Amazon.co.uk Review
Asked by her new husband, the gentleman detective Lord Peter Wimsey, why she is having trouble writing her latest mystery novel, Harriet Vane explains, "When I needed the money, it justified itself. It was a job of work, and I did it as well as I could, and that was that. But now, you see, it has no necessity except itself. And, of course, it's hard; it's always been hard, and it's getting harder. So when I'm stuck I think, this isn't my livelihood, and it isn't great art, it's only detective stories. You read them and write them for fun." Is this a clue to the mystery of why Dorothy L. Sayers put aside her 13th full-length Lord Peter novel in 1938 and never finished it? She had made lots of money, and was much more interested in translating Dante and writing about religion. Or is it another excellent novelist, Jill Paton Walsh, speculating--in a perfect imitation of Sayers's voice--on what might have happened? Walsh was invited by the estate of Sayers' illegitimate son, Anthony Fleming, to finish
Thrones, Dominations. She has done a splendid job, certain to please Sayers loyalists on the "dorothyl" listserv as well as those new to the Wimsey canon. Lord Peter has been made much more human and interesting by marriage; Harriet is a wise and acerbic companion; and the story, about the murders of two beautiful young women involved with a theatrical producer, is full of twists and connivance. There's also a fascinating subplot involving the soon-to-abdicate King Edward VII and a country on the brink of the second world war. Earlier Wimseys in paperback include
The Five Red Herrings,
Gaudy Night,
Murder Must Advertise, and
Unnatural Death. Books in print by Walsh include a mystery called
A Piece of Justice and a novel,
The Serpentine Cave.
--This text refers to an out of print or unavailable edition of this title.
Review
'Jill Paton Walsh has...given us a Lord Peter story in the true Sayers' style and tradition' (Norma Major - The Week on Thrones, Dominations 20021221)
‘An engrossing, intelligent and provocative novel in the guise of a conventional mystery.’ (Joyce Carol Oates, New York Times Book Review 20021201)
‘Could this be the best book Dorothy L. Sayers never wrote? She has done a splendid job - certain to please the legions of Sayers loyalists as well as readers new to the Wimsey canon . . . Lord Peter has been made much more human and interesting by marriage. . . and the story is full of twists and connivance.’ (Chicago Tribune on THRONES, DOMINATIONS 20030503)
'A must for all Wimsey lovers...an entertaining read which offers some longed for insight into the lives of the Wimseys after their marriage' (Northern Echo (Presumption of Death) 20030531)
'Vintage whimsey ... Wimsey lives on in delicious familiarity in this triupmh not just of one writer's art, but of two' (Huddersfield Daily Examiner (Presumption of Death) 20030531)
'An admirable page-turner with some fascinating detail' (Publishing News )
'Jill Paton Walsh excels as Ms Sayers' posthumous voice. As before the two authors blend seamlessly and the intricately woven plot would grace anything from the golden age of detective writing' (Norfolk Journal (Presumption of Death) )
"Undeniably fascinating reading for lovers of good crime novels - nad, in particular, those who loved the Lord Peter Wimsey series." (Liverpool Echo )
"A must for all Wimsey lovers, this beautifully written novel is a murder mystery in the style of Agatha Christie." (Lancashire Evening Post )
"A truly engaging read" (Lancashire Evening Post )
See all Product Description