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Trouble is My Business (Vintage Crime)
 
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Trouble is My Business (Vintage Crime) (Paperback)

by Raymond Chandler (Author)
5.0 out of 5 stars  See all reviews (1 customer review)

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Product details

  • Paperback: 224 pages
  • Publisher: Random House USA Inc; 1st Vintage Books Ed edition (20 Aug 1999)
  • Language English
  • ISBN-10: 0394757645
  • ISBN-13: 978-0394757643
  • Product Dimensions: 20.1 x 12.7 x 1.8 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 1,009,244 in Books (See Bestsellers in Books)

    Popular in this category:

    #63 in  Books > Crime, Thrillers & Mystery > Authors, A-Z > C > Chandler, Raymond

Product Description

Review

"Raymond Chandler is a master." --"The New York Times"
"
""[Chandler] wrote as if pain hurt and life mattered." --"The New Yorker
""Chandler seems to have created the culminating American hero: wised up, hopeful, thoughtful, adventurous, sentimental, cynical and rebellious." --Robert B. Parker, "The New York Times Book Review
""Philip Marlowe remains the quintessential urban private eye." --"Los Angeles Times
"
"Nobody can write like Chandler on his home turf, not even Faulkner. . . . An original. . . . A great artist." --"The Boston Book Review
"
"Raymond Chandler was one of the finest prose writers of the twentieth century. . . . Age does not wither Chandler's prose. . . . He wrote like an angel." --"Literary Review
"
"[T]he prose rises to heights of unselfconscious eloquence, and we realize with a jolt of excitement that we are in the presence of not a mere action tale teller, but a stylist, a writer with a vision." --Joyce Carol Oates, "The New York Review of Books
""Chandler wrote like a slumming angel and invested the sun-blinded streets of Los Angeles with a romantic presence." --Ross Macdonald
"
""Raymond Chandler is a star of the first magnitude." --Erle Stanley Gardner
"
""Raymond Chandler invented a new way of talking about America, and America has never looked the same to us since." --Paul Auster
"[Chandler]'s the perfect novelist for our times. He takes us into a different world, a world that's like ours, but isn't." --Carolyn See
"
"


Synopsis

A private detective is hired to break up an unsuitable romance, find a missing dog, solve a murder, search for an ex-con's lost girlfriend, ransom a necklace, and investigate a wife's mysterious disappearance.

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6 of 7 people found the following review helpful:
5.0 out of 5 stars Deja Vu For Chandler Fans, Excellent for All, 9 Jul 2005
By J. E. Robinson - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
Chandler fans reading this book for the first time will have many "deja vu" moments. The book contains four of the twenty short stories written by Chandler in the 1930s that were warm ups for the seven novels that followed. Chandler wrote detective mystery stories, and became famous for seven novels and a number of Hollywood screen plays, mostly about crime and private detectives in the "film noir" genre of Hollywood black and white films, or what is called LA "pulp fiction". Far from being an ordinary writer of cheap crime stories, Chandler became one of America's best writers from the mid 20th century.

Chandler was a Los Angeles accountant turned writer and he developed his own careful writing style. He started by first analysing other works, such as articles in the Black Mask mystery magazine. He used those stories plus local newspaper crime articles for plot ideas. He would set some of his stories in the fictional ocean side town of Bay City which is really Santa Monica, or set his stories in west Los Angeles, or other parts of southern California. He lived in Santa Monica after being fired from his oil executive job for drinking in the 1930s. He detested the place and moved into LA proper when he became wealthy as a screenplay writer in the early 1940s while working at Paramount. In the late 1940s he moved to La Jolla, just north of San Diego. Chandler started with short fiction pieces in the 1930s and then graduated to novels in 1938-39. From the early novels he was hired to write screen plays and eventually he wrote or created 59 works including stories, screenplays, and novels. His novels with the private Detective Phillip Marlowe brought him fame including the Bogart-Bacall movie The Big Sleep.

This book contains four short stories each about 50 to 60 pages long from the 1930s. These are a warm ups to his seven novels and screenplays that followed. There are plot elements and prose that are almost a duplicate of some of the later novels. For example, the second story Finger Man has scenes and references that are almost directly inserted into The Big Sleep (1939) and Farwewell, My Lovely (1940). For Chandler lovers like myself, it is like eating chocolates to go back and be able to read these early works. Also Chandler has a four page introduction where he makes a number of comments on his writing style and philosophy at the front of the book. Trouble is my Business is the first of the four short stories.

His career did not take off until after he had written three or four novels and started to do screenplays in the mid-1940s. He was lucky in that he was able to write the screenplays and make a lot of money. He became famous for the screenplays, but simultaneously, he rose to further fame by the growth in popularity of paperback books in the 1940s. As a result, millions of his Phillip Marlowe detective novels were sold and after just a few years he had moved from a run down flat in Santa Monica to a large house with an ocean view beside the Kellog family in La Jolla. He is now recognised as one of America's best writers from the 1930s through 1940s era. If you get a chance, have a look at the movie Double Indemnity, where Chandler co-wrote the screenplay with Billy Wilder at Paramount - his first attempt at this type of writing - and he and Wilder were nominated for an Oscar but they did not win. I think that is an excellent film, and it is generally regarded as one of the best films of the period.

His technique was to pull old stories apart, then change them, then re-write them as short stories, and then take that work and extend it, modify it again a second or third time or even more, and finally put together complete novels. He would take six months to write a short story - as found in the present collection, while some other mystery writers wrote a complete novel in a week - by dictation. He was not big on plots, but more of a craftsman on the individual scenes and the prose, especially descriptions of the people. He said that it took him two years to write a short description of a person getting up from a table and walking out of a room. So there is a high level of refinement and a certain style that he was able to develop as a result of this writing process. This technique is not new. Shakespeare himself used this technique in virtually every play, taking old myths, stories, and historical accounts such as King Lear. He would break them apart, change them, and make new works with new twists, turns, and addnew characters; his last play The Tempest is his thought to be his only completely original play. Chandler used to joke that if Shakespeare was alive, he would be a Hollywood writer. Chandler is a little more obvious in that some of the prose in the seven novels are almost lifted from the early works - in part because Chandler wrote only one half page increments at a time, and kept those half page writings on file to use as source materials for later works. His aim was to make each segment as complate as possible, but some of his early short stories are similar to and have almost identical names to the full novels.

In any case, this is a book that is not to be missed by Chandler fans and it is simply excellent for anyone else.

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