Night Watch (Hardcover)

All Terry Pratchett's characters are fascinating in their own way. Rincewind, a spectacular coward, expresses a survivor's continuing agonies of fear and distrust. Esme Weatherwax dons a cape of firm self-assurance you could roof a shed with - until she's alone and surveying her frailties. In Sam Vimes, however, Pratchett produced someone special. In his own view Sam sometimes strides on feet of clay. Plagued by self-doubts, worrying about problems often not his, beset by hordes of enemies and unpredictable circumstances, Vimes manages to trot up to the finish line soiled but sturdy. We live in an era when "character" is a disreputable phrase. Still, Sam Vimes arrives at each finale by employing resolute self discipline, applying it to himself or imparting it to others. In this book, that example becomes bifurcated by Sam's knowledge that he's coaching his younger self. Maintaining his own standards while imparting them to young Lance-Constable Vimes is a challenging situation. He was pursuing a killer in his own time - he continues the pursuit in the past. He's also, once again, caught up in Ankh-Morpork politics.

Transported back in time, Vimes remains burdened with memories. Sybil, his wife, is about to produce their first born [promised in Fifth Elephant]. A Watch mainstay, Fred Colon, is an established Corporal, while Nobby Nobbs, a social stain, is a street urchin seeking the main chance. Sam encounters old friends and makes new ones. Some don't survive. Pratchett's ability to give life to each of his characters brings a sense of grief at their loss other authors fail to achieve. You cannot prevent a pause in your reading when you learn of their deaths. There is one character you're eager to see "pass on," but Pratchett denies you that comfort. Fantasy or no, reality is firmly established here. As always with Pratchett, the characters are your neighbours and family. You know them intimately, never mind their distance in time and place. You rejoice in their successes and mourn their losses. It's all part of Pratchett's ability to capture the reader - new or long- standing.

Back in an earlier Ankh-Morpork, Vimes assumes the identity of John Keel. In this role, he establishes new standards in the Watch - dress, behaviour, skills, attitudes. Those who can't conform are eased [at least] out. Inevitably, the role of the Watch in relation to the military arises. Pratchett has addressed this issue before, of course, and it remains unresolved. Especially in times of civil unrest and resentment over government and taxes. The old labour movement refrain "Which Side Are You On" might have replaced the tune running through this book.

Clearly, Pratchett is far more interested in helping his readers confront the world than in carving himself a comfortable niche among escapist fantasy writers. Those who bemoan the loss of "humour" in his recent works [although the asides in this book are among his best], are ignoring the message. He's a serious thinker imparting his ideas using the methods at his command. To pigeonhole him is to ignore his message or reject it. He deserves better.

I happen to be a great Vimes fan, and I enjoyed it immensely. This is a clever novel that is surprisingly serious for a Discworld book, and yet still retains Pratchett's innate wry humour which prevents it from becoming taxing or sentimental. It follows Sam Vimes (Or His Grace Commander Sir Samuel Vimes the Duke of Ankh) as, by a freak accident, he and a murderer he is pursuing are thrown back in time to an old and dystopian Ankh-Morpork. The adventure that follows is a gripping page turner, full of insights into the nature of evil and the nature of authority. It also features a living Reg Shoe, a young Havelock Vetinari (wonderful!), a child Nobby Nobbs, the novice Dibbler, a younger Sam Vimes, truth, justice, freedom, and a hard-boiled egg.

Our own Sam finds himself a sergeant again, mentoring his younger self and taking a lead role in the rebellion against the paranoid patrician of the time. Pratchett's gentle satire pokes fun at the idealistic rebels who are so sure they can fix everything, but also makes some very pertinent commentary about the role and the power of the police during riots and rebellions.

As usual, Pratchett's characters are cast vividly. Reg Shoe actually reminds me very much of a girl I know in the Socialist Workers' Student Society. Doctor Lawn (who is a doctor to ladies of negiotable affection!) is brilliantly cast as a cunning mixture of the sort of doctor no one respectable would ever visit and the sort of doctor everyone would like to have. Young Lance-Constable Vimes is endearingly naive. Havelock Vetinari is... well, Vetinari, only younger! And Sam Vimes himself is cast brilliantly as a complex and intense character. Pratchett portrays his skill, his passions, his dissatisfaction, his minor annoyances, his affection and even his dark side with great realism.

Perhaps the most disturbing characterisation would be that of Carcer - the murderer - and the 'Unmentionables' who are the patrician's 'special police' as it were. Pratchett realises the strange sanity possessed by the sociopathic Carcer, and excellently portrays the nature of dystopia in the secret and lawless world of the Unmentionables and their superstitious Captain Swing.

All in all, this was a book that was both humorous and serious, thought-provoking, 'unputdownable', touching in places, and all told with Terry Pratchett's affectionate yet satirical style. It's probably (dare I say it!) my favourite Discworld book yet, and although this may be merely my love of Vimes speaking, it's definitely up there with the best.

Carcer is one of Pratchett's best villains, I believe, because he's "normal." Yes, he's insane, but he could very well live in the world we live in, unlike some of Pratchett's other bad guys. Not to say that they weren't good as well, but Carcer adds that extra bit of chill. He's a survivor, able to adapt to many different situations. It takes some time for Vimes to adapt himself to what he has to do once he discovers what has happened. Even when the Monks of History (the main source of any humour in this book) tell him what he must do, he is still reluctant. Carcer, on the other hand, jumps in with both feet, ingratiating himself with the higher-ups, and starts establishing himself. Once he realizes what the situation is with Vimes (and the younger Vimes) it gets even chillier. He's very effective, and the reader is often left wondering just how Vimes can beat him.

This book, however, is Sam Vimes' book. I've always found Vimes to be a fascinating character, throughout all of the City Watch books, and this book just builds on those. Every City Watch book is really about the development of Vimes, and Night Watch takes it to the next level, with an in depth character study, where you get under his skin and find out what makes him tick. When he's taken out of his element and dumped back in time, he has nothing to go on but his copper instincts. Times may change, politics may change, but coppers are coppers, and they just have to do what is right. Catch the bad guys, keep the peace. He sees himself as an extraordinarily simple man, and in a way, he is. But he's very dedicated to what he does, very strongly determined to do what's right, no matter what the consequences. When rebellion is flourishing all over the city, and the Unmentionables (the current government's secret police) is fomenting even more, Vimes is determined to make sure it doesn't reach the area of the Watch house. He uses some very unorthodox methods to make sure this happens, which doesn't put him on the good side of the Unmentionables (especially a new member, who has seemingly appeared out of nowhere). Vimes continues to show his intelligence, as well as his moralistic thinking. He's put through the ringer in this one, and a very interesting character throughout the previous books becomes a fascinating one instead.

The relationship between him (as John Keel) and the young Sam is a joy to watch. The young Sam is very impressionable. He wants to do the right thing, but he doesn't really know what that is. He took part in the round-ups of curfew-breakers (and delivering them to the Unmentionables) only because he didn't know any different. When Vimes arrives and sees what Sam is in danger of becoming, memories flood over him, and he becomes determined to ensure that Sam becomes what Vimes is. He also tries desperately to keep him out of danger, because he has to keep history going along the path it did before. The relationship is wonderful, and really aids in fleshing out the character of Vimes that we all know and love.

The plot is very interesting as well. Rebellion against the current Patrician of Ankh-Morpork is hitting the city all over the place. It is touching to watch the tragic inevitability of what happens, knowing that as much as Vimes tries, he really has to ensure that history repeats itself. The Lilac rebellion must occur in some fashion, and some good people, who he is getting to know again, are going to die. Carcer is going to do his best to make Vimes' life miserable, and if that involves changing history, too bad.

Pratchett ties everything together nicely into a tight plot with no holes that I could see. The story contains some interesting time travel theories, wonderful writing by Pratchett, and interesting characters. Fans of the series will be glad to see that not only are the Watch back (though they are only there in the present-day sequences), but also the Wizards play a small role. The Monks of History are around, trying to make sure that History is not damaged too badly by what is going on. Also, we get some history on Nobby Nobs, Sergeant Colon, Reg Shoe, Cut-Me-Own-Throat Dibbler and we find out a very interesting aspect of the current Patrician, Vetinari. I've noticed that in recent books, Pratchett picks and chooses characters from his series to throw together into a book, and I think it really works.

But make no mistake. This book is about Samuel Vimes. He carries the book on his shoulders, and he does it very well. I wasn't sure if Pratchett could do much more with Vimes other than just another "adventure of the City Watch," but Pratchett proved me wrong. In spades. This is a wonderful book. While it's certainly readable as a first Discworld book, it loses a lot of its impact that way, so I would not recommend starting here. Get some background, then come back to this one. It's a keeper.

David Roy