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Confessions of Max Tivoli, The
 
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Confessions of Max Tivoli, The (Hardcover)

by Andrew Sean Greer (Author)
4.2 out of 5 stars  See all reviews (5 customer reviews)
Price: £13.96 + £0.08 sourcing fee & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Product details

  • Hardcover: 288 pages
  • Publisher: Farrar Straus & Giroux (Feb 2004)
  • Language English
  • ISBN-10: 0374128715
  • ISBN-13: 978-0374128715
  • Product Dimensions: 21.1 x 14.7 x 2.8 cm
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon.co.uk Sales Rank: 901,366 in Books (See Bestsellers in Books)

Product Description

Amazon.co.uk Review

Out of the womb in 1871, Max Tivoli looked to all the world like a tiny 70-year-old man. But inside the aged body was an infant. Victim of a rare disease, Max grows physically younger as his mind matures. In Andrew Sean Greer's finely crafted novel, The Confessions of Max Tivoli, Max narrates his life story from the vantage point of his late fifties, though his body is that of a 12-year-old boy. He has known since a young age that he is destined to die at 70, and he wears a golden "1941" as a constant reminder of the year he will finally perish in an infant form. His mother, a Carolina belle concerned over her son's troubling appearance, curses Max with "The Rule": "Be what they think you are". Max fails to keep this Rule only a handful of times in his life, but it is the burden of living by it that wounds him and slowly alienates him from the people he loves.

Over Max's narration of the preceding decades of his life, he offers outsider's snapshots of San Francisco and all of America across the late 19th and early 20th centuries. Throughout, Greer uses the literary device of reverse aging to interrogate the evolution of social conventions, the finitude of a human life and the decay of memory. Max wants love. But his curse destines him to deception. He loses his wife, Alice, changes his name and remains hidden from his own son to keep his true identity secret. Only his lifelong friend, Hughie, stands by Max and can see the person inside the anachronistic body. Like the best science fiction and myth, the novel uses its central conceit to reveal human prejudice and explode all assumptions of normalcy to profound effect.

Love is a destructive force in The Confessions of Max Tivoli. But Greer recognises that in the failure of love is also hope. He artfully captures Max's fragile world with a delicacy that never crosses into sentimentality but also avoids the monumental scale of tragedy. As Max says near the end of the novel, "It is a brave and stupid thing, a beautiful thing to waste ones life for love." A journey with Max, while brave and beautiful, is hardly a waste. --Patrick O'Kelley, Amazon.com



Review

"'One of the wisest, most compassionate novels about smart people's emotional lives to come around in years.' San Francisco Chronicle; 'A devastating new writer... marks the beginning of what I suspect will be a significant and lasting career.' Michael Cunningham, author of The Hours; 'The Confessions of Max Tivoli is enchanting' John Updike, New Yorker; 'Greer's descriptive talents are immense' New York Times" --This text refers to the Paperback edition.

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Customer Reviews

5 Reviews
5 star:
 (3)
4 star:
 (1)
3 star:    (0)
2 star:
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Average Customer Review
4.2 out of 5 stars (5 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
17 of 19 people found the following review helpful:
5.0 out of 5 stars "Be what they think you are.", 12 Feb 2004
By M. J Leonard "MikeonAlpha" (Silver Lake, Los Angeles, CA United States) - See all my reviews
(TOP 50 REVIEWER)    (REAL NAME)   
Once in a while a novel comes along where all the different facets come together to produce a piece of work that is so perfect, so literary, so imaginative and just so spell-binding in tone and quality. The Confessions of Max Tivoli is indeed one of these novels. It is a beautiful and daring feat of the imagination that reveals the world through the eyes of a "mooncalf, a changeling; a thing so out of joint with the human race." Max, who ages backwards from birth leads a life that manages to question the very nature of time, appearance, reality and the nature if love itself.

At the center of this heart-rending love story is Max who has the physical appearance of an old, dying creature. He bursts into the world "as if from the other end of life" and the days since are of "physical reversion" shrinking into the "hairless, harmless boy" who scrawls his pale "confession" has he approaches death as a young child. For Max everything is reversed – he's an adult when he is a child, and a boy when he is an old man. Alice Levy is the subject of Max's love and undying devotion. He falls in love with her when she is a young neighbour girl, and after a mistaken romantic encounter with Alice's Mother he loses touch with her. Each successive time he finds his Alice, she does not recognize him and towards the end of the story she gives him another chance at love under extremely unorthodox conditions. And as the story progresses Max's secrets are revealed to the reader in exceptionally clever and exciting ways.

Greer is in complete and utter control of his narrative. His use of metaphor, his ability to evoke natural conversation, his method of inserting a type of wry humor into the work, and his ability to describe San Francisco at the turn of the century, suggests that he is a complete master of the literary form. He effortlessly transports us to the suburbs of South Park and Nob Hill in the 1890's and early 1900's, and simultaneously plunges us into the world of ribboned bonnets, black sunshades; gas lit drawing rooms, and musty whorehouses. Max's incredibly tumultuous life, his relationship with his best friend Hughie, and his love of Alice all take place against the backdrop of the San Francisco earthquake, the horrors of the Great War, the flu epidemic, and the depression of the 1930's. Greer recreates a fabulous world full of rich detail, and loaded with emotion and fantasy. The Confessions of Max Tivoli is a remarkable and beautiful story, and you certainly won't be able to put it down.

Michael

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5 of 6 people found the following review helpful:
5.0 out of 5 stars "Be what they think you are", 1 Jul 2005
By Sebastian Fernandez (Tampa, Florida United States) - See all my reviews
(TOP 50 REVIEWER)   
Any novel that starts with a man in his fifties in the body of a child and with this character mentioning that he will tell us a tragic story involving love and murder, will grab the readers attention. And this is what Greer does in the first couple of pages of this book. But after that he shows his ability to keep us engaged throughout the story, with a combination of an imaginative plot and a superb talent for transmitting the feelings of the main character without missing a beat in the story's pace.

There is no great availability of literary fiction in a fantastic setting, so this novel is a clear break from the ordinary. It all revolves around the narrator, Max Tivoli, who was born with the appearance of a seventy-year old man and is "doomed" to have his body rejuvenate while his mind grows old. The sum of the two ages will always add up to seventy, so he knows that by the year 1941 he will disappear. This special situation forces Max to hide his true self from the rest of the people and he tries to stick by his mother's advice: "Be what they think you are". Only a few times in his life he actually ventures to reveal his reality; probably the most important one is when he is a kid in an old man's body and meets Hughie, a child that will become his best friend for life and will share his experiences, regrets and pain, in the years to come.

And then there is Alice, a girl / woman that will cross Max's path three times in his life at different points and who is the love of his life. It is impressive to see how each of this encounters differ from one another, since even though both characters have the same age, Max's physical appearance suggests otherwise. This dichotomy in Max's life creates complex situations that help us realize what this man has to go through. An example of this is when Max meets Alice and both of them are seventeen, but it is Alice's mother who sees Max as a worthy candidate for herself, instead of for her daughter.

George Bernard Shaw once said "Youth is wasted on the young", and the author explores what would happen if that was not the case, but only for one of us. The result of exploring this topic is a novel written in excellent style and which several times in its course leaves us thinking, with our mouth open after being surprised by implications we had not considered. The setting is mostly San Francisco in the turn of the century, and the author provides the city with a life of its own, giving the story a very special flavor. I highly recommend this work to all those that like literature that makes you think and / or fantastic settings.

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1 of 1 people found the following review helpful:
2.0 out of 5 stars disappointed, 28 Mar 2008
By E. Harper "bookworm" (UK) - See all my reviews
(REAL NAME)   
I am 3/4 of my way through this book and to be honest I have been quite disappointed. The premise excited me and I couldn't wait to start it.The book is an alright read and well written but for me however it is merely a pale imitation of Nabakov's style and even the content of his work. I can pick phrases from the book that are merely reworkings of Nabakov's literary gems in Lolita. Whilst one might conclude that this is Greer paying homage to Nabakov's masterpiece it just doesn't sit well with me.
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Most Recent Customer Reviews

5.0 out of 5 stars "Be what they think you are"
Given as a gift, this is the best modern-alternative book i have read in a long time.

The story follows the life of Max a man born in his 70s in the body of a child... Read more
Published 5 months ago by Matilda Wormwood

4.0 out of 5 stars A sad book
"We are each the love of someone's life." That is the first line of this book, but Max Tivoli's love is only answered very partially. Read more
Published on 25 Jul 2005 by Linda Oskam

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