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Amazon.co.uk Review
With Bill Drummond, it's always best to expect the unexpected. He has made a career out of being gloriously unpredictable. He famously tasted pop success with the KLF, burned a million pounds on a remote Scottish isle and introduced the world to Echo & The Bunnymen and Julian Cope. 45 is as unexpected as the KLF collaborating with Tammy Wynette: a semi-autobiography from a man who has previously been loathe to talk about his work in public. The book takes the form of a collection of short stories and essays focusing on various aspects of Drummond's life. While some chapters are definite page-turners, others move at a more ponderous pace. 45 really comes alive when Drummond discusses hair-brained KLF schemes and K Foundation art stunts. It is within these chapters that he gets closest to confessional, musing on disillusionment, musical myth and the nature of nationalism. Here we get to glimpse into the mind of one of pop's wayward geniuses. Yet it is never more than a mere glimpse. Drummond clearly finds it hard to be truly revelatory. We should, of course, expect this from a man who spent his musical career building up myths, creating alter egos and trying to fool the media and the record-buying public. If anything, 45 illustrates perfectly Drummond's chameleon-like nature. On one hand, he is a shy, retiring family man who enjoys long walks in the country and drinking tea. Yet he is also a tortured genius, a frustrated artist and a man in the throes of a mid-life crisis. When he lets himself go, 45 is a cracking read and one of the most interesting books about music and art in years. --Matt Anniss
--This text refers to an out of print or unavailable edition of this title.
Review
'Drummond has the inimitable wisdom of a true maverick' THE TIMES 'It has flashes of twisted brilliance reminiscent of Iain Sinclair or Will Self' GUARDIAN 'Drummond is a cultural magician and this is his logbook' INDEPENDENT 'Invigorating, irritating and endearing, Drummond is a gifted postmodern raconteur with his tongue stuck firmly in his cheek.' IRISH NEWS 'Inspired.' INDEPENDENT ON SUNDAY 'With Bill Drummond, it's always best to expect the unexpected. He has made a career out of being gloriously unpredictable. He famously tasted pop success with the KLF, burned a million pounds on a remote Scottish isle and introduced the world to Echo & The Bunnymen and Julian Cope. 45 is as unexpected as the KLF collaborating with Tammy Wynette: a semi-autobiography from a man who has previously been loathe to talk about his work in public. The book takes the form of a collection of short stories and essays focusing on various aspects of Drummond's life. While some chapters are definite page-turners, others move at a more ponderous pace. 45 really comes alive when Drummond discusses hair-brained KLF schemes and K Foundation art stunts. It is within these chapters that he gets closest to confessional, musing on disillusionment, musical myth and the nature of nationalism. Here we get to glimpse into the mind of one of pop's wayward geniuses. Yet it is never more than a mere glimpse. Drummond clearly finds it hard to be truly revelatory. We should, of course, expect this from a man who spent his musical career building up myths, creating alter egos and trying to fool the media and the record-buying public. If anything, 45 illustrates perfectly Drummond's chameleon-like nature. On one hand, he is a shy, retiring family man who enjoys long walks in the country and drinking tea. Yet he is also a tortured genius, a frustrated artist and a man in the throes of a mid-life crisis. When he lets himself go, 45 is a cracking read and one of the most interesting books about music and art in years.' Matt Anniss, AMAZON.CO.UK REVIEW
Inside This Book
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First Sentence
I'm pulling my horse face. Read the first page
Front Cover | Copyright | Excerpt | Back Cover
I'm pulling my horse face. Read the first page
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Concordance
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Front Cover | Copyright | Excerpt | Back Cover
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