director changed the tradition that came before him.

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	86% buy the item featured on this page: The Director and the Stage: From Naturalism to Grotowski (Performance Books) 5.0 out of 5 stars (1) �10.97
	5% buy Towards a Poor Theatre (Eyre Methuen Drama Books) (Performance Books) 5.0 out of 5 stars (1) �10.75
	3% buy Notes on Directing 5.0 out of 5 stars (3) �6.49
	3% buy An Actor Prepares (Performance Books) 5.0 out of 5 stars (4) �6.09

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Customer Reviews

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18 of 19 people found the following review helpful:

5.0 out of 5 stars easy to read, insightfull unpretentious, and Very helpful., 21 Nov 2000

By	Dogmonkey (Bristol, UK) - See all my reviews

This book offers a usefull insight into the twentieth centuries greatest directors. It is seperated clearly into different chapters dealing with different directors, and although it does not offer fully comprehensive guides to each director, there are still plenty of interesting facts and ideas to get your teeth into (Chekof's views on Stanislavski were quite surprising). The main selling point of this book for me, however is that it is written in plain easy to understand English, not the technical jargon that academics enjoy using in their books. If you have any interest in 20th century theatre whatsoever this book is going to be well worth the money, and can easily be understood by people new to theatre.

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