The Kalahari Typing School for Men (No.1 Ladies' Detective Agency) (Paperback)

In this novel, full of gentle humor and wisdom, Mma Ramotswe deals with two clients, one of whom committed a minor crime many years ago and for which he now wants to make amends, and one of whom is worried about a philandering husband. Both cases require the utmost in tact and sensitivity. Mma Ramotswe is also concerned with some personal matters. A rival detective agency, run by an aggressive man, opens an office in Gaborone to great fanfare, and he publicly demeans the #1 Ladies Detective Agency in a news feature. Mma Ramotswe's fiancé, Mr. J. L. B. Matakone still has not set a wedding date, though he clearly loves her, and one of the young orphans she and Mr. J. L. B. Matakone are mentoring, begins to have serious behavior problems. In addition, Mma Makutsi, Mma Ramotswe's assistant, who is barely making ends meet with her current jobs, decides to open a typing school for men after work. Mma Makutsi soon falls in love with one of her students, someone Mma Ramotswe finds inappropriate.

Domestic issues and human relationships, rather than exciting plot lines, keep the focus on the characters--beautifully drawn, sometimes flawed, and always forgiven their faults. In a pace as relaxed as life in Botswana, author Alexander McCall Smith recreates the colorful everyday lives of these ordinary people, who treasure friendships, treat each other with respect, and possess inherent good sense. In simple, direct prose filled with homely details, the author celebrates a traditional lifestyle and its values during a time in which change may become inevitable. A warm, relaxing read, filled with the joy of life. Mary Whipple

The book continues its humorous backdrop as Precious finds herself up against an experienced male competitor who opens the Satisfaction Guaranteed Detective Agency. The competitor proves to be very annoying to Precious, and she struggles to maintain her optimism in the face of this new trial.

With Mr. J.L.B. Matekoni back working energetically at Tlokweng Road Speedy Motors, Mma. Makutsi finds herself dissatisfied. She's really operating as a secretary to both companies rather than as an assistant detective and acting manager, as she had done before. When a new client shows up and insists on speaking with Precious alone, Mma. Makutsi's unhappiness grows. But she shakes herself off, and finds a new opportunity in establishing The Kalahari Typing School for Men, the most unique educational establishment you will probably ever read about.

Precious deals with two client cases . . . neither of which is really a mystery in the normal literary sense. But deciding how to represent her clients' best interests provides weighty challenges of Biblical proportions.

I was a little disappointed in the book, though. Unlike the earlier three books, it lacks the powerful presence of wild Africa to add character and spice. Increasingly, I felt like I was reading just another comic novel about a woman who is trying to juggle all of the balls at once without dropping one. While that is certainly entertaining, this book lacked the uniqueness that made the other books such continuing and pleasant surprises.

As I finished the book, I thought about the special relationship between novelists and their readers. When a novelist establishes a character and a setting for a series of novels, readers expect that what makes that character and setting precious to them will continue. When a book attempts to go off in a new direction, readers should be glad of the author's willingness to experiment. But I do think that the author should provide a valuable substitute if precious elements are left behind. For example, if this novel had been set in an intriguing new locale because Precious had to move, the pleasure of learning about that locale would have made the book's switch in direction worthwhile.

Novelists, keep your implicit promises to your readers!