Review
'A new age J.D Sallinger on smart drugs.' TIME OUT 'Dizzying sparkle and originality.' THE TIMES, 'Quirky, witty, with an affection for its characters which lifts it above the level of such as Bret Easton Ellis's 'Less than Zero.' MAIL ON SUNDAY 'A Landmark book.' DAILY TELEGRAPH 'Fiercely comic.' SUNDAY EXPRESS 'A weird, highly intelligent trashing of the whole yuppy culture.' GAY TIMES
Hamstrung by its reputation as the anthem of a generation, this is a clever, witty depiction of the alienation felt by the over-educated and under-employed, those forced into 'McJobs'. Andy, Dag and Claire have opted out of the lifestyle their schooling has prepared them for and into a life in the California desert, preserving themselves by barriers of irony and heavy drinking. The only time they let their guard down is via the stories they tell each other. Original, touching and funny. (Kirkus UK)
Despite its gimmicky large-format design, with its conspicuously clever marginalia, this fictional debut could easily teach Bret Easton Ellis a thing or two. Written from the same generational perspective, Coupland's self-conscious search for "the spirit of the times" values genuine wit and the redemptive power of storytelling. The apocalyptic tales of Dagmar Bellinghausen, Claire Baxter, and the narrator, Andy Palmer, all serve as a weird guidebook to their X-ed out generation, a group "purposefully hiding itself" from the hyped-up, consumerist, celebrity-obsessed, popcult saturated mainstream. Their pervasive sense of hell brings them together in Palm Springs, a nuclear-age landscape with "no weather" and "no middle class." Dag, a lapsed Mormon from Canada and a refugee from the ad game, shares bartending duties at Larry's Bar with Andy, a 30-ish student of languages from a big, middle-class family in Portland. Joining them in their desert bungalow retreat is Claire, from a wealthy much-divorced L.A. family. Pool-side, these hip Scheherazades combat boredom with their stories of Texlahoma, the Everyplace in their futuristic fables about intergalactic love, supermarket fallout, and bomb anxiety. There are also wacky little bits about the heiress who meditates into an ethereal death; a man trapped on his library ladder for ten years; and a young fellow who wants to be hit by lightning. In the foreground are this platonic trio's current problems - Dag's pursuit of "a clean slate with no one to read it"; Claire's effort to shake her obsession with a corporate boy-toy; and Andy's own entropic search for "less in life." In the margins, Coupland provides a glossary of mostly funny terms (e.g., "McJob," "historical underdosing," "Bradyism," "teleparablizing," and "brazilification"); a bunch of occasionally humorous slogans ("Nostalgia is a Weapon," "Bench Press Your I.Q."); and a handful of pointless, comic-strip frame illustrations. Even though the social commentary is often glib and misdirected, there's lots of welcome rage seething through the cracks in these fractured fictions. (Kirkus Reviews)
Product Description
Andy, Dag and Claire have been handed a society beyond their means. Twentysomethings, brought up with divorce, Watergate and Three Mile Island, and scarred by the 80s fallout of yuppies, recession, crack and Ronald Reagan, they represent the new generation- Generation X. Fiercely suspicious of being lumped together as an advertiser's target market, they have quit dreary careers and cut themselves adrift in the California desert. Unsure of their futures, they immerse themselves in a regime of heavy drinking and working in no future Mc Jobs in the service industry. Underemployed, overeducated and intensely private and unpredicatable, they have nowhere to direct their anger, no one to assuage their fears, and no culture to replace their anomie. So they tell stories: disturbingly funny tales that reveal their barricaded inner world. A world populated with dead TV shows, 'Elvis moments' and semi-disposible Swedish furniture.
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