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Opened Ground: Selected Poems, 1966-1996
 
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Opened Ground: Selected Poems, 1966-1996 (Paperback)

by Seamus Heaney (Author)
4.8 out of 5 stars See all reviews (4 customer reviews)

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Product details

  • Paperback: 464 pages
  • Publisher: Farrar Straus Giroux; Reprint edition (25 Oct 1999)
  • Language English
  • ISBN-10: 0374526788
  • ISBN-13: 978-0374526788
  • Product Dimensions: 20.6 x 15 x 3.3 cm
  • Average Customer Review: 4.8 out of 5 stars See all reviews (4 customer reviews)
  • Amazon.co.uk Sales Rank: 876,419 in Books (See Bestsellers in Books)

Product Description

Amazon.co.uk Review
In "Digging", the first poem in Opened Ground, Heaney likens his pen to both spade and gun. With these metaphors in place, he makes clear his difficult poetic task: to delve into the past, both personal and historic, while remaining ever mindful of the potentially fatal power of language. Born and raised in Northern Ireland, where any hint of Gaelic tradition in one's speech was considered a political act, Heaney is all too aware of the dire consequences of speaking one's mind. Indeed, during times of crisis, he has been expected to appear on television and dispense political wisdom. Most often, however, he stays out of the fray and opts for a supreme sense of empathy to guide his words.

As excavator--of earth, of his beloved Gaelic, of his own life--Heaney is unmatched. In "Bone Dreams", the archaeologist's task is synonymous with reaching for a cultural past:

I push back
through dictions,
Elizabethan canopies,
Norman devices,

the erotic mayflowers
of Provence
and the ivied Latins
of churchmen

to the scop's
twang, the iron
flash of consonants
cleaving the line.
And in early poems like "Blackberry Picking", Heaney's images--deftly, delightfully--carry us back to childhood fields:
At first, just one, a glossy purple clot
Among others, red, green, hard as a knot.
You ate that first one and its flesh was sweet
Like thickened wine: summer's blood was in it
Leaving stains upon the tongue and lust for
Picking. Then red ones inked up and that hunger
Sent us out with milk cans, pea tins, jam pots
Where briars scratched and wet grass bleached our boots.
Round hayfields, cornfields and potato drills
We trekked and picked until the cans were full...
Opened Ground is a pleasure and a triumph. These three decades of work confirm Heaney as one of the most important poets of his time. --Martha Silano --This text refers to the Hardcover edition.

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Customer Reviews

4 Reviews
5 star:
 (3)
4 star:
 (1)
3 star:    (0)
2 star:    (0)
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Average Customer Review
4.8 out of 5 stars (4 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
2 of 2 people found the following review helpful:
5.0 out of 5 stars Very special poetic voice, 24 Feb 2008
This review is from: Opened Ground (Hardcover)
Heaney is a very special poet, similar in my mind to Yeats and Dylan Thomas, with a Zen Buddhist twist - an underground clearly visible through the influences of the Chinese poet Han Shan "Cold Mountain". Like Zen poetry he is often very simple, linear, and descriptive on the surface yet with lots of intertwining symbolism, language play and richness working to create a poetic reality true to external reality yet ripping open to a more profound reality in his attempt to "stabilize truth" as Ben Johnson has said. He is also often times very obtruse in his simplicity - a challenge to any poetic mind. This collection also includes his Nobel Prize acceptance speech, "Crediting Poetry" which is a gem. He is a modern classic. This collection includes most of his best works as well as an excerpt from his play "The Cure at Troy".
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2 of 3 people found the following review helpful:
4.0 out of 5 stars Excellent!, 26 April 2000
By A Customer
I really enjoyed reading 'Opened Ground' as part of my English A level course, especially the 'bog' poems in 'Wintering Out' and 'North'. Heaney has an extraordinary fascination with the discoveries of various iron age bodies as shown by his deeply but clearly expressed emotions and feelings in each of his poems. They are all easy to read and follow making me feel as if I could really relate to what Heaney saw and felt.
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19 of 41 people found the following review helpful:
5.0 out of 5 stars Epoch making collection from a marvellous poet, 17 May 2001
By A Customer
Although, as an Advanced Higher student, I feel a slight bias towards the opening "Death of a Naturalist" poems in the collection, this book is the definitive edition from a man whose ability with onomatopoeic language is unsurpassed. It amazes me how Heaney manages via clever juxtaposition and lexical choice, to create such menacing cacophonies of sound which assault the senses - the prime example being in "Death of a Naturalist" - even the poet admits 'the air was thick with a bass chorus'. Heaney derives greatly form Kavanagh, Wordworth, and, of course, Hughes, yet I feel that he has taken his poetry to a new level of self exploration, within the contexts of childhood, mythology and his own culture. For want of a better epithet, it is sheer poetry.
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5.0 out of 5 stars Stunningly earthy.
What a collection. A life's work that is still continuing and must be read. Heaney taps into the undergrowth of nature and links it beautifully to our own lives like no other... Read more
Published 1 month ago by Matthew Rice

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