by Sophie Kinsella
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Honey wants romance, but she wants it realistic. There are rich kid helicopter rides, jokey white stretch limos, a feng shui-obsessed sister and American girls called Cherelle who declare: "Hello I also work my butt off at the agency and I'm hot." There's a soundtrack of dance records, casual drug references and cool, inspirational friends. In this modern world the characters are all young, flirty and angst-ridden as befits a time when being "romantic without irony is practically against the law." According to Honey, postmodern romance is like postmodern buildings: spacious, hygienic and soulless. Perhaps the book is a little like that too. It's sly and funny but a little hollow at its heart. The emotional dramas get worked out, but if it still feels like a disappointment it may be because this is more a case of okay for the time being than happy ever after. --Eithne Farry
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