The Scar (Hardcover)

As such, The Scar is the best sort of sequel, in that it is only tangentially linked to the previous novel - in this instance the lead heroine is initially on the run from New Crobuzon because she is wrongly suspected of being involved with the Slake Moth outbreak that drove Perdido Street Station. However, while you don't therefore NEED to have read Perdido Street Station in order to enjoy The Scar, I would still recommend reading the previous volume first for one simple reason - it's slightly better.

The Scar is filled with fantastic concepts -the city of Armada itself; the leviathan avanc that the Armadan's plan to harness to their city; an island of terrifying mosquito women; and a scar in the fabric of Bas-Lag seemingly created by a crashed alien spaceship that bleeds out quantum instability, and the characters are compelling, but the crucial difference between The Scar and Perdido Street Station is the lack of narrative tension this time round. In Perdido Street Station the narrative was driven by the deadly threat of the Slake Moths, and the characters desperate attempts to contain the threat before the creatures spawned - in The Scar the threat is much more nebulous - whether it's the threat of the monstrous Grindylow hunting someone on board Armada, or the Lover's quest to drive Armarda into the Scar, the threat's are always somewhere over the horizon, and during the novels middle section the book feels rather becalmed. As with Perdido Street Station this is a brick of a novel - unlike Perdido Street Station this feels in need of a little editing.

Still - a fine book, but one it's easier to admire than love.

The author's use of language to paint vivid and engaging pictures is just as evident as in 'Perdido Street Station'. Sights which could be comic if handled only slightly differently hold chilling and at times repellent fascination. Mieville's ability to capture the essence of s scene, person or thing within the space of a few words is one of the things which makes 'The Scar' a truly enjoyable read.

However, it's not one for the faint hearted. The author is certainly emergining as one of the finest current exponents of weird fiction. His books blur the boundary between fantasy, SF, horror and all manner of traditional genres, giving a sense of the truly new and innovative. Like any author, there's a certain amount of hat-tipping to favourite and inspirational writers, yet the book has a freshness of idea and place which marks it out from others. The story starts off simply, with the escape of one character from the sprawl of New Crobuzon, the transporting of prisoners across the sea, acts of piracy and the amazing appearance of familiar objects (you'll know what I mean when you come to them).

All in all, if you enjoyed 'King Rat' or 'Perdido Street Station', then you'll most certainly enjoy 'The Scar'. If you've not read the authors work before, then I'd heartily recommend this and all of his novels.

Tinges of Melville surround the overarching story of the hunt and capture of a true miles-wide Leviathan, but trying to pigeonhole China is an impossible task, as one finds elements from Bram Stroker to Dickens to Richard Burton all thoroughly churned into this mix that China makes uniquely his own. Trying to predict what will happen or what a character will do is an exercise in futility, doomed to failure as China continuously surprises you. His characters, for all their incredible physiognomy, are recognizably human, richly detailed while maintaining depths that are just out of reach.

Uther Doul is a true man of mystery, wielding his Possible Sword and twisting events (and possibilities?) for his own unknown desires, the prime mover of the events in this story. Bellis Coldwine is the main viewpoint character, in some ways equivalent to Ishmael of Moby Dick, an observer who nonetheless takes important actions that have definite influences on the final outcome; cold, distant, but yet one who gets caught in more than one love affair. The Brucolac, a real, practical vampire; Silas Fennac, the New Crobuzon spy; Tanner Sack, a Remade man who is the epitome of loyalty yet will still betray his chosen country of allegiance; each character adds their own touch of flavor and complexity to this bitter and compelling tea. And in the distance are The Lovers, erstwhile commanders of the motley collection of ships that make up the Armada, defined by their odd sexual practices, practices that leave them mirror-image scarred, a metaphor in flesh of China's thematic investigation of the cuts and scarring that happen to and are part of the definition of everyone.

China's strength is his incredibly descriptive prose, much in evidence here, but the picture he paints is not as monochromatically dark as it is Perdido Street Station, as he dips his pen with bits and swirls color, highlights poking out of his black felt. His pictures of his diverse creatures are not as detailed as they were in the earlier novel, especially not for those creatures and near-human species that not new to this book. For this reason alone, I recommend reading Perdido Street Station first, so that one comes to this book steeped in the environment, the depressive bleakness of the earlier work.

The plot is a continual set of twisting surprises and seeming diversions, but each part is fully tied to the climax of this work. In this area, this book far exceeds his earlier work, showing all the signs of meticulous planning, where each element is necessary to the story, and events are driven by the complex interaction of each of his characters, rather than mere happenstance or coincidence.

My only real complaint with this book was the Coda that is tacked on after the main climax. While this Coda neatly wraps up all the unanswered questions and provides closure to some of the splinter stories, I felt it was unnecessary and spoiled the power of the highly emotional main ending line.

With this book, I feel that China has entered the top flight of today's speculative fiction writers, mature, confident of his mastery of the art of story telling, with a voice that uniquely and compellingly his own. I predict this book will take all the various awards for this year, and I can look forward to many more years and many more great reads from this brilliant new fable spinner.