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11 of 12 people found the following review helpful:
3.0 out of 5 stars
Max Potboiler, 22 Feb 2004
By page 20 of Jennifer Government, I was bitter with envy - why didn't I write this book with all these great ideas? He's the same age as me after all... From the central conceit that the USA has taken over (in a business rather than military sense) almost every other Western country, through the notion that people will be named after their employers in such a capitalizt (sic) future, to the idea of marketing trainers by shooting teens who wear them, to make them seem more desirable - Max Barry just has originality to burn. Even the rhythmically pleasing title had me drumming my heels in merriment.By page 70 I was looking askance over my shoulder, blushing with embarrassment for the fellow. Full of all these ideas and he can't write for toffee! Goodness me, on a sentence by sentence level this book really is terrible. It started when I got the feeling Barry wanted us to feel emotional at the murder of a teenager, who up until then had been just a selfish spoiled idiot designed purely to make a satirical point. And as the book goes on, it becomes clearer that he does want us to take these characters to heart, even though they're pure cartoons. And the reviewer below who thinks it will make a great film clearly thinks like Barry - it quickly becomes pure Hollywood, with action sequences interspersed with 'character' 'development' and people saying things (I can hardly believe it) like "Goddamnit, Jennifer Government, there may be hope for you yet" with a straight face, and people narrowly escaping death by blazing gunfire then saying quietly to themselves, "Hot damn." And this is a real shame. Rarely enough, a great conceit comes along and the creator has the intelligence and wit to take it to its logical (or illogical) conclusion - think Being John Malkovich. But Jennifer Government, which could have been a satirical Philip K. Dick, is just a bog-standard thriller with a dystopian front-end. Those who like their books fast-paced and cinematic will probably love it; those of a more literary bent, look away now. There's nothing to see here.
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by Max Barry
by Max Barry
by Charlotte Perkins Gilman
by Lois Lowry
by B.F. Skinner
