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A Life's Music
 
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A Life's Music (Hardcover)

by Andrei Makine (Author)
4.4 out of 5 stars  See all reviews (8 customer reviews)

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Product details

  • Hardcover: 112 pages
  • Publisher: Sceptre (17 Oct 2002)
  • Language English
  • ISBN-10: 034082008X
  • ISBN-13: 978-0340820087
  • Product Dimensions: 20.3 x 13.3 x 1.5 cm
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon.co.uk Sales Rank: 1,246,721 in Books (See Bestsellers in Books)

Product Description

Review

'With matchless delicacy and economy, Makine chronicles a talented musician's victimization by the Stalinist purges of the WWII years ... in scarcely 70 pages, Makine presents a movingly detailed history of survival, adaption and bitter disillusionment ... [it is] perfectly conceived and controlled. Its graceful narrative skilfully blends summarized action with powerfully evocative images charged with strong understated emotion. A masterly dramatization of "the disconcerting simplicity with which broken lives are lived."' -- Kirkus Reviews 'Makine here is as good as Stendhal - or Tolstoy ... a marvellous book, beautifully translated ... I've read it now four times and each time found more in it. With each reading it seems better, richer, deeper. On the surface it's simple and beautiful as an autumn morning. So it delights at first reading. But nobody who cares about literature and good writing, nobody who believes that imaginative literature tells us more than any factual work can do, will be content with that first reading ... Makine is storyteller, teacher, and enchanter most of all. I would rather read him than anyone else now writing, and then reread him. I think this is his best book so far.' -- Allan Massie, Literary Review 'Makine's novellas are short in length but beautifully paced and filled with a lyricism that weaves reality and fantasy into a far bigger picture. Little wonder, then, that he's frequently likened to other Russian greats such as Nabokov and Chekhov ... an engrossing story of love, tragedy, betrayal and loss. Moving the plot forward effortlessly, he creates a mythic portrait of Communist Russia.' -- Scotsman Andrei Makine's latest novel brilliantly depicts the utter desperation it often took to survive the Stalin years. The philosopher Alexander Zinoviev, a refugee in Munich, coined the phrase 'homo sovieticus' to define the character of the subjects of the USSR. The gist of this character lay in its willingness to accept whatever happened, and yet go on surviving. The description of this mass of 'homo sovieticus' waiting with infinite patience, without animation or complaint, is memorable, brilliantly done. This is in a sense an image of [the narrator's] life, spent feeling its way among a cluster of twisting and turning tracks under the snow.His revolt has been pushed to the limit. He has become, as Makine said in an interview, "simply his soul, naked under the sky". In becoming that, he has transcended 'homo sovieticus', or escaped the category, and his terrible story may be read as a victory. This is a marvellous book, beautifully translated by Geoffrey Strachan. He writes of the "disconcerting simplicity with which broken lives are lived", and an elusive haunting melody sounds in the background beyond the wreckage. -- Allan Massie, The Scotsman 'When I describe Andrei Makine as a great writer, this is no journalistic exaggeration but my wholly sincere estimate of a man of prodigious gifts. In his combination of clarity, concision, tenderness and elegiac lyricism, he is the heir to Ivan Bunin, the first Russian ever to receive the Nobel Prize for Literature.' -- Francis King, Spectator 'A story whose telling has been set in motion by an accidental encounter is itself made up of such encounters, reflecting what Alexei comes to think of as "the disorderly torrent of life." But it is Makine's special gift to distill these events into images ... Apt and unforgettable, these images form a progression that has the cumulative force of music. Geoffrey Strachan's strong and graceful translation of a novel written in French manages to let its Russian soul shine through. "A Life's Music" exchanges the lushness of Makine's earlier work ... for the fiercer pleasures of concise storytelling. This is Makine's art; and it is, as the Soviets feared, subversive. His rendering does not impose order on Alexei's life so much as it cuts away that life's obscuring clutter.' -- Ann Harleman, New York Times 'Through the small generosities and personal sacrifices of individual characters, Andrei Makine manages to extricate a message of hope in a novel that subtly lessens the gap between desire and disappointment.' -- Punch online 'A Life's Music covers an extraordinary amount of ground. It stretches across many years and takes on mighty themes without straining. No contemporary writer has distilled the essence of the Soviet Communism as skilfully as Andrei Makine and, in the poignant fable about Homo sovieticus - the phrase coined by the philosopher Alexander Zinoviev - he again cuts to the heart of the issues involved.' -- The Sunday Telegraph 20021103 '[Makine's language is that of tragic romanticism - all blue dusks, lost dreams and constant yearning ... A Life's Music again proves Makine to be a very fine craftsman.' -- Times Play 20021026 'Makine is a brilliant storyteller ... Both powerful and graceful, [A Life's Music] has far more depth and scope than one might expect.' -- Scotland on Sunday 20021020 'Makine is an expertly understated writer ... the pianist's story itself [is] plainly written and yet full of the resonances of suppressed music' -- Alex Clark, Sunday Times 20021117 'This English translation is superb: lyrical, moving, intense, vivid, terse, atmospheric, and with never a word out of place. Makine has gone for depth rather than length, and Sceptre are to be congratulated for bringing out his novella as a seperate volume - thus securing for it the prominence it deserves. One advantage or brevity - having read it for the purposes of this review, I will start to read it for a second time, almost immediately. Then go out to get hold of his six previous novels.' -- Sunday Herald 20021117 'A masterly novella.' -- Paul Bailey, Independent 20021117 'Beautiful and poignant... a book to keep and treasure.' -- The Good Book Guide 20030101 'Both an unbelievable and an all-too-familiar wartime account of a young boy's life destroyed when his parents disappear in Stalinist Russia ... [Makine] possesses the ease of Chekhov, slight echoes of the great W.G Sebald and a limpid allure all his own ... a major European writer blessed with a profound grasp of history and its impact on the individual ... In many ways a spare, rather oblique tale of shifts, shadows and the half-spoken, it defies its compressed novella length. Indeed, the achievement of what is a characteristically exquisite piece is that the old man's long distant experience is so intensely felt that the reader forgets all about the narrator ... Here is a haunting performance as assured and self-contained as a Chopin nocturne - to be enjoyed and remembered.' -- Eileen Battersby, Irish Times 20030101 'Makine here is as good as Stendhal - or Tolstoy ... [he is] storyteller, teacher, and enchanter most of all. I would rather read him than anyone else now writing, and then reread him. I think this is his best book so far.' -- Allan Massie, Literary Review 'Beautifully paced and filled with a lyricism that weaves reality and fantasy into a far bigger picture ... engrossing' -- Scotsman 'With matchless delicacy and economy ... Makine presents a movingly detailed history of survival, adaption and bitter disillusionment ... perfectly conceived and controlled. Its graceful narrative skilfully blends summarized action with powerfully evocative images charged with strong understated emotion ... masterly' -- Kirkus Reviews '[An] elegant, heart-rending little gem of a work ... entirely fresh and necessary. Highly recommended.' -- Barbara Hoffert, Library Journal (New York) 'Makine's lovely lyric writing - excellently translated - in which the scenes are imagined with a sharply cinematic focus, gives it considerable depth and focus; the quiet ending ... is wrenching.' -- Publishers Weekly This is a marvellous book, beautifully translated by Geoffrey Strachan. He writes of the "disconcerting simplicity with which broken lives are lived", and an elusive haunting melody sounds in the background beyond the wreckage. -- Allan Massie, The Scotsman 'Geoffrey Strachan's strong and graceful translation of a novel written in French manages to let its Russian soul shine through. "A Life's Music" exchanges the lushness of Makine's earlier work ... for the fiercer pleasures of concise storytelling. This is Makine's art' -- Ann Harleman, New York Times 'Proves Makine to be a very fine craftsman' -- James Hopkin, The Times 'No contemporary writer has distilled the essence of the Soviet Communism as skilfully as Andrei Makine.' -- The Sunday Telegraph 20021103 'A masterpiece ... both a page-turning adventure story and a parable. It has a universality that goes far beyond Russia as a police state and an artist forced to deny his art ... profoundly disturbing and deeply compassionate.' -- The Sunday Herald 20021027 'This year brought a number of good works of fiction. It also brought one great one ... At the close, one feels that one had read not a novella but an epic.' -- Francis King, Spectator Books of the Year 20021027 'The subtle horrors of a totalitarian state are rendered with rare delicacy.' -- The Sunday Telegraph 20021103 'A homage to the resilience of the human spirit.' -- The Sunday Telegraph 20021103 'Two marvellous books this year had me shouting with joy at man's ability to triumph over adversity ... A masterpiece, a novella to be read in a lunch hour and remembered for ever ... as poignant as it is bleak, but again sadness and loss are redeemed by magical story-telling, the poetry of the writing and Makine's compassion for his fellow men' -- Jilly Cooper, Sunday Telegraph Books of the Year 20021103 'Masterly' -- Paul Bailey, Independent Books of the Year 20021103


The Scotsman

'Beautifully paced and filled with a lyricism that weaves reality and fantasy into a far bigger picture ... engrossing'

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Customer Reviews

8 Reviews
5 star:
 (4)
4 star:
 (3)
3 star:
 (1)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (8 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
17 of 17 people found the following review helpful:
5.0 out of 5 stars A beautiful story, 2 Jul 2004
By Leonard Fleisig "Len" (Washington, D.C.) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)      
This review is from: A Life's Music (Paperback)
Andrei Makine's Life's Music is a slim book. It a simple story, told in a straightforward, spare fashion. Yet within the framework of this simple story lies a profound piece of work that has an impact on the reader that, like the most beautiful music, lingers long after the last note fades into the night.
Makine, for those not familiar with his work, was born in the Soviet Union in 1958. He emigrated to France as a young man. He writes in French. At the risk of setting out what may sound like a hackneyed cliche, Makine's work for me combines the grace and elegance of the best French writers and the deep soul and conviction of the best Russian writers.

A Life's Music is set up as the re-telling of a conversation had between two strangers on a train moving slowly west from Siberia sometime around 1958, the year many thousands finally won their release from the labor camps that dotted the Soviet Far East. Two men sit together. One older man, wearing clothes that mark him as someone just released from the Gulag strikes up a conversation with his fellow passenger. The story is set out in the voice of the other passenger. As the train moves on the older passenger and the narrator exchange slowly. At some point the older passenger, Alexei Berg, slowly sets out his life story.

In 1940, the young Alexei, son of prominent artists and himself a classically trained pianist of great talent and promise, was preparing for his debut recital. On approaching his family flat after the dress rehearsal he sees a pre-arranged symbol indicating that his parents, supposedly dangerous members of the intelligentsia, had been swept up by the NKVD (pre-cursor to the KGB). Alexei makes his escape and finds himself hiding out in the Ukraine in 1941. The devastation of the Nazi invasion of the USSR in June of that year engulfs the Urkaine. Alexei comes upon the body of a dead Soviet solider, a peasant, and assumes the dead soldier's identify. Although this provides him some protection from those who might still seek his arrest, Alexei realizes quickly that he must maintain this identity at all costs.

Alexei makes it through the war in one piece and, in fact, finds favor with a Soviet general, who keeps him at his side as an aide de camp during the rest of the war. Alexei's survival remains dependent upon his being thought of as a simple peasant. After the war, Alexei finds work as the general's driver. The general's daughter takes a liking to the young 'peasant' soldier. Alexei becomes enamored of the daughter. The daughter, whose piano-playing skills are somewhat limited, if earnest, decides to teach the young peasant Alexei a few simple tunes on the piano. These lessons lead, inexorably, to the book's climactic moments.

The book leaves the reader (or at least it left me) contemplating the choices and compromises we sometimes make with life. It left me contemplating the question as to how much of myself would I compromise, how much of myself would I keep hidden in order to maintain some small amount of freedom in an unfree world.

As I noted at the beginning, this is a simple story, simply told. Yet, as with music, sometimes even simple combinations of notes creates a beautiful mosaic of sound. Makine has done this with the graceful combination of notes that makes up his Life's Music.

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7 of 7 people found the following review helpful:
4.0 out of 5 stars Beautifully constructed novella, 14 Oct 2005
By Depressaholic (London, UK) - See all my reviews
(TOP 500 REVIEWER)   
This review is from: A Life's Music (Paperback)
Makine's 'ALM' is a touching novella set around a chance encounter between two strangers at a remote Russian train station. The unnamed narrator is surveying the others waiting for the Moscow train, examples of 'Homo sovieticus', the modern Russian species. Among the soldiers, the prostitutes, the destitute, one man catches his attention, a pianist who he finds weeping at a piano in one of the station houses. When the train eventually arrives, the two travel together and the pianist, Alexei, tells his life story.
Alexei's story is touching and melancholy, yet strangely uplifting, and revolves around two events of significance. The first is the burning of a violin that belonged to a friend of the family. The friend had become an undesirable, and Alexei's parents burned the violin so that they couldn't be connected to an undesirable by the authorities. The arpeggioed sound of the strings snapping in the fire represent the end of music for Alexei. When his parents are arrested, he flees abandoning a piano recital in the process. He takes on a new identity and tries to lose himself in the war, succeeding in leaving his past, and his music, far behind. Eventually though, seated at a piano surrounded by polite Russian society, he reveals his music and exposes himself as a fugitive. The rediscovery of his music condemns him to face soviet justice, but gives Alexei the inner freedom that he had lost.
'ALM' is a beautiful little novella. It took me an hour and a half to read, and much longer to think about. Makine's use of music as representing what Alexei had lost to the soviet regime is touching and well realised, and the denouement in which he throws off his shackles at the piano is dramatic and powerful. It is a sad reflection on Stalinist Russia, but is in no way political in the narrow sense. Instead it shows one person's story amongst millions, imbuing it with a dignified melancholy and power that belies the simplicity of the story. 'ALM' follows firmly in the tradition of Solzhenitsyn and Chukovskaya, yet is touched with more lyricism than either. It is an excellent example of a novella, and of modern Russian writing, and should be widely appreciated.
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6 of 7 people found the following review helpful:
5.0 out of 5 stars Powerful story; excellent writing, 6 Feb 2004
By Barton Keyes "barton keyes" (England) - See all my reviews
(TOP 500 REVIEWER)   
This review is from: A Life's Music (Paperback)
Short in length but extremely powerful in impact, this story continues Makine's exploration of the dark side of his Motherland's history. In his usual liquid prose, Makine lays bare the skeleton of a life wrecked by circumstance and prejudice -- all from the starting point of a simple incident in a railway station. The story is resonant and excruciatingly sad. A lot to pay on a per page basis but cheap for the affect it will have on you and the way that it will open your eyes to the fragility of existence. I am a fan of Mr Makine's writing, as you can tell.
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Most Recent Customer Reviews

4.0 out of 5 stars The haunting rhythm of life in wartime USSR
While waiting for a train back to Moscow, the narrator meets an older man playing the piano in a back room and they strike up a friendship and the older man then tells his life's... Read more
Published 9 months ago by Annabel Gaskell

5.0 out of 5 stars hauntingly beautiful, captivating book
I am still part way through this book and am rationing it as I love it so much. It is incredibly atmospheric, beautifully written (and translated) and Makine is a great... Read more
Published 10 months ago by C. S. Clarke-jervoise

3.0 out of 5 stars short and uninspiring
I'm not awfully sure about this one. It's only a very short book and by the time I was almost 1/3rd of the way through, I just wasn't gelling with it. Read more
Published on 2 Mar 2007 by Mrs. K. A. Smurthwaite

4.0 out of 5 stars Briefly enduring
With brevity untypical of a Russian classic, Makine's novella is a contradiction of concise storytelling and epic narrative, imbued with pathos reminiscent of Gogol and the dark... Read more
Published on 8 Jan 2007 by Madly Bobbington-Blythe

5.0 out of 5 stars Sounds of connections
A train station like a dot in the snow-covered expanse of the Siberian plains. People, thrown together by chance, patiently waiting hours for the delayed train to Moscow... Read more
Published on 7 Feb 2005 by Friederike Knabe

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